Who payed the critics

Memorable, crazy movie

Although it has its amusing moments, in eneral the plot does not convince.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

It's a good thing that the ban on Tang Wei had been lifted as she is certainly too good an actress to be left withering in the winds, as proved in this small movie. The script of a man and woman who go on a blind date unwillingly but gradually find common ground gave Tang Wei a fertile ground in which her acting shone the brightest compared to the rest of the cast. In fact, after watching this, we dare say you might not remember the story but you sure will not put Tang Wei out of your minds. Hard, soft, real and altogether as beautiful as an enchanting, lone dewdrop on a tulip, hers is a beauty you want to preserve forever in your memory as if it could go away at any fleeting moment. We know we're waxing lyrical about her like adolescent schoolboys but seriously, there's nothing else to say of this film. Oh alright, it was quite charming. Garr... who are we kidding? It was charming because of her! The rating would be completely different without her.

She's woefully under-used, pouting a little bit here and there or acting obviously phony as her character tries to pretend that Jacky Cheung's character is interesting or funny. I've seen 5th graders act better than Cheung does in this film. It's almost as if he mistakenly wandered onto the set of the wrong movie. He's out of sync and irritating the whole way through. And not funny at all. The suspension of disbelief factor has to be in full force to accept that Tang Wei's character might fall for this guy. Of the many supporting characters in the film, his extended family verges on being likable but they whined so much it became annoying. Cantonese is not a pleasant sounding language for that kind of communication. The film does show a seldom seen side of everyday Hong Kong which is refreshing but beyond that the film's pretty much a train wreck without chemistry, comedy, or cuteness.

With "Crossing Hennessy", writer-director Ivy Ho apparently aims at accomplishing two things: tell the love story between two people on opposite sides of Hennessy Road in a 'realistic light'; and provide a touch of nostalgia to the colourful Wan Chai area of Hong Kong which is to be 'dismantled' for an 'Urban Renewal' project.She is only partly successful on both counts. What I felt at a morning media screening of this film was mostly boredom, alleviated by a few moments of delightful comedy provided by its secondary cast. A predictable tale with an abrupt ending.Loy (Jacky Cheung) is a 40-something bachelor who still lives with his mother (Paw Hee Ching) and works at her electrical appliance retail shop on one side of Hennessy Road of Hong Kong island. On the other side, Oi Lin (Tang Wei) works at her uncle's shop selling sanitary hardware. Loy and Oi Lin are being matched for marriage by their elders and are forced to go on a date. They do so reluctantly, as each already has someone on the side.Oi Lin is in love with Xu (Andy On), a hot-head convicted for assaulting someone; and Loy is being wooed by his ex-girlfriend (Maggie Cheung Ho Hee) who has just divorced her husband. Are the two really meant for each other - or just two folks passing by the same road? In trying to present the love story in its 'realistic' and genuine light, we get mundane scenes of everyday life - inside shops, homes and rooms - with nothing inventive or creative to grab our wandering attention. And believe me, after so many of such 'nothing happens' scenes, your mind will start to wander. Jacky Cheung's performance is up to par, portraying a sleepy-head with low self-esteem and no passion for romance. Tang Wei, however, appears wooden here, quite unlike her sexy seductress role in her last film, Lust, Caution. The two leads are not only devoid of screen chemistry, they are upstaged by the supporting cast and subplots.Indeed, veterans Danny Lee, Paw Hee Ching (pictured) and Zhu Mimi provide laughs and lots of local humour with a romantic triangle subplot while Gill Mohindepaul Singh and Lowell Lo are involved in supernatural and dream sequences as a mysterious waiter and Loy's late father respectively. Ekin Cheng also makes a brief appearance, ostensibly to excite the audience.As a swan song of sorts to Wan Chai district, "Crossing Hennessy" does little to evoke the history or provide insights to the famous district. Ivy Ho has written many commendable films (the 2002 "July Rhapsody" and 2005 "Divergence" spring to mind) but displays nothing outstanding or memorable as director of this sophomore effort (after "Claustrophobia" of 2008). - By LIM CHANG MOH (limchangmoh.blogspot.com)

Crossing Hennessey is scriptwriter turn director Ivy Ho's second full length feature film. The movie looks very much like a romantic short story adaptation about the daily lives of residents living in Hennessey Road in Hong Kong, glittered with some small surprises from Hennessey Road.Working together for the second time with Jacky Cheung, the leading actor of Ho's July Rhapsody (where she wrote the script and directed by Ann Hui), the light hearted romantic comedy consists of some unlikely combination: Tang Wei as the leading actress after her appearance in Lust, Caution; veteran actor Danny Lee and Paw Hee Ching, the group of casts with different acting backgrounds creates sparks that amaze the audience.The story begins with Loi (Cheung) and Oi Lin (Tang) attend a matchmaking session under the arrangements of Loi's mother (Paw), her long time crush (Lee) and Oi Lin's uncle. After meeting for the second and third time privately, Loi and Oi Lin develops feeling for each other, since both shares the same interest in reading detective novels. However, there are things that both are unable to let go: Oi Lin's boyfriend (Andy On) was on trial for assault, while Loi can't get over with his ex-girlfriend (Cheung Hoe Yee)after she had a divorce. Both Loi and Oi Lin develops feeling for each other, while they are still hesitant about their own relationship with the person they loved.Ivy Ho skips your boring and cliché boy meets girl and boy dates girl sequences, which consist of candlelight dinner and a movie. More rather, she arrange Loi and Oi Lin to talk about their individual problems (dealing with parents, work, view on relationship) in a neighborhood coffee shop over a cup of milk tea and egg tarts. This brings back the audience to a down to earth setting, showcasing a slice of the daily life in the neighborhood.However, Crossing seems to have fail to explain how Loi and Oi Lin develop feelings for one another. Towards the end of movie, no details have been provided further on the feelings towards each other. It has some what ended up audience taking part in a guessing game without the correct answer.Jacky Cheung portrays a different image of himself as Loi, compared to his role in July Rhapsody as a Chinese teacher facing a mid-life crisis. He presents a lazy and cheeky side of a 40 something man without a goal in his life. He depends on making a dream about his late father in dreams to guide him, since his mother failed to guide him in his life. Tang Wei, on the other hand, sheds the image of a woman who cannot tell the difference between love and lust in Lust, Caution. Her role of Oi Lin is a woman independent in most aspects of her life, but seeking for true love at the end of the day. This gives audience a fresh perspective on Tang Wei as an actress who can explore different roles.Going along Cheung and Tang's story were the romance between Paw and Lee, which is a unique combination of both. Paw is well known for her role as a motherly housewife in various Hong Kong drama series, where she plays a grumpy mother of Loi, who laments about the difficulties of life. Lee is famous for being a police inspector in his previous films, with John Woo's The Killer (1986) with Chow Yun Fatt as the most remarkable movie ever made by him. Here we get to see Lee in a different side for the first time, playing an accountant working for Loi who loves his pet dog more than Loi's mother. Both roles could have been explore further to make up the lacking details on their relationships.Overall, Crossing Hennessey looks very much like a matinée show which goes best with a cup of tea and egg tarts. Audience who wants a slice of Hong Kong's daily lifestyle and tired of big budget popcorn trash should cross over to Hennessey Road.