Good films always raise compelling questions, whether the format is fiction or documentary fact.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Movies set almost entirely on trains - like 'The Tall Target' and 'The Narrow Margin' - practically constitute a genre in their own right. The train's humbler cousin, the bus, frequently features in movies too; but the more cramped setting, which forces various varied individuals into close proximity for the duration, combined with the need to occasionally get out and stretch your legs, lends the bus movie a more vivid sense of time and place, be it depression-era America in 'Cross Country Cruise', rural Japan in Hiroshi Shimizu's 'Mr. Thank You' (1936), south of the border in Luis Bunuel's 'Subida al cielo' (1952) or flyover country in countless road movies of the seventies & eighties, which 'Cross Country Cruise' vaguely anticipates.The cast list in the opening credits of 'Cross Country Cruise' is full of the usual dependable acting talent, and like many classic old movies there are also notable uncredited contributions by the likes of Jane Darwell, Walter Brennan, Ara Haswell, Lee Phelps and Charles C. Wilson, to name just a few. Leading man Lew Ayres grates at first, playing yet another of those millionaire playboys who drop everything to pursue a young woman they've never met before; while she in turn is as usual improbably won over by such a creepy charm offensive. Once these romcom preliminaries are dispensed with, Ayres's character becomes much better company; turning amateur detective to nail who committed the unexpected murder which enlivens the film's final third. (Both the method of the murder itself and of the concealment of the body are worthy of a seventies Italian giallo.)

"Cross Country Cruise" is a very strange but enjoyable film that is a bit like "Grand Hotel" in that it's made up of lots of little stories all brought together by, of all things, a bus instead of a hotel! I think you could call it a lower-class version!When the film begins, a woman on a double-decker bus accidentally drops something out of her suitcase on the rich guy (Lew Ayres) in his car below. Instantly smitten(??) this idiot then follows the lady as she then transfers to a cross country bus. This is creepy and far- fetched to say the least. On the bus are a variety of characters and rogues...confidence people, bigamists and more. And, during the course of this long journey, one of them becomes a murderer!!This film entertains but isn't always logical. Apart from the rich guy who jumps onto the bus on a whim, you also have police that are about to arrest the wrong lady for murder (with no real evidence to support this) as well as allowing the rich guy to conduct the cross- examinations because...well...I have no idea why!! But it is fun and I do recommend you watch it...just be sure not to think too much as you see the stories unfold!

"It Happened One Night" suddenly made bus trips popular at the cinema. "Cross Country Cruise" was made in the middle of Alice White's comeback. She had been one of Warner's brightest musical stars of the early talkies but by 1931 after a very small part in "Murder at Midnight" she was off the screen until 1933. Of course a sensational sex scandal didn't help and when she returned she slipped into the "dizzy dame" type of role and really excelled. She is definitely one of the high lights of this movie as the flirty blonde who is determined to get to California and doesn't care who she has to romance to get there.After getting off to a snappy start - Sue's (June Knight) "unmentionables" fall out of her bag and into Norman Winthrop's (Lew Ayres) car. Being a wealthy playboy (who is on his way to a logging camp where his father is determined to make a man of him) - he thinks nothing of following Sue on a cross country bus trip. For a while the movie bogs down, Lew Ayres is his usual breezy self but somehow June Knight fails to convince as a girl to be followed across America. Knight had been a bubbly blonde who attracted attention on Broadway in "Hot Cha" but her personality didn't transfer to the movies and today she is not remembered.There is the usual assortment of passengers - but once Alan Dinehart and Minna Gombell appear as a pair of married con artists things pick up. They have a "bible racket" going - looking up death notices in the paper, then trying to convince grief stricken relatives that the deceased had ordered a bible - Peter Bogdanavitch used the same plot line in "Paper Moon". Before this Steve (Dinehart) had been romancing Sue (neglecting to mention his wife, Nita), however when Sue finds out (from Nita - who else, in a quite brazen conversation on the bus) she does not want anything to do with him anymore.To break the monotony and further the narrative, there are stops along the way - one at Niagara Falls, another at a county fair. On one of these stopovers, at a department store, Steve has it out with his wife and the results are not pleasant!!! Once back on the bus (his wife's absence is explained away as visiting relatives) Steve proceeds to make Sue's name mud to Norman as he tells him all about their "past". Next stop is a desert court house and Alan Dinehart has done what he does best - been a complete swine, committed an awful crime and then gleefully left clues so another, blameless person will be accused!!! But because Norman is from a wealthy logging family he is allowed to take over the court and solve the crime in his own nifty way!!!The three stars who make it worth watching are Allan Dinehart, Minna Gombel, who fortunately has a couple of emotional scenes where she can really let fly, and, of course, Alice White. Lew Ayres, at this time, was entrenched in his "nice boy" programmer phase. He later said that he felt he coasted on his pleasant personality and should have fought for stronger roles.Highly Recommended.