Some things I liked some I did not.

Overrated and overhyped

Disturbing yet enthralling

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

For his fifth special (fourth feature-length), Chris Rock does things a little differently. Instead of featuring a single performance in its entirety, Rock has pieced together near-identical performances from Johannesburg, New York and London into one special. The shows are edited together seamlessly with only his wardrobe as the giveaway. While this adds some variety to the performance and speaks to how universal his material is, it does take away a little from the illusion of spontaneity, however negligible that effect may be. Being that this was recorded in 2008, it doesn't take long for Rock to launch into his political material, featuring his thoughts on the forthcoming election, a subject he would return to. John McCain and George W. Bush are easy targets, but still pretty satisfying, and he has some fun with Barack Obama too. After some audacious views about mixed-race relationships, he throws doubt about Isaiah Washington's dismissal from Grey's Anatomy for using a slur for gay people starting with an "F" by saying its use dependent on context, even going so far as to say that it would be fair game in an argument. Curiously, he goes right into a bit questioning white people's use of the "N" word and claiming there would only be one very specific situation in which that would be acceptable. He does this without the slightest hint of irony, sadly. Later, after some astute observations about class disparity, Rock returns to the subject of relationships, his usual closer, but focuses more on bedroom politics than the criticism of women that's become a staple for him. Apart from a couple ill-advised or ignorant remarks, Rock's writing is as strong as its been since his first feature special. He manages to work in some meaty and insightful bits in between some memorable zingers, only made better with his magnetic personality. One imagines the experience would be better if some of his views were as progressive as his approach.

I began to notice that there were longer and longer gaps between the laughs. I've been a Chris Rock fan since his SNL days ... and he's always made me laugh, easily. But this one ... I dunno. Nasty and crude works fine for me, but to really make it work, there (probably) has to be (at least) SOME insight and wit or a few clever observations along the way maybe, that pulls all that 'nasty' together. Maybe it's just me ... but I wasn't getting it, this time around. Topics beaten to death with the same 'jokes' repeated and revisited, with little reason that I could see, except to fill time. Oh, the audience in the respective theaters seemed to be having a good time, but I can't say I was. I finally had had enough. Don't know how much was left, but I turned it off after less than an hour. Much more style than substance ... and the style just left me cold.

This is something new.I really like the experiments he did with the editing. Yes, it seems insane at first but as it progresses it becomes genius. Especially about the choices he made about which crowd/city to show for certain jokes: this is on another tip. I could watch this special on so many levels.Chris Rock is getting old as a man, i.e maybe less fun, but there is something much more cerebral to this comedy special. Something more about the art of comedy.I hope it goes down in history as an invigorating, new and groundbreaking presentation of comedy. You really get to see what it means to be a comedian and how you really connect to your crowd through jokes.Give this one a blast. Don't have high expectations. just kick back, pour yourself some coffee and you'll have a laugh.I promise u.

At first I thought the poster was like a chart of where Chris Rock had been performing, two of the three places for the first time (London, New York, South Africa... HBO). As it turns out, this is actually the method to the shoot of the show: edited together from three concerts in each of the areas listed, Rock goes through his material and sometimes a bit is inter-cut within an actual sentence (for example, Rock says the point of view from London, then New York, and maybe South Africa here and there). This technique is a little jarring, but only for a short while. Once it becomes part of the actual gig filmed, it's a successfully unique presentation by way of a special that tries something different.But the real reason to check out Kill the Messenger is because after four HBO specials (there may have been one half hour one I can't recall from the early 90s), Rock hasn't lost it in his timing or killer deconstructive language or point of view that remains barbed and ready to attack just about anyone: white or black, republican or democrat, male and female, job or career, everything is up for grabs and everything he presents is sharp and hysterically funny. And unlike Never Scared, his previous special, his bits on racism here aren't possibly watered down or not quite as sharp; if anything there is a particular bit on the "N" word that is an excellent dozen-years-later companion piece to "Black People Vs N*****", with a once-in-a-lifetime chance to hear when a white person can actually say it! It's loaded with insight and wit, from John McCain to Flava Flav to when to use properly contexted words, to just what goes on in a relationship and how difficult it pretty much always is. Bottom line, don't miss it, if you're a fan you're in for a welcome treat, and newbies will get knocked out.