Yawn. Poorly Filmed Snooze Fest.

Perfect cast and a good story

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

One of the worst ways to make a cult movie is to set out to make a cult movie.

Dance with Me, Henry! (1956) ** (out of 4) Bud Abbott and Lou Costello's final picture together isn't quite as bad as its reputation but there's no question that both stars didn't appear to have their heart in it. Bud finds himself in trouble due to a gambling debt while Lou is trying to keep two orphans who he has been taking care of. Soon both sides are coming together as the boys must try and figure out a way to save themselves and the children. DANCE WITH ME, HENRY! has all sorts of problems including the boys wanting to try and do something a tad bit more serious. The problem with that here is that the serious side really isn't all that serious but instead it's more sugar-coated sentimental stuff that just comes off as fake and very forced. These scenes aren't really that funny when they try to be and they're not very dramatic when they try to be so they just really come across as flat. Another problem is that the comedy stuff really isn't up the high levels one would expect from the duo. I think Costello comes off the best as he at least gets a couple good one-liners and manages to come across decent but there's no denying that he has very little chemistry with Abbott. It really does seem like both of them weren't wanting to do this movie as their screen time together is mostly flat and just reminds you that much better times are to be found in earlier films. None of the supporting cast really jumps off the screen so this here doesn't help. If you're familiar with what was going on in both of their lives I think it's safe to say that making a movie wasn't a very high priority. Even though the relationship ends on a rather sour note, the two gave us so many great movies so this one here can be forgiven.

I actually found this really entertaining. I have watched nearly all of their films and this one is really interesting. The humour is less forced and has a more natural flow than in their earlier films. Abbott is not so much the straight man here but very funny himself. His delivery is impeccable. Lou has lost a lot of the silly over the top humour which IMO is better especially as they are older. The later films like this one and the mummy I find the most entertaining. The humour was a natural part of the plot not and did not contain over the top gags that were not in keeping with the flow of the film. Also, the characters of Abbott and Costello are more central to the plot.The more I watch Abbott and Costello the more these later films appeal to me.A pity they ended their partnership too soon.

This film has the reputation of being the team's worst, and it may well be (it's a toss-up between this one and "A&C Go to Mars"), but even if it isn't the worst movie they ever made, it's definitely the saddest. Both Bud and Lou were old and ill, and their timing, which was at one time absolutely awe-inspiring, is pretty much gone. They show their age, especially Costello, and don't seem to have the heart for the work anymore. It's not just the boys who are tired, though. The script is lame, limp, and absolutely brainless, and they must have realized it because they brought in Charles Barton, who was responsible for their best films, to direct it, hoping that he could make a silk purse out of a sow's ear. He couldn't. A previous poster has said that it's painful to watch this film, and he's absolutely right--it breaks your heart to see how far the two had deteriorated, both physically and professionally. The producers must have known what a dog this movie was because, in a desperate and pathetic attempt to attract younger viewers--always Abbott & Costello's core audience--they changed the title to "Dance With Me, Henry", which was the name of a popular song at the time and had absolutely nothing whatsoever to do with anything that happens in the film itself.All in all, a sad, depressing end to the career of one of the best comedy teams in film history.

Watching "Dance With Me Henry," I felt as if I were trapped in some kind of purgatory. There is nothing funny or entertaining about this film. It simply goes on and on, interminably, with no suspense or narrative drive. The characters are cardboard, the dialogue wooden, the pacing leaden. Because of the film's title, I kept expecting the song "Dance With Me, Henry" to be part of the story, but it was only hinted at in the incidental music and sung, very briefly, by a minor character in one throw-away scene. Otherwise, there was no point to the title. I say this because "Dance With Me Henry" by Georgia Gibbs was a #1 hit in 1955. It was a whitewashed cover of a #1 R&B song by Etta James called "Roll With Me, Henry," which in turn was an answer to Hank Ballard's "Work With Me, Annie," the biggest-selling rhythm & blues record of 1954. I have no idea why Abbott & Costello would finish out their career with a movie that took the title of a popular song and then throw that song away. In any event, I would rather sit through 100 spins of Georgia Gibbs' dreary "Dance With Me, Henry" than have to watch this horrible movie again.