It is a performances centric movie

Better Late Then Never

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

To sum up this film is easy in a few words, looks like a college student film. The director did a horrible job at containing and catching the mistakes made by the camera department. Horrible acting and horrible techniques. Don't waist your time on watching this film.

Can someone tell me why Hallmark and Lifetime movies don't allow a single second of film time without that intrusive background music overwhelming the best lines?! If it weren't for that irritating score drowning out all the best lines, especially when Kylie Burch (Jodi Lyn O'Keefe) lowers her voice, I'd give this film a 9, at least.Some people might call the plot by-the-numbers, and it does cover all the bases: single mom can't keep a job because of asthmatic kid and hair-trigger temper developed over years of frustration with heartless system meets spoiled wealthy law student forced to help her find a job just to get a grade so he can graduate and join dad's high-powered law firm. Add alcoholic mother and son's frustrations with his father's plans for his future, and the inevitable happens.What makes this story work is the excellent script and believable performances by O'Keefe, Justin Bruening (as Whit Sheffield), and Eric Roberts and Catherine Mary Stewart as the elder Sheffields. Even Maxwell Perry Cotton plays young Shane Burch as a normal kid, instead of the stereotypical self-conscious child role.My take-away from this flick is that the hopeful ending leaves the characters with more story to tell. Almost all of them have learned and grown, but I felt they had more to do together and separately, perhaps in a series about the Burch-Sheffield clan. The characters and their potential for story-telling are some of the strongest I've seen in this genre.

As a girl who's seen pretty much every happy made-for-TV movie, all I have to say is: who cares if the plot's a bit predictable or the characters are a bit stereotypical? Sometimes nice is just that.This was better than most happy Hallmark movies, for a number of reasons. In general, the characters were much more appealing than you sometimes find in these movies. The kid was less saccharine-y than normal. And, most importantly (in my opinion), there was far more chemistry between Boy and Girl than you normally find. I thought it was lovely. A thoroughly enjoyable way to spend a couple of hours on a Sunday afternoon.

Very contrived plot. Almost the entire plot can be sketched after watching the first few minutes. Every character is a stereotype, even their names, and their actions and attitudes are entirely predictable from the first minute you meet them. I remember just one single surprise, and it wasn't much.And everybody is just too gorgeous. The story might have have been halfway believable if two or three of the female characters had even average looks.BUT ... for some reason I enjoyed it, despite all of the above. Maybe because it was late at night and my brain didn't want to work too hard. But the main characters are likable, and the right things happen, as Hollywood likes to do.