Wonderful character development!

Plot so thin, it passes unnoticed.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I grabbed this DVD from the library with not much of expectations. The reviews on the cover were definitely convincing,but it is expected that no one will trash their own film. Having said that,i haven't seen the cover of "The Room". Surprisingly,the end result turned out to be a good,light comedy which was engaging till the end.The movie tries to solve every puzzle and clears fog over many issues that stems while watching it. The opening short is a bit bizarre but the story is narrated in a beautiful manner to join the dots. Being a Wes Anderson fan,the small things about characters fascinates me and for a movie romantics,this film has loads of small bits which are likable and pivotal in the story-line. I enjoyed the movie and would recommend to anyone who is looking for a light comedy instead of wasting time elsewhere. Enjoy the movie.

Usually telling the end of a film is considered a spoiler. In the case of Argentinian director Sebastián Borensztein, 'Chinese Take-Out' ('Un cuento cino' in the Spanish version) it would be a spoiler to tell how it begins. I actually watched the usual late comers to the cinema hall and wondered whether the film experience is really complete for those folks who entered even only two minutes late after the start of the projection. So, I won't make the mistake of revealing the start of this quite charming feel-good film, I will just say it's quite relevant.The film tells the story of a grumpy mid-aged owner of a hardware shop in Argentina named Roberto who lives alone, refusing almost any relation with other human beings excepting his suppliers and customers (well, even with these ones only to the point where they do not walk on his toes). He is a good and decent man, and a very bad communicator at the same time. The last thing he needs in life is the appearance of a young Chinese man, Jun, frightened and disoriented, who looks for his uncle in the search for somebody to support him in finding a new way in a new country and who has no-one to rely on but Roberto whom he met accidentally. None of them speaks any word in the language of the other, and each hides traumas from the bast that justify their own barriers in communication. The whole movie is about finding ways to communicate and building a friendship that will help both in overcoming the hurdles of life.Films about overcoming cultural gaps doubled by barriers of language and making human communication possible despite of them have been made in the past, the one I happen to remember is the Israeli 'Noodle', which was telling the story of a stewardess who finds herself taking care of an abandoned Chinese kid. What makes the story different in 'Un quento cino' are the background stories of the two heroes and the fact that Ricardo Darin and Ignacio Huang are right on spot for the two leading roles. One of the nice ideas of the film is that Jun (Huang) does not really speak one word of Spanish during the whole film, he speaks Chinese, but no translation is available. The language gap is more than a emotional trick or a comic pretext in this film. It is the very glue upon which the relationship and eventually the friendship between the two characters is based upon. Although it is aimed eventually to be a feel-good movie (and succeeds to be so) 'Un quento cino' avoids falling into cheap melodrama because of the discrete humor built upon the day-to-day situations, also based on the fact that in the absence of words the characters need to use gestures which to some extent remind the pantomime style of the early cinema comedies. A discrete and pleasant film.

