Very disappointed :(

A different way of telling a story

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

"Chelsea Walls" is a sensual meditation on the lost and troubled souls who drift in and out and settle down at the historic Chelsea Hotel.Ethan Hawke here stays behind the camera as director and gathers his friends Robert Sean Leonard and Steve Zahn, wife Uma Thurman, veterans Kris Kristofferson, Tuesday Weld and Harris Yulin and luminous relative newcomers Rosario Dawson and Mark Webber for moving monologues and dialogs written by playwright Nicole Burdette, as well as mesmerizing poetry renderings of Rimbaud and Dylan Thomas.Hawke has an unusual eye that loves and respects women that's more romantic and empowering than nude humpings in most films today, even as here all we see are fleeting moments in confusing relationships with their irresponsible men, even though I really had no idea what was going on. The music, mostly by Jeff Tweedy and Wilco (with a striking cameo by Jimmy Scott, both acting and singing Lennon's "Jealous Guy") was used as lovely commentary and yearning revealed.Filmed in digital video, the bleeding over the screen and the blurriness could have been due to lousy projection. (originally written 5/4/2002)

The young poet Audrey is shown writing an epic love ode to her boyfriend. Montage of her on her bare-roomed floor with voice over ("I want to be your wristwatch band so that every pulse throb will subtly remind you of my eternal love", etc.), images of this young Romeo, a spoiled-looking kid with all the depth of a ham sandwich. More poetic verbal images and then the [unintentional] comic moment, seen in a silent image: Romeo and Juliet on the balcony of the Chelsea Hotel where in a Romantic Moment that justifies all her deathless love and poetry....he spits, intentionally, on a sidewalk passerby many feet below. Yes, what Musedom he provides for the piss-elegant poetry of her young being. Priceless! (And, oh yes, a few lines must be dedicated to the usual Kris Kristoferson tired, substance abused, world weary artiste performance: would you want to spend 15 minutes with this drunken dope at a party?)

There are many lines like the one above in this film. Ethan Hawke in his first work as a director has tried to capture the feeling of these modern beatniks who reside in the Chelsea Hotel in NYC and have chosen for themselves a way of life that is different than the kind of life our society would consider successful. These people aren't even artists, they're just artist wannabes. A little boy says it very clearly "It's hard to say who really is a poet these days". What makes them interesting and what they have in common is that they can't stand the modern world, their perspective on life and the belief that happiness is in simple things. There are several moments in this film that make that so clear. One of them is when Val tells Audrey (played brilliantly by Rosario Dawson) "We only have 43 dollars" and her answer is "We're just living Val. Lots of people do that.". While I was watching this film I was thinking of something I had heard in Charlie Kauffman's 'Adaptation'. "In real life nothing really happens" and I think that's exactly what Ethan Hawke's purpose is, to show us the life of some not so ordinary people who however have feelings and ordinary problems. Ethan Hawke has a wonderful script in his hands, but he fails to deliver and that's the most diappointing thing about this film. But other than that this film has so many beautiful poetic moments that it's worth watching. I understand though that if you never dreamed of this kind of life, if everything that you think matters is to make money in order to afford the comforts of modern life then this film will never appeal to you.

Although a film such as this might not be appreciated by the average bumpkin, I highly recommend it for all persons who appreciate very thought provoking movies. It is one of those rare movies that stirs up new thoughts with every successive viewing. Then again how can one expect any less from a young director who has also superbly chosen roles in other movies for himself to portray. Ethan seems to consistently gravitate toward subject matter that is much too profound for what the main stream audiences of our world are willing to confront. This is not a fault of his but a shortcoming of the average person's attention span. This film is what great art is all about. Great work Ethan!