Cutter's Way
Cutter's Way
R | 19 March 1981 (USA)
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Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter.

Reviews
Spoonatects

Am i the only one who thinks........Average?

SparkMore

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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Casey Duggan

It’s sentimental, ridiculously long and only occasionally funny

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Tyreece Hulme

One of the best movies of the year! Incredible from the beginning to the end.

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Scott LeBrun

This adaptation of the Newton Thornburg novel "Cutter and Bone" stars Jeff Bridges, John Heard, and Lisa Eichhorn in its principal roles. It's a sad, cynical story of friendship and loss, in a post- Vietnam, post-Watergate America. Bridges is Richard Bone, an unambitious but likable young stud currently earning a living as a yacht salesman. Heard is his friend Alex Cutter, a bitter, confrontational, and disabled veteran. And Eichhorn is Maureen, the despairing alcoholic whom they both love. One night, when his car breaks down in an alley, Richard sees a man disposing of a body. That man just might be filthy rich J.J. Cord (Stephen Elliott), and Alex relentlessly prods Richard into doing something with this knowledge."Cutter's Way" is more of a character study than anything else, taking a blunt, unflinching look at our three flawed protagonists. Cutter bemoans the lack of "heroes" in the world, and doesn't approve of the way that Bone avoids commitments. Maureen doesn't get much love or affection from her husband Cutter, and finds herself drawn to the more easygoing Bone. All three of the leads are impressive, especially Eichhorn. But it's often Heard that steals the show; his Cutter is a force of nature much of the time, although the character is not without humanity.Czech-born director Ivan Passer gives us a film that is noticeably low key and slowly paced, so it won't appeal to all tastes. The main draw really is the acting, although it's commendable that the story isn't patently predictable. It's up to us to decide if Cord really is guilty of the crime.The offbeat music score by Jack Nitzsche (reminiscent of his music for "One Flew Over the Cuckoo's Nest" at times) and the gorgeous photography of various Santa Barbara locations are a big plus. Also among the supporting cast are Ann Dusenberry, Arthur Rosenberg, and Nina van Pallandt; look for Billy Drago in a bit as a garbageman.Fairly compelling stuff, with some truly sobering moments.Seven out of 10.

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Predrag

Brilliant allegorical film about wealth, power, and commitment in America. Judging from other reviews, the film does not appeal to everyone. That's understandable. The characters are almost uniformly dislikable, from the abusive Rich (John Heard), to the egotistical Alex (Jeff Bridges), to the self-pitying Mo (Lisa Eichorn), to the slimy George (Arthur Rosenburg) there is no one left to root for. At least not until later when the two crippled halves of Bridges and Heard finally unite, figuratively and literally, into one potent whole. Then we realize that it's toward this completion that the twists and turns of the movie have been moving all along. (I think this also explains why the Ann Dusenberry character drops out at a critical stage. She is no longer needed to get the two together.) Rarely has any film dared to create such an unsympathetic cast of personalities, especially Heard's Richard Cutter. If he has a single redeeming quality, I can't find it. His loud, grating voice annoys, piling on one sarcasm after another, oblivious to the hurt he causes. Like Mo he wallows in self-pity, and even shamelessly exploits his disability. Then too, his pursuit of the god-like J. J. Cord should appear noble, yet seems more the result of paranoid rage than a desire for justice. In fact, Heard's explosion of anger on the Santa Monica pier is among the scariest, most convincing expressions of pent-up emotion that I've seen in many years of movie watching.The three lead performances are outstanding, and in particular those of the raging and damaged Vietnam veteran played by John Heard and the desperately sad, poignantly tragic, and utterly convincing Mo (his long-suffering wife) played by Lisa Eichhorn. Watching her melts the heart, brings tears to the eyes and makes you think of those times in life when you've felt raw pain, loss, emptiness, or struggled vainly in search of purpose or meaning. The tone is dark and moody, enhanced by the memorable and haunting zither music. There's anger, resentment and paranoia after the scars left by the Vietnam War and Watergate affair. The veteran charges in single-minded pursuit of evil and representatives of those he feels have ruined his life, whilst affluent America carries on regardless, and largely doesn't care.Overall rating: 8 out of 10.

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lcburnell

I liked this film and I liked the performances. But everyone saying the ending is ambivalent is not true.Plot SpoilerThe rich guy did it. And Bone sees justice is done by making his friend look responsible for it. Innocent people now matter how wealthy and powerful NEVER place sunglasses on their head and go "What if I did?" Folks, get a grip.The ending is a easy to figure out.Nice little film noir. No really great themes here except Cutter is Ahab. No one doubts the white whale is responsible for Ahab's wife's death. Just is Ahab going to let it go and live his life?Another SpoilerVery few alcoholics kill themselves by arson. And Mo wasn't drunk enough to fall pass out and burn herself up. It's another event easy to figure event.The film is still a bit of a Rorschach test. If you are one of those people who believe that rich, responsible people would never stoop to mob levels you will see the events as coincidence. If you are politically minded you will see it as commentary of American politics. If like me and you are into a nifty little film noir you will NOT be disappointed. The Vietnam war stuff is sauce to the goose in Cutter's character allowing the rich, cynical, and selfish to doubt his quest. Which IS very Quixotic - more sauce to the goose. Bone is a selfish playboy who sees everything in shades of gray - until the end. Ha ha - selfish to the bone?Nicely done. Applause.

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Milan

Cutter's way, aka Cutter and Bone is one of the finest films of the 80's and the finest mystery of that decade. It proves that the salvaged movies are usually treasure of the bunch, and thankfully this movie was saved from oblivion to become a cult classic. One doesn't know where to start with all that works for this cinematic diamond, there are finest performances all around, especially by Heard and Lisa Eichhorn, who mesmerized me with her portrayal of burnt-out wife with loads of existential sorrow and honesty, which she radiates all around her, like a halo, along with beauty from within her troubled soul. The story is well written and the dialogs are great.Czech school of directing always blended well with Hollywood, when Hollywood was about art and not sales, and we have numerous examples of that through the works of Miloš Forman, Karel Reisz and finally Ivan Passer. He directs this film with a sense for bringing out the best from each of the principal characters who are all lost souls, wandering through the wasteland of their lives. Jordan Cronenweth's masterful photography that makes this film look 10 years ahead of it's time, only add to the overall beauty. If you can, be sure not to miss this one. Fantastic.

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