Gripping story with well-crafted characters

Boring

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Close shines in drama with strong language, adult themes.

Scott Adkins and his abilities are really the only good things in the movie. Any excuse to watch him move is a good reason to watch it ;-) Really below par to any movie I've seen him in so far, though. For true fans of Scott Adkins and his fighting and other action abilities. Love Scott Adkins, but prefer him in a better movie than this one, but Scott Adkins is in it, so I rented it and I watched it.

In the Bubble of DTV Action Movies Director Isaac Florentine and Kick-Ass Specialist Scott Adkins are Bonafide Stars. This Cheapie chips away at every Trope available to the makers of this sort of Stuff. The most Impressive thing in this thing is the way the Camera Lingers on the Martial Arts for the Viewer to be Awed and made aware that these Guys have Skills. Compare that to its Big Budget Betters and the Cheat of Shaky Cameras and Quick Cuts that leave the Audience with Incomprehensible Scenes that contain absolutely nothing in the "What is Actually Happening?" Department.Here stands an Appreciation for the Skill Involved and a Respect for the Fans delivering what They Paid for. Sure, the Story is Thin and the Director makes some rather Questionable Decisions that Detract from the Film.First, whose Brain-Dead Decision decided to include Actual Scenes from the Movie in the OPENING CREDITS. Imagine the Production Meeting (if there ever was such a thing) and someone said..."You know what would be Really-Cool...Let's take some of the Scenes in the Movie and show them in the Credits before they actually occur". Sheesh!Sergio Leone notwithstanding, that rarely is anything but Artistic. It's just Plain Bad Filmmaking. How about the lengthy Scene in the Car when Characters are Introduced with Nicknames on Screen. Just Plain Dumb and Unforgivable unless You are Tarantino. This Guy is no Leone or Tarantino. The Ending is a Homage it seems with a Protracted and Embarrassing contrived Suspense Builder that does nothing but draw attention to its "Hipness", or lack thereof.Overall, despite its Corny Conceits and Endless Bullet Bouncing, the Martial Arts Scenes make it Worth a Watch.

Cementing his place as the new JCVD? well Adkins is certainly churning out the movies, alas none of them are nowhere near as good as JCVD's earlier offerings. This movie seems to follow the same kind of themes as JCVD's 'Nowhere to Run' if you ask me, to a degree...OK visually maybe. The plot is breathtakingly basic and revolves around MacReady, a soldier gone A.W.O.L. who must protect his sister and niece from a drug cartel. The reason being his sister is married to some low life fool who gets caught up with the drug cartel and the corrupt local sheriff over merchandise and a flashcard containing important information. MacReady was serving overseas but assaulted his commanding officer apparently, he then ran off, as you do. Yet somehow he pops up back in the USA ready to take on the bad guys (how did he manage this?).K so lets get down to the nitty gritty here, we're all gonna watch this for one reason alone and that's Adkins kicking ass. Does he do this in satisfactory form? meh...kinda, I guess, why you asking me? no wait scratch that. So what we get is Adkins taking on Mexican drug dealers with haircuts of varying degrees of stupidity, and amazingly all of them know martial arts. The formula is simple enough, Adkins creeps around a bit, surprises a couple guys, gets into a rowdy mixed martial arts fest, eventually winning. Wash rinse and repeat this scenario all the way through the movie as he takes down the small team of bad guys. Even though the location changes from the great outdoors of California to within the confines of a small ranch, its all still the same. What's even more disappointing is the fact that the fights all look the same too, literately the same choreography for every bloody fight, same moves, same camera angles etc...Its not all fisticuffs though, there is quite a bit of gun action thrown in there too. Alas that's even more ridiculous than the repetitive fights because you can clearly tell everyone is using blanks. Why you ask? well because at numerous times the characters cross paths and shoot at each other at near point blank range, yet everyone seemingly misses each other and there are no bullet holes or destruction. Quite often I was thinking to myself, why aren't you hit? how are you missing? this is like watching a glitch ridden game of 'Call of Duty'. There is some car chase action too but that's pretty naff frankly, again you can clearly tell the vehicles are travelling quite slowly.The movie really tries its best to be ultra cool and grown-up, but it fails miserably in my opinion. The bad guys role call sequence near the start was a hilariously bad idea for starters. Firstly who cares, we don't know these guys and you won't care about any of them further on down the line, they're all meat for Adkins to beat. Secondly why would we need this information, why do we need to know their stereotypically stupid names? like I said they're all mere fodder. Thirdly, it just looks so f*cking stupid, each one looks towards the camera with a stern, I'm well 'ard glance. Stop it! you're all so tough and scary I'm starting to sweat through my pants.But the most amusing and daft moment of all, the real clincher was at the very end. Adkins shaven headed anti-hero stands directly opposite the corrupt sheriff (Nick Chinlund), a shotgun and set of handcuffs lie before the sheriff. MacReady had given the sheriff an ultimatum, cuff yourself or go for the gun, your choice. What follows is the most dreadful laughable cloning or homage, of the classic finale scene in 'The Good, the Bad and the Ugly' between Eastwood, Wallach and Cleef. Its not even remotely intense, it doesn't have any of the scope and the two helpless females watching on from the sidelines makes it feel so hokey. Oh and I should mention that the beginning credits sequence actually has little snippets of the actual movie in it! Yeah so you're actually seeing key moments of action in the title sequence before seeing the film, great decision! A title sequence that harks back to Sergio Leone classics I might add. Adkins and director Florentine have definitely got a thing for Leone classics.Yep so its another pile of crap from Adkins I'm afraid. Yes I'm sure if you enjoy his work then you'll enjoy this. Yes I realise he's making a certain type of movie that some people demand, and in that sense it delivers exactly what some people want. Yet despite all that, and the fact I am partial to a good fight/action romp, this simply looks and plays exactly like what it is...a cheap, lazy, dull, boring, pointless movie. Yes you can argue that Adkins is only doing what previous stars like JCVD did back in the day, but the difference in quality and the fact that it was more original back then, always trumps that call.3.5/10

