This Movie Can Only Be Described With One Word.

Better Late Then Never

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The film has never been the most commercial successful for Romy or Alain, but it is beautiful enough (not only the two actors). And memorable chemistry between the screen couple is awesome. Another version of Romeo & Juliet? I don't think so, the story is more negative and depress, since the young lieutenant (Alain Delon) wants to quit the affair with the married baroness. In the end, his death shows people have to pay for your past. The true love, which may be once in your lifetime, also is paid. And, even your life.As Christine Weiring Romy's performance is sensitive, especially when she knows Franz Lobheiner's death, sorrow in her eyes is remarkable. By contrast, Alain's character limited by script, but intelligent he is, he fulfill each scene with his personality.

romantic, nice, result of pieces of Sissy shadow and product of Schneider - Delon chemistry. it is not impressive but it remains as good memory from lost age. romanticism is basic ingredient. the sad story - precious spice. music, love, good looking actors and a town as fairy-tale book. a mixture of Bovary's dreams and a form of history. so, it is difficult to write much about it and only verdict is fruit of passing time. its roots - fascinating - out of film. it is a little spring wind. this is fundamental virtue. a film like old velvet dress. or silk handkerchief. like a room in evening of fall. or, only, like a daisy in a childhood herbarium. for special hours, after a work day, it is necessary option. for escape from yourself. and dream

Romy Schneider (1938-1982), one of those actresses about whom you can still say "She was a true artist" constantly makes us think of her various roles that she played with genuine passion. Perhaps, what comes to our mind first are the most famous roles from both her German and French career. Here, however, we see Romy in a remake movie built upon a love story: so touching, so universal where two lovers swear each other endless love and keep their promise. At the same time, CHRISTINE by Pierre Gaspard Huit, is a historic movie for Romy herself because it was here she met the "love of her life" - Alain Delon. But let me skip all of the background information now, including the remake nature of the film, and focus purely on the movie itself. 50 years have passed since its premiere and a typical question arises: Is CHRISTINE still a movie that you will at least consider "watchable"? Let me make myself clear: CHRISTINE is nothing of a thought provoking film, no sort of ambitious content, no masterwork whatsoever. If you await something educational, intellectual or entertaining, this one will rather disappoint you. CHRISTINE's strong point, I think, is the beauty and emotions it conveys. It is not only the story that reminds many people of classic love dramas (some even overrated it as a German version of ROMEO AND JULIET), but the way the story is executed. It's a very romantic picture filled with moments of affection, nostalgia, subtleness and mystery. The action takes place in Vienna in 1906 at the very twilight of the Habsburgian reign. However, that historical aspect constitutes a significant background for all the rest. The cameraman very well managed to combine this picture with the focus of our attention, the couple: Christine (Romy Schneider) and Fritz (Alain Delon). Such images remained in my memory as the opera in the theater where the emperor Franz Joseph takes part; little charming cafés that the couple visit; sweet balls of aristocracy and an "outdoor picnic". What a peaceful life in the monarchy, which is, of course, partly illusive!There are some lovely scenes in the movie that we should not ignore. First of all, it is Fritz's visit to Christine's house and his meeting with her father, a musician. The moment they talk about music is interrupted by the picture of Christine singing "Ave Maria" on rehearsals. Besides, a significant moment is their voyage which gives us an insight into a very nice mood. Another beautiful moment is the echo "I love you". The final closeup on Christine's face appears to be a very memorable moment of the whole movie. I am aware that you may find this sweet and unnatural - such a chocolate with sugar, like WENN DER WEISSE FLIEDER, MONPTI, MAEDCHENJAHRE EINER KOENIGIN, etc. Yet, it all directs our thinking towards something positive. That is, in my opinion, what makes these movies pleasant to watch.However, I don't think that I have already encouraged many movie buffs to watch CHRISTINE. In fact, a lot of modern people do not like sentimentality, tragic stories of love with duels and vows. Yet, I insist saying that you should see it. It's due to one more aspect: performances! In such love stories, the most important focus is the couple, if they are genuine in their performances, if viewers do not notice anything fake. Romy Schneider and Alain Delon perfectly meet these requirements! Schneider's buffs will find her performance exceptional. Others will find it marvelous. It seems clear that she was feeling very comfortable at Alain Delon's side. There is a chemistry between them and they both do very good jobs. The supporting cast are, of course, in the shadow but it does not lower anything.A nice film far from masterpiece, yet very worth watching as a sentimental, nice movie about gentle love. Yes, after all this half century, there is still something valuable to discover. It is a pity that CHRISTINE has not become an important part of Romy's filmography because it is clearly Schneider-Delon's moment in the history of cinema. 7/10

"Liebelei" was one of Max Ophuls's triumphs in the thirties .One should notice it was Romy's mother (Magda Schneider) who was the lead.The first thing to bear in mind is that "Liebelei" was BARELY a romantic story.A harsh tale,more like,where princes do not generally marry shepherdesses.For the young hero ,Christine is only a liebelei (passing fancy;amourette). A quarter of century later,the screenplay had been watered-down and cheapened.Romy Schneider taking on her mother's part was perhaps not a very good idea in the first place.Delon and Schneider met during the shoot and they became THE lovers of the late fifties/early sixties. As for "Christine" it's a tragedy ("liebelei" ) turning soap opera ,even if the ending was kept .Supporting cast includes Micheline Presles,Jean-Claude Brialy and Fernand Ledoux.Schneider's voice was dubbed in the original version ,for her French was not good enough at the time.With terrible results ,because the voice that dubs her (like in "Sissi" ) borders on silliness.After "Christine" and a very small cameo of Romy in "Plein soleil" (the talented M.Ripley ,first version) ,Delon and Schneider would reunite twice :in "la piscine" (1968) and in "the assassination of Trotsky" (1971);they had planned to team up in a third one ,directed by Granier-Deferre circa 1981,but Romy died in 1982.