ChickenHawk
ChickenHawk
| 01 January 1994 (USA)
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Members of the controversial group NAMBLA (North American Man/Boy Love Association) discuss why their organization supports "boys and men who have or desire engagements in sexual or emotional relationships."

Reviews
Steinesongo

Too many fans seem to be blown away

Ploydsge

just watch it!

Reptileenbu

Did you people see the same film I saw?

Teddie Blake

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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framptonhollis

NAMBLA is the "North American Man Boy Love Association", and it is one of the stupidest things on our planet. As a person who believes that pedophiles have the power to be sympathetic and good people as long as they get help and refuse to act on their urges, NAMBLA is just plain disgusting. Instead of trying to get help and prevent urges, they want support for their urges! Obviously, a documentary about such an association that mostly features interviews with members will be filled with eye rolling, cringe-worthy moments-and it sure is! But, boy (no pun intended), is it interesting! This is among the most fascinating documentaries I've seen recently, because it refuses to condemn or praise such a group, therefore it has kind of split audiences in half and has created some controversy. People have labeled it as being everything from an anti- gay film to a pro-pedophilia film. In my opinion, it is neither of these. It mainly serves as a mostly anti-NAMBLA film just because of how little logic the members use and how creepy and disgusting they seem, despite the narration and film making style remaining totally neutral. Perhaps, it was best for the filmmakers to stay far away from any manipulative tactics, because the film is powerful and strange in its own special way. Also, there's plenty of unintentional humor throughout, such as the simultaneously cringey, disgusting, and funny moments with the absolutely demented Leyland Stevenson, a soft- speaking, yellow sweater wearing, delusional creep that attempts to defend himself while failing hilariously.

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As_Cold_As_Ice

This is a really strange documentary that is literally about men who love boys, one of their major groups in NAMBLA, and it gives the men a chance to explain their side of the issue somewhat.This movie is in no way, shape or form anything other then neutral. We get experiences and defenses from the boy lovers, people who were molested by men as youngsters, psychologists, and members of the gay and lesbian community. If anything, the boy lovers get the most screen time, which allows them to convey their feelings, and also to show what disturbing people they are.Three scenes stand out; the first was one of the boy lovers talking with a young boy outside a shop, his eyes studying him, checking to see if he had a chance to bed him. The next was NAMBLA trying to march in a gay/lesbian parade, with other marchers telling them to get lost, and the last was of a boy lover receiving obscene messages on his phone, and a congregation of people outside his apartment shouting anti-NAMBLA slogans. The last scene mentioned almost makes you feel a little sorry for him, except on his walls are hand-painted pictures of boys with long penises, and the fact that he screws boys.Overall, I thought this was a well done documentary, who showed us for the first time what kind of filth these people are.8/10

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ElijahCSkuggs

Chicken Hawk is a documentary that sheds a strange, immoral light on the world of pedophiles and more so the perverted and disillusioned group known as NAMBLA, aka the North American Man Boy Love Association. At first, I was unsure of the film's authenticity, but as it progressed, the various scenes and spots these men haunted validated its realness, which in turn, increased its disturbing effect. These homosexual men are as insane as any non-institutionalized person could be. They rant and explain how these children are in fact "flirting" and "desiring" such communication, with such a bizarre eloquence and intellectual manner, that is indeed interesting to listen to their bewilderingly, sick diatribe. The film is definitely con pedophiles, as would be any sane production company, but I believe the picture could have been a little more polished if it had kept a more neutral stance. Very decent documentary on the whacked out organization that is NAMBLA.

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utahfilmmaker

This movie will unfortunately never get the attention it deserves due to the unsettling subject matter, and the potential confusion some people may have between portraying child molesters and supporting them. This movie portrays several of the members of a group called NAMBLA, whose members promote child molestation as a viable and healthy activity and as even go so far as to claim that it is beneficial to the molested children. It resists the temptation to condemn them, and instead gives them enough rope to hang themselves, which they do. I say this movie is an absolute for any aspiring documentarian because it's very educational on the issue of objectivity. Although there is no voice-over condemning the pedophiles, the audience will leave with the message that these people are perverts and predators. Why? Simply because they *are* perverts and predators, and any objective portrayal of the subject cannot avoid making that clear. It seems almost as if the filmmakers go out on a limb to "show both sides" (witness the negative behavior of the KKK-like anti-nambla group that the filmmakers show), the pedophiles still end up the bad guys of the film, simply because they are the bad guys in real life and any footage of them shows it (I won't list a spoiler, but look at the last shot in the film for a great example of this). This is also an excellent psychological study of how some people, pedophiles in particular, will lie to themselves in order to remain happy. For example, see how the character Leland constantly talks about how it's the children who really go out of their way to "seduce" him, but then when we actually see footage of him interacting with a child outside a store, it becomes clear that he is the predator in the situation and that the child wants to leave, but in the interview after that scene, Leland STILL describes it in terms of the child "flirting" with him. The film makes clear that these people can only live with themselves by constructing an elaborate fantasy world.

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