Very well executed

Really Surprised!

Am I Missing Something?

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

So, there was a period in Hollywood when the lid was pretty much off, when not all girls were virgins or dependents like those of the 1950's. That, of course, was the now legendary pre- Code period from 1929 to 1934. This independently produced documentary does a good job of profiling the different independent girl types from that freewheeling time. From prostitutes to femme-fatales to executive types, the array is colorful and challenging, with illustrating snippets from the films themselves, plus cameo commentary from a few of the surviving actresses (Karen Morley, Frances Dee, et al.). Glimpsed among actresses of the time are such independent types as Kay Francis, Joan Blondell, Greta Garbo, and Norma Shearer, plus many others. Men are strictly marginal, though a few are recognizable in the longer shots. Of course, the emphasis is on sex and seduction, subjects that became taboo once the Code kicked in. So it's fascinating to view the explicitness from a time long before the twin bed and closed mouth kissing of the next 30- years. Most of all, however, it's the notion of liberated, independent women that comes across, as commentator Molly Haskell points out. In short, these are movie images that come much closer to real female sexuality than the censored Hollywood period that followed. For years these pre-Code films were not shown on TV because of their content. Thus, their existence may come as a surprise to many viewers, making this a revealing little documentary in more ways than one.

This film is a wonderful introduction to the women of the so-called "Pre-Code" movies--movies that were made through about the middle of 1935. They were called "Pre-Code" in that they were made before the rigid Production Code was enforced and the films abounded with sexuality, violence and topics of questionable taste for the time. This documentary focuses not on this overall topic, but specifically on women of the films and their smoldering sexuality. Because of this it is NOT indicative of the general topic of Pre-Code films but on a narrow aspect of the movies.The documentary is great because I was shocked how well-preserved some of these old leading ladies were and listening to their stories about the era was extremely fascinating. I also liked all the old clips, though I felt that many times important films were omitted from discussion or clips. For example, while the very tawdry nude swimming scene from TARZAN AND HIS MATE was mentioned and shown several times (a very spicy scene even by today's standards), very little mention was made of equally famous films with similar content, such as THE BARBARIAN and THE SIGN OF THE CROSS--the two bathing scenes in these films are amazing for the early 1930s. Also, the film seemed to indicate that the Pre-Code era was from the beginning of talkies until 1934, whereas there were MANY films in the silent era that featured copious amounts of nudity or sexually liberated females. Both these quibbles, though, are very minor, as only to film nuts like me will even notice or care!

This is an excellent look at women in the pre-Code films. Narrated by Jane Fonda, it is extremely thought-provoking in this age of wardrobe malfunctions, hue and cry over a sexy Paris Hilton commercial, and Nicole Sheridan dropping a towel during a an ad on Super Bowl Sunday.I found this documentary comforting in a way - 70+ years later, we're still going through all the same stuff we did back then. The way things are going, we'll be back in 1933 before you know it.Fonda narrates with a lot of expression as she takes the viewer through pre-code movies showing prostitutes, women sleeping their way to the top, menage at trois, bisexuality, abortion, and unfaithful wives. If you're not familiar with movies done before Breen and Hays, this will be a revelation.

The people who are saying that this documentary was in any way exaggerated or inaccurate are themselves inaccurate. This film is historically documented and completely true to the spirit of the pre-Code era. And lest anyone think the film pandered to a modern sensibility, keep in mind: It had three ninety year old ladies in it, and was narrated by 66-year-old JANE FONDA, not Courtney Love. The fact is, the pre-Code was an extraordinary period for women's films -- something that becomes more not less evident after one has seen two hundred or three hundred pictures from this period. And it was not extraordinary only for what it showed or dared but for the points the films made -- for those points that were intrinsic to the MESSAGES of the films -- which go way beyond a flimsy gown or anything that could be edited into tameness. If anything this documentary needed more time -- three or four hours -- to do justice to the range of pre-Code women's films. Still working within the constraints, this was a splendid achievement and yet another laurel for Turner Classic Movies.