not as good as all the hype

disgusting, overrated, pointless

Although it has its amusing moments, in eneral the plot does not convince.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Typical 50s sword and cape film with slew of supporting British and French actors. Pity there isn't a single Welsh one given that part of the action is supposed to take place in Wales. The "Welsh" contingent have a bash at an accent but truth to tell anyone who has ever been to Wales would not be convinced. Finlay Currie for instance was a well known SCOTTISH actor with an accent to match has a go at mangling a Welsh one. But then have you ever seen "How Green was my Valley", a good novel Hollywoodenized? Well, despite the fact the camera crew never went to Wales, the actors do what they can to move things along (the director could have helped more). The music is clunky and helps even less. But, hey, the leads are all good looking or, when given some freedom like the "grande dame" Martini Hunt, manage to raise a smile.So suspend your disbelief - as you have to do to many present-day films - and don't expect any explosions or leaps from tall buildings and settle down in a comfortable sofa.

Colorful but empty spectacle purports to tell an alternate version of the flight and plight of the young son of Marie Antoinette and Louis XVI as he tries to escape sinister forces who wish his death and his own aversion to ruling France.Silly junk with terrible dubbing has lovely production values and one fun performance but is mostly overly earnest hogwash. Belinda Lee is very beautiful and looks exquisite in her period clothes but isn't really given anything of significance to do. Without a doubt the best and most enjoyable performance comes from Martita Hunt as the bedridden but sprightly Lady Lydia, a saucy old fox with a sharp tongue and a knowing outlook as well as some truly amazing and ridiculous wigs. Keith Michell would go on to an impressive career that included his masterful work as Henry VIII but he is just another sneering villain of little distinction. The real blank wall though is Louis Jourdan an actor capable at times of exuding a great deal of charm here he is a dull posing lump. Ploddingly directed with a story that is not that compelling this is for ardent fans of costume pictures or the stars only.

Duke Phillipe De Beauvais, (Louis Jourdan) flies in a balloon along with a ten year old Louis XVII Richard DE Beauvais ,( Richard O'Sullivan) from Paris and the balloon became damaged and landed in Wales. Virginia Trail, (Belinda Lee) finds the ten year old and befriends him and brings the boy to her aunts home. Louis XVII is separated from his father Duke Phillipe who helped his son escape from being killed, and who was tortured in a prison. Louis XVII has constant nightmares from all the punishment he endured while in prison and he willingly tells his story to Virginia and Louis XVII at the age of 10 tells Virginia that he wants to marry her and will she wait for him to grow up, Virginia is 2l and it was quite a funny scene in this film. This film dealt completely with hiding this ten year old King and people trying to kill him.

Did you know that Louis XVI and Marie Antoinette had a son, and that this son when he was aged ten and in danger from the Revolution, fled to a small Welsh island in a balloon? You didn't? Quelle surprise!This is Dangerous Exile's basic premise. It's a fantastical and farcical one at the same time, and it's to the cast's credit that they manage to play it straight throughout. There is the usual amount of swashbuckling (although confined to the last third) and the kind of laboured "historical" dialogue which 50's screenwriters appear to have been unable to overcome. Jourdan and Michell both move with a stiffness and moody demeanour which can only mean there's a haemorrhoid attack on the horizon, while Belinda Lee (as an American visiting her rich English aunt!) provides an arresting decolletage but little else.A lot of this movie was shot at night and as such has a brooding quality which often overwhelms the slight material. Hurst, a stalwart of British movies of the 40s and 50s, keeps things moving in a methodical manner, but when all's said and done, there are too many familiar, staid elements for the movie to work as a whole.Mildly enjoyable if you like this kind of movie, and only 5 out of 10.