This Movie Can Only Be Described With One Word.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

One of the best movies of the year! Incredible from the beginning to the end.

This is probably one of the most important films in french comedy. It reflects upon a new generation of aging adolescents who live simple lives in Grenoble. A dentist, a writer a teacher, a cop, two unemployed persons and other few friends share one experience: the transition of power from right to left in the Presidency. The cultural freedom granted in 1981 is seen by the use of pirate radio, which where later legalized. But it's more the encounter for a common passion: music. The pleasure of listening to it and playing it. Thery form a group called the "Why Notes" which has a gig programmed in a Paris school where a member of the band spent his childhood. But most of all, it's a very poetic and funny story. The Who's Who of French comedy plays in that movie. The members of the Splendid group (whose famous movies include "Les Bronzés", "Le Pere Noël est une ordure", "Papy fait de la résistance", ...) Josiane Balasko, Thierry Lhermitte and Christian Clavier are associated to Daniel Auteuil and Isabelle Adjani. As if you would associate the original cast of Saturday Night Live with John Cusack and Julianne Moore. Ant to top that, you'll enjoy the surrealist performance of Christophe Bourseiller, always a question apart from reality. The only disappointment with the movie is the fact that it has not been released yet on DVD. So, don't hesitate to write a letter to Gaumont to complaint about it!

Cute but dumb comedy drama about French new wave band with questionable talent and their adventures en route to playing a gig in Paris. Isabelle Adjani has little more than an extended cameo and is used similarly to how Suzanne Sommers in American Graffiti and Bo Derek in 10 were employed. It's not hard to see why this one never got a US release.