"Chinese Take Away" ("Un cuento chino") by Ivette Fred-Rivera"Chinese Take Away" ("Un cuento chino" in Spanish) is a comedy written and directed by Sebastián Borensztein, and winner of the international awards of Best Film by the public at the Festival in Rome and Best Latin American Film at the Goya Awards, both in 2011. It is the third time that excellent Argentinian actor Ricardo Darín stars in a film of Borensztein, the other two, Oscar winning "The secret in their eyes" and Oscar nominated "The Son of the Bride". The title in Spanish is curious because a Chinese story means a story improbable, incredible, I think because it's a place so far away, that we cannot believe, how do we know if China exist? The film opens in Fucheng, China, in Hebei province —we can enjoy the already well-known beauty of the Chinese landscape— when a Chinese man, Jun (Ignacio Huang), takes his girlfriend on a boat trip on a picturesque lake surrounded by mountains to propose to her when a cow falls from the sky, killing Jun's girlfriend. Ironically, what falls from the sky is usually a sign of good luck in Latin America. A reverse shot makes the transition to hardware "De Cesare" in Buenos Aires, Argentina because it is going around the world. In the beginning, Roberto (Ricardo Darín) shows that theft is a string, a trader sells him fewer screws per box and he sells his client less per pound. But as Mari (Muriel Santa Ana) explains, Roberto, although suffered, is noble. A chance encounter in the street prompts Roberto to help Jun. Roberto sees Jun being expelled from a taxi after being robbed while he was watching the landing of airplanes in the airport. The toy plane flying inside of Roberto's car takes him to China.It is the story of Roberto and Jun brought together in Buenos Aires where Jun goes in search of his only living relative. For the Chinese, even in the diaspora, the family is sacred, as it is stipulated by Confucianism ancient texts. Jun insists on finding his uncle to start a new life after his tragedy. Both Jun and Roberto are orphans, but Jun has insisted that his tapo (uncle) is his family.Though Roberto's life is totally dominated by repetition, he is fascinated with coincidence. Roberto collects quirky news from around the world and permutes the characters with the people he knows in his imagination, taking revenge on their enemies as Dante did in the "Divine Comedy".Through the stylish Chinese food delivery guy – looking like the Chinese youth dressed in the cities in China, very modern —who serves as a translator, Roberto explains to Jun that life is absurd, does not have any sense, and shows the news he had collected, including one about some men stealing cows in China with a plane and how a group of peasants follows and shoots the plane in flight, the plane's back door is opened, and two cows are dropped, one of them killing a girlfriend in a boat, who happens to be Jun's, as the translator then explains to Roberto. On the other hand, for Jun, everything in life has meaning. It all makes sense. The absurd is for those who can't understand meaning. Very touching the drawing Jun makes for Roberto before he departs to meet his tapo with a frontal cow head on the wall that he had repaired and cleaned. He is an artist who worked painting toys in China. Jun draw it with what was left of a pencil that Roberto discarded. The Chinese are very resourceful people, indeed. No waste, the most hardworking people in the world.I liked the film very much because it is a proof of the universality of body language. In China itself, being so vast, there are several languages in the different regions, that's why Jun is not understood by the Chinese he met in Chinatown. However, when he talks on the phone with his uncle in Chinese, we understand perfectly what he is saying because of the depiction of emotion. Language is really a matter of our genuine interest to understand each Other. I have just returned from China, I can assure you that.

Jun, a Chinese man, is seen with his would be wife on a boat. The setting serves as a romantic place in which he will propose marriage to her. Unfortunately, fate intervenes in the way of a cow falling from the sky, killing the woman and ending his aspirations.The scene changes to a contemporary hardware store in Buenos Aires where Roberto, the owner, is counting screws. Instead of the number specified in the box, Roberto has been gypped, something, he notices, that occurs all the time. He curses the company that cannot even count right. He is a man of few words who does not take kindly to idiots that come into his shop. One thing Roberto loves is to cut articles from newspapers with bizarre stories. The best are pasted on an album he keeps.One day, a Chinese man arrives at the store. It is Jun, the Chinese man we saw first. He has come looking for a relative, whose address he was given, is the one where the De Cesare's Hardware is located. Roberto does not understand a thing Jun is trying to tell him, and vice-versa. Since Jun has no place to go, and not acquainted with the city, he stays close to Roberto's shop. Roberto takes pity on the poor Jun by taking him to the embassy, where they promise to contact Jun's relatives. Roberto has a friend, Mari, who sees in the foreigner a man to be pitied having come from so far away to an uncertain future. Mari is also interested in Roberto in a more romantic way, although he seems oblivious to the way she looks at him.Through his newspaper clippings, we get to know a little bit of Roberto's life and his involvement in the Falklands war. There is an article that shows a young Roberto and the tragedy the country suffered plus the humiliation afterward, something that can explain his strange behavior. Trying to get Jun occupied, Roberto asks Jun to paint his patio. Roberto is in for a big surprise after Jun leaves, having found his distant uncle, by what Jun decided to paint on his wall!An interesting film from Argentina, written and directed by Sebastian Borensztein, the son of well known and witty comedian Tato Bores. The film works in unexpected ways because it is a comedy with an important message sandwiched in between. The title refers to the kind of stories that are so far fetched, they are not true. Roberto lives through exactly that, stories that are so incredible, that he puts himself in them, trying to make sense to escape his lonely existence.One could not imagine what the film might have been without the great Ricardo Darin playing Roberto. The actor is without a doubt one of the best actors working today. The intelligence of Mr. Darin permeates everything he does; he is no one other than Roberto, the strange shop owner facing a dilemma about what to do with his life. Ignacio Huang plays Jun and Muriel Santa Ana is Mari.