Plot so thin, it passes unnoticed.
Awesome Movie
It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
View MoreThe biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
View MoreGeorge (Tom Parker) shows up in a Mexican village to look for his missing sister who he barely knows. Mom (Dee Wallace) is distant and tells him to leave. Children all over town are disappearing and people suspect a ghost/demon J-ok'el, a legendary woman who drowned her own children.George is determined to find his sister. The film was made for TV lame quality. Very boring. Keep the FF button handy.Guide: F-bomb. No sex or nudity.
View MoreCURSE OF THE WEEPING WOMAN: J-OK'EL is a dreadful indie horror flick from Mexico. The only cast member you'll recognise is a cameoing Dee Wallace. The story once again chronicles the sinister legend of La Llorona, a subject matter that has been doing the business for at least 60 years in south of the border cinema, but it plays out in the most boring way imaginable here. This road movie is all chat, no horror, featuring non-actors discussing local legends instead of any attempt to show them. The director does nothing more than waste the time of his viewers.
View MoreBesides a really, truly, awesomely disturbing DVD cover, this Mexican production is about as scary as looking at Rosie O'Donnell naked - hang on, that's terrifying! - about as scary as looking at your tax returns in George W. Bush's last year in office.In J-OK'EL, a guy who can't stop looking like Tom Cruise (Tom Parker - no relation to the guy who spanked Elvis) travels to the Mexico backwoods (I think that's just another term for any city in Mexico) to search for his missing sister, believed to have been abducted by J-OK'el, the ghostly Weeping Woman, whom legend says drowned her own children and returns to drown more whenever there's an indie script optioned.When Mini-Cruise gets to Mexico, he first finds that everyone there is Mexican and doesn't speak English, which shouldn't surprise him as he came from a place where everyone is Mexican and doesn't speak English - California.Then he finds his mother is crazier than the legendary Weeping Woman. Again, no surprise - it's Dee Wallace, who, after becoming famous as "Elliot's mom" in Spielberg's E.T. THE EXTRA-TERRESTRIAL (1982), somehow made it a point to only act in movies no one would ever see.Tom searches vainly for his sister, and as the tension mounted, I fell asleep.The filmmakers try sincerely for some eerie high points, and to give credit where it's due, J-OK'EL won the Gold Medal for Excellence in the "Best Impact of Music in a Feature Film" category; also, crazy J-OK'el lady (Diana Bracho) has won and been nominated for many awards.All that being said, bad acting, no acting, insipid acting and some jaw-dropping in-camera special effects make J-OK'EL nigh unwatchable - if you can stay awake long enough to watch it.--Review by Poffy the Cucumber (for Poffy's Movie Mania).
View MoreIn this tedious film, which can hardly be called a thriller, an American visits a small town in Chiapas, Mexico to search for his missing asthmatic half-sister. (Incidentally, pace the plot summary on this page, he *doesn't* go there at his mother's behest; even the trailer makes this clear.) There he learns that her disappearance is part of a rash of kidnappings of young children and wanders the town interacting with the locals in inane ways. Legend suggests that the kidnappings are the supernatural doings of a spirit. The plot twist at the film's climax is silly but can hardly be called disappointing, since by the time it comes around the viewer neither cares much about the characters nor expects anything better. The film has quite a few loose ends but I doubt anyone will puzzle about them for long.
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