A waste of 90 minutes of my life

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Amazing worth wacthing. So good. Biased but well made with many good points.

No cheap jump scares. No real gore, or much graphic violence at all.Just the horror of the human psyche, and the horror people can inflict on one another for a variety of reasons. Some scarily petty, some arguably justifiable.It lulls you into believing you know it's true course, then surprises you with another turn of the screw.So, so much better and more interesting than the tired formulaic Hollywood horror that is churned out simply to turn a buck out of the popcorn teenage market.Having said that, it's very good, but not a masterpiece.Just kidding. 10/10

It is likely that there are hundreds of mediocre Japanese films and that in theist we only get to see the more interesting or better made. Fact is, however, that all of those released in the UK excepting a few generic horrors, seem of a very high order and fiercely aware of potentially perilous contradictions in the behaviour of the people. This is far from the joy and fun of the director's earlier Kamikaze Girls, even if that too threw up plenty of awkward questions for a confused populous, indeed this appears almost to be a Sadean reverse. Nobody comes out of this well and the film that begins on the dark side just gets darker and bloodier as it progresses. There is an 's' at the end of the single world title and this means that the lengthy and seemingly authoritative, initial confession is but the first. Slightly confusing, here and there, wit similar looking girls and first names, nicknames and last names waved about but well worth your attention for a disturbing but enlightening look at the lot of schoolchildren and their parents in jolly Japan. Incidentally I think it must also be significant that there appears to be no Japanese translation for 'single parent' which is expressed in English here, suggesting discriminatory problems ahead.

I liked this movie a lot, as with many Asian movies you think a lot during and after watching it.I don't find anything seriously bad with it, i seen people who feel annoyed by the slow motion scenes, but for me i felt thats exactly how the movie should be done and i also felt that the slow motion was due to the confessions being told in detail instead of real time as being told without specific detail, almost like when someone write in caps and you feel the person is screaming. So for me the slow motion was perfect.As always i get a weird feeling after seen a movie like this and this feeling has come in a flurry no as i watched this one, memories of matsuko, the world of Kanouko and memories of the sword, the latter one is a Korean movie and much lighter, but all of them makes you or at least me think.

Imagine this: You are a teacher who has just discovered that two of your students are responsible for your daughter's death. Filled with anger and grief, you're more than ready to take your revenge. But what if the murderers are considered under-ages (middle school students), and they can't be punished fairly because the law protects them? That is the main plot of this Japanese psychological thriller from the brilliant director Tetsuya Nakashima. Confessions aka Kokuhaku, which is adapted from a debut novel by Kanae Minato, takes unfolding mysteries in a movie to a whole new level, like opening a box of intellectual surprises. As the story reveal the major character's confessions, the more I know about their motives, and made it hard for me to choose sides.I think Nakashima tries to show how dangerous kids could become if their parents don't treat them properly. In the era of internet and social media, children are prone to be influenced by bad contents if their parents don't guide them. As in Confessions, one of the murderers is a neglected kid who is incredibly smart, but turns into a devious criminal because the society (netizens) doesn't care about his good grades, but cheers to his bad-ass delinquency."Nobody taught me that killing people was wrong. Where other kids got read picture books and fairy tales, my mom taught me Ohm's Law and Norton's theorum. She only ever talked about electronics," Shuuya, a 13-year-old genius student who kills innocent people only for his nonchalant, career-oriented mother to notice him.The setting may resembles 'Elephant' by Gus Van Sant, or 'We Need to Talk about Kevin' by Lynne Ramsay. However, both of which focus on teenagers having mental illness and their insane violence. On the other hand, 'Confessions' portrays how a teacher explores under-aged criminal minds and gives them punishment that serves them right.The film's palette are dominated by black-and-grey colors, with clever play on details mostly showcase middle school student stuffs, perfectly blended by dark, engaging soundtracks. The tone, art and theme somehow reminds me of Richard Ayoade's work in 'Submarine'. I must say the soundtracks are top-notch and sometimes add cuteness and quirk to bloody scenes. The only flaw is too much slow-motion and repetitive scenes though sometimes effective to deliver emotions.On the whole, 'Confessions' is a bleak, savage and mind-blowing thriller that takes on heavy subjects in coming age realm, with engrossing story lines and arousing life-lesson quotes.