In between filming scenes of the upcoming UNDISPUTED IV, it seems as though director Isaac Florentine and karate torchbearer Scott Adkins decided to crank out an additional movie while they had the time. Shot on a low budget in only a couple of locations with a limited cast, CLOSE RANGE may be the most compact action film of 2015, but it's a pretty good one at that. While not the best work of either the director or the star, this is high quality time-wasting material that supplies all the thrills that action junkies and Adkins fans could want. Potentially the best DTV action title of the year.The story: Following a rescue mission, a mercenary (Adkins) and his family are besieged on a rural homestead by the minions of a dangerous drug lord (Tony Perez).For the most part, the film looks like something that Florentine would have filmed 15 years ago, before he achieved major cult fame. He's virtually exploiting himself here, from the pseudo-western vibe and corny dialogue to the condensed nature of the script. Running at a slim 85 minutes, CLOSE RANGE sticks pretty close to its adrenaline agenda and doesn't bother with things like character development, focusing instead on physical tension. It's the type of movie that drama snobs will hate, though it's also a step down from the level of storytelling that Florentine's become adept at. It's disappointing that the film's premise boils down to a white guy almost exclusively killing evil Latinos, and overall, I conclude that this one leaves less of an impression than almost any other picture the star and director have made together.…Unless, of course, we're talking about the action scenes, for which the auteurs remain in top form. These scenes are an even balance of fights and shootouts, and both are exhilarating. The best of the gunfights take place within a home, at close quarters, with the shooters blazing at each other across furniture and through walls. The fights, though, are in a league of their own. Adkins has so many stellar matches under his belt that how these ones rank among the rest is a matter of opinion, but know that onwards from the very first fight – wherein Scott lays waste to seven thugs within a single extended camera shot – top effort has been made. These fights are potential star-makers, as Adkins finds some choice opponents in relatively unknown performers like Jimmy Chhiu, Craig Henningsen, and especially fight choreographer Jeremy Marinas. Occasional slow motion marginally taints some of the brawls, though their overall quality is strong enough to withstand this fault.In a movie wherein the characters are stock, the setups are old hat, and the lines are recycled, what can still make it worth watching? In this one's case, the answer is gusto and talent. I emphasize how much this seems like something the filmmakers threw together as a side project, but the fact that it's Isaac Florentine doing the throwing means a lot. CLOSE RANGE is a short, fun trip to Actionville that I encourage all fans to take.