Tied for the best movie I have ever seen

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

In other words,this film is a surreal ride.

This is a dark and sometimes deeply uncomfortable drama

My second Naschy film (the first being WEREWOLF SHADOW) was much as I expected, more Spanish werewolf action. That's not to say it's a bad film, as it really isn't. This time however the scenery is different and much of the film takes place in a large forest which is nicely atmospheric. As for the plot, it's the typical werewolf story with the added bonus of witchcraft. I like the way Naschy always has to have as many different monsters as possible in his films, it certainly adds something and makes them more fun.There is some truly atrocious dubbing in this film, especially in the scene where he meets his lover's family. The words just do not match the mouth movements at all and no attempt has been made to sync them. Which is pretty funny when it appears on screen. The film has much the same Gothic atmosphere as your typical Hammer film, and benefits greatly from this. The budgets are obviously lower but there is enough action going on to keep this from becoming a problem.There's a lot of nudity again, especially in the black magic ritual, I don't know why women have to strip off when the devil is around but I guess that's the way it is. And lots of werewolf action too. The werewolf makeup in this film is, I have to say, quite laughable, but there's a couple of excellent man-into-beast transformations (and the required reverse beast-into-man at the end). There's a lot of gore on offer, and you know it's the '70s when the blood is a little too paint-like. Lots of people get killed and have blood covering their faces, there's also a maggoty body which Naschy liked to include in his films (hey, well all love maggoty bodies!).Naschy himself is once again good value for money, always the likable yet tragic hero of the story. The scene where the curse is put into practice is also quite horrible and effective. Altogether, this film is a typical werewolf romp and a lot of fun to watch as it has a lot of action and people fighting and getting killed in it. If you're a Naschy fan then it really is a must see.

"El Retorno De Walpurgis" aka. "Curse Of The Devil" of 1973 is already the seventh film in which Spanish Horror/Exploitation legend Paul Naschy plays Werewolf Waldemar Daninski. These Waldemar Daninski films (many of them carry an "Hombre Lobo" title) are not exactly connected with each other (some of them play in the past, some in the present), but they all revolve around Waldemar Daninski, a usually kind-hearted man who is turned into a Werewolf by a curse. Unlike the title might make believe "El Retorno De Walpurgis" is not a direct sequel to the foregoing "La Noche De Walpurgis" (aka "The Werewolf Vs. Vampire Women") of 1971, the most famous of the Waldemar Daninski films. While "La Noche..." played in the present (1971), this film takes place in the past, presumably in the late 19th century. It is also not quite clear whether the Waldemar Daninski in this film is the same, or an ancestor of the other - he has quite the same traits of character, however.In medieval times knight Irenius Daninski (Paul Naschy) rid the world of a coven of devil-worshipers when he killed their leader in battle, and had his witch wife burned and their followers hanged. Before being burned at the stake however, the devil-worshiping lady put a curse on Daninski's family, vowing to be back for revenge... Several centuries later, the kind-hearted Waldemar Daninski (also Naschy) lives in the castle... More than its predecessors, "El Retorno De Walpurgis" gives a little background information about how the Daninsky-curse came to existence. The film is quite typical for a Naschy-flick. On the one hand the story is often extremely cheesy, but on the other hand it has moments of great style. As far as I am considered, a Naschy flick is always worth watching, as they mostly provide a great atmosphere, and practically always provide two elements that all my fellow Exploitation-enthusiasts should appreciate: Loads of sleaze and female nudity, as well as stylish (if sometimes cheesy) gory outbursts. And this is definitely the case with "El Retorno De Walpurgis". The film is filled with gore scenes, which are quite nicely done for a budget that was supposedly quite low, and all the female characters have exhibitionist tendencies, most memorably the stunningly beautiful Maritza Olivares and Fabiona Falcón. The fact that the werewolf-makeup is not exactly frightening does in no way lessen this film's cult-value. Low-budget Spanish Horror-exploitation from the 70s is a supremely entertaining kind of cinema, and Paul Naschy is its king. While this "Retorno De Walpurgis" may not be a must-see, it is definitely a highly entertaining film that my fellow Eurohorror buffs should enjoy! Paul Naschy Forever!

