Better Late Then Never

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

After playing with our expectations, this turns out to be a very different sort of film.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

What you have here is simply some cross European film made cheaply, featuring some actors who would be quite familiar in their respective territories to garner something of a profit, and to maybe cash in on the Rambo franchise at the same time....The result is so etching that isn't just bad, it's boring and a shameful waste of talent, considering the excel tic cast.Lewis Collins is basically reprising his role in who Dares Wins, but this time with added pouting, sending his team to the camp that resembles the one from First Blood: Part II.Van Cleef looks like he's flew in from another movie. He appears every now and again with that face he has like someone is shining a bright light in his face.Borgnine is the special guest star of the piece, arriving in a suit, spouting out some Basil Expositon, and then walking off again.And Kinski plays a normal person. If he were to be an absolute nutcase like he allegedly was in real life, he may have injected some much needed interest in the film.It's as stale as last years bread, and just like the said bread, leaves an awful aftertaste.Avoid.

"This is a corporation. Their business is war. For them, the jungle and the city are the same." You know, it's funny. You'd think a movie with a legendary cast filled with personal favorites (Borgnine, Van Cleef, Farmer and Kinski), produced by a legendary German producer (Erwin C. Dietrich), and helmed by legendary Italian director Antonio Margheriti, and filmed in very scenic locations, the results would be, well... legendary.Sadly, that is not the case. It's not that Codename: Wildgeese is bad, but it doesn't live up to the promise of its cast and crew.Kind of going along in the vein of The Dogs of War (1980), The Dirty Dozen (1967), the original Inglorious Bastards (1978), and the Eye of the Eagle series (the first one in 1986 and the other two both 1989), and, in true Italian exploitation fashion, basically fashioning an unrelated variant on The Wild Geese (1978) Codename is about a group of men, led by Wesley (Lewis Collins) who invade the "Golden Triangle" (the border of Burma, Laos and Thailand, apparently), to destroy the opium factories of a Burmese warlord. They are hired by DEA agent Fletcher (Borgnine) and his associate Charlton (Kinski) for the crazy, more-impossible-than-impossible mission that you'd have to be downright insane to even consider considering.It certainly seems dangerous, as the next hour or so consists of people shooting machine guns, guys in brown uniforms falling off guard towers, all manner of blow-ups, including many exploding huts, and Mimsy Farmer shows up as the token woman and also the token reporter that got trapped by the evildoers who put her in a cage. After a few more blow-ups and maybe a double-cross or two, the movie ends.The problem is, there is little-to-no character development. Even with a vast array of tools at your disposal to involve viewers in your movie, if you don't know who the characters are, or anything about them, the moviegoer begins to lose interest because you don't really care about their fate. So, I would say "Codename: Wildgeese" falls prey to "Lone Tiger syndrome", that is, just because you have a great cast doesn't mean your movie is going to be good. That being said, there are some cool aspects, such as a helicopter with a flamethrower attached to it, and some of Margheriti's classic miniature work, best exemplified in an early chase sequence when Collins' car is speeding through a tunnel, and then he cuts the wheel to the right and, shockingly, drives along the side wall of the tunnel! It's moments like this when Codename comes alive but they are few and far between.As an avid Italian horror movie fan, I'm much more familiar with Margheriti's Castle of Blood (1964), Cannibal Apocalypse (1980), which does have some action/war elements, The Long Hair of Death (1964), The Virgin of Nuremberg (1963), Seven Dead in the Cat's Eye (1973), Web of the Spider (1971), also with Kinski, and, while not technically a horror movie, the ultimate classic Yor: Hunter from the Future (1983) (a must see). Of his 80's action output that I have seen, it seems the finest is The Last Hunter (1980)...so see that if you want entertaining Margheriti action at its best.For more insanity, please visit: comeuppancereviews.com

This action-packed picture concerns upon a troop of commandos-for-hire(Lewis Collins, Manfred Lehmann)is assigned by a businessman as financial backers and the Drug Enforcement Administration DEA(in charge of a histrionic Ernest Borgnine) to obliterate Golden Triangle between Laos , Cambodia and Thailand. The commando is led by captain Wesley, a tough, two-fisted mercenary . He contacts an inmate, expert on helicopters(Lee Van Cleef in similar role to Snake-Kurt Russell in rescue in N.Y). The adventure starts when the veteran band of mercenaries land deep inside the jungle to destroy opium traffic and smuggling commanded by General Khan. Another mercenary( Klaus Kinski)as back-up , in case they run into problems. They help out the jungle's inhabitants along with a kidnapped reporter(Mimsy Farmer). The mission meets an unexpected turns and twists when they're betrayed. Meanwhile they find a Catholic priest(Alan Collins or Luciano Pigozzi ,the Italian Peter Lorre)ruling a mission in middle of jungle. The jungle countrymen are submitted to drug-lords and the Reds Jemeres . This fast-paced film packs adventures, large-scale blow-up,routine plot, and lots of action for the most part. Cheesy scenes about a car races throughout a tunnel under construction with embarrassing scale models such the director previously made in his film ¨Car crash(1980)¨, but contains a better scenario on the bridge explosions and over the burning installations with helicopter scenes. Cinematography is quite nicely , capturing the atmosphere of everywhere, from Hong Kong's skyscrapers to a Thailand jungle pretty cool, furthermore some stirring images filmed with camera above the shoulder. Lousy musical score by means of synthesizer by Nemec and isn't composed by Ennio Morricone. The film is produced in middling budget by Erwin C Dietrich , habitual director and producer of soft-cores and Jesus Franco's usual financier.The film was made in the wake of ¨Wild Geese¨(Andrew McLagen with Burton, Moore and Richard Harris) and Wild Geese II(Peter Hunt with Scott Glenn, Edward Fox, Barbara Carrera)which depended in their all star cast. And belongs a trilogy directed by Anthony M Dawson(Margheriti) formed by ¨Commando Leopard(1985)¨ and ¨Der Commander(1988)¨ repeating similar actors, Collins, Kinski, and Manfred Lemann, technicians and screenwriter, Tito Carpi.These jungle-setting exploitation films from the 80s will like to action lovers and euro-trash enthusiastic.

i don't know, this movie isn't that great, but it's quite entertaining in it's own dumb way, and boasts an excellent cast,( Lee Van Cleef, Klaus Kinski, Ernest Borgnine, Mimsy Farmer.) David Warbeck wannabe Lewis Collins stars as a tough commando sent to the golden triangle to wipe out an opium ring. he inlists the help of a war pilot (Van Cleef) and they venture into the jungle and blow lots of stuff up. the plot doesn't make much sense, and the direction isn't nearly as stylish as earlier Margheriti action flicks like The Last Hunter, but it does have lots of patented Margheriti explosions and some good action scenes, as well as the aforementioned cast. there's also a scene where freaky little Luciano Pigozzi gets crucified in his own church