I'll tell you why so serious

everything you have heard about this movie is true.

A Surprisingly Unforgettable Movie!

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

One Christmas Eve, a tough Los Angeles cop learns that his father has been brutally murdered. You're probably guessing that he swears revenge. In actual fact, it's kind of hard to conclude whether he does so or not, because for the next thirty or so minutes of the movie, he does NOTHING in the way of investigation. When he does decide more or less to take care of business, he really doesn't have to do that much thinking - the clues as to who was behind his father's murder and why are pretty much handed to him on a silver platter. It's hard to believe that this movie actually got a theatrical release. It's pretty cheap, badly shot, but worst of all, except for a few okay motor vehicle stunts, it's extremely boring. Even Sharon Stone's nude scene is a big yawn. The production company (Cinetel Films) went on to make even cheaper and cruder movies.

After his father is slashed to death on Christmas Eve, handsome Los Angeles policeman Brad Davis (as Johnny Modine) embarks on the inevitable. While pursuing meth-addicted Jonathan Banks (as Isaac), Mr. Davis gets sexy Sharon Stone (as Kathy Connors) to show a little skin. The hero is supported by buddy Jay Acovone (as Cookie) and former glam / new wave rocker Adam Ant (as Mick) helps the villain. A flashback reveals some violent silliness triggered the plot. We get a good chase scene, with plenty of crashing. "The Godfather" writer's rarely seen daughter Dorothy Ann Puzo directed.***** Cold Steel (12/11/87) Dorothy Ann Puzo ~ Brad Davis, Sharon Stone, Jonathan Banks, Adam Ant

Brad Davis plays a cop here tracking down his fathers killer, and on occasion has various encounters with defiant vending machines. Jonathan Banks shows his versatility by giving the same dry performance were all accustomed to, despite an unusual vocal disposition. Oh, and then there's Sharon Stone,…no surprises here. Director Puzo tries to show some visual flair with gravity defying slow-motion car jump's, a la' Blues Brothers, and it comes off just as silly. The films sports cliché' locations and situations, routine acting, and the occasional twist here and there, but really, nothing ever leaves the realm of the status quo. Even the off-casting of Adam Ant couldn't help rise this mediocre entry above it's ilk.

Hackneyed dialogue, every cop show cliche you can think of, car chases that defy physics, a boom mike in the apartment, ill-timed "humorous" scenes, and a predictable ending. Adam Ant turns in a respectable performance but everyone else falls flat. See it if you're a diehard Sharon Stone fan but otherwise the movie offers nothing you haven't seen a hundred (thousand?) times before.