I'm like the Energizer Bunny when it comes to Paul Naschy – I keep going and going and going with the hope of one day finding a Naschy film I really enjoy. I know the man has his fans, but I've yet to see the appeal. My latest excursion into Naschy's filmography is Curse of the Devil. It's certainly not the worst Naschy film I've seen (that would be Dr. Jekyll vs. the Werewolf), but the best I can do is call it an average horror film.The film gets off to a good start. The story explaining how Daninsky (Naschy) became a werewolf is well done. Much like Hammer's Curse of the Werewolf, the backstory presented in Curse of the Devil is nice as it provides a reasonable (well, as reasonable as horror movies can be) explanation behind lycanthropy. Too often, horror movies expect us to accept a person is a werewolf without any explanation other than they were bitten by a werewolf. It's as if it's always been that way, so just accept it. I really appreciated and enjoyed this portion of the film. These early scenes also have a nice Gothic feel to them and an attention to detail that really adds to the atmosphere.But then Daninsky changes into a werewolf and the whole thing goes downhill. It's the same old story we've seen numerous times. And, if you've seen many Naschy films, you'll definitely feel like you've seen it before. If Naschy is anything, he's consistent and predictable. From what I've seen, his films rarely stray from the tired and true path. But more specifically, there are a couple of things about the werewolf scenes that bother me. First, how is he able to sneak up on everyone? Wouldn't the sound of a hulking, snarling werewolf be a tip-off that something's not quite right? Second, the "special effects" are abysmal even when taking into account the time period in which the movie was made and any budget limitations. Most of the werewolf victims in Curse of the Devil look like people who have, for whatever reason, poured marinara sauce on their faces. It's not very effective.As I always seem to write when discussing a Naschy film, I'm not giving up. Even though I've yet to find that Naschy film that clicks with me, I'll keep going in hopes that sooner or later one will.

On the surface, this movie uses the same basic plot as several other of Jacinto Molina's movies ... he is cursed with lycanthropy and must find a woman who loves him enough to kill him and end the curse. However, it is the setting and the back story which makes "Curse of the Devil" stand out.Four hundred years ago, an ancestor of Daninsky executed a bunch of satanic witches who swore a rather drawn-out and unfrightening curse upon him. One day, Waldemar is out hunting a wolf and is shocked and saddened when he shoots it and discovers that it is a man. Apparently he didn't know he was hunting a werewolf (why was he using silver bullets then?), and he also didn't know that the person he killed was a descendant of the previously mentioned witches. As a result of this, the witches finally take their revenge upon him, sending one of their minions to curse him on the night of the Walpurgis ...This yet another stand-alone movie which doesn't appear to fit in with the rest of the Waldemar Daninsky saga. However, it can be thought of as an improved remake of his first movie "Mark of the Wolfman", and it kind of works as a historical prequel to the other movies as well. It's certainly one of the more entertaining Daninsky movies ... the opening sequence is one of the funniest things I've ever seen (unintentionally, of course), but mostly due to the awful dubbing rather than anything else. Yes, awful dubbing. Awful, awful. Bleurgh. In fact, all pretty much all the problems here seem to be caused with the dubbing. I believe that in it's original language this may in fact be (shock horror) a GOOD horror film. Often these movies can feel like a bit of a chore to watch, but not this one! The period costumes and settings are realistic and cool. There's a very nice castle, for all you archaeologists out there. Most of the women once again wear those flowing sheer nightgowns which Jacinto Molina seems to love so much ... and they, of course, throw themselves at Waldemar screaming "deflower me! deflower me!" The acting seems decent all round, but you can't really tell due to the terrible, terrible dubbing. Director Carlos Aured worked with Molina on several movies, but this was the only Waldemar Daninsky movie he directed -- he did later do some uncredited work on Alice Cooper's "Leviatán". His directing is pretty good for a Daninsky movie, although the editing and placement of the scenes is a little off sometimes."Curse of the Devil" is one of the better Daninsky movies of the seventies, and certainly among the more entertaining. And it has a great ending, too.