Self-important, over-dramatic, uninspired.

Don't listen to the Hype. It's awful

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Taylor is likable as McGee, but neither imposing (he's 5' 11", not a 6' 4" ex-defensive-linebacker) nor gentle enough. Bikel never displays Meyer's formidable intelligence, nor his astonishing personal magnetism; he's just a sidekick, who also looks wrong (Meyer is described in the books as having the pelt of a black bear). The Flush is...well, a houseboat, nothing special. Miss Agnes probably is, but we never get a really good look at her. The Alabama Tigress...a great excuse for Jane Russell to come out of retirement, for a few seconds on the screen. Kendall is beautiful, but not right at all for Vangie, who was Hawaiian and a hard-as-nails totally self-absorbed hooker from a pretty grim background. The music score is also distracting and inappropriate—a mix of badly done late-cool jazz and TV-movie clichés.The plot is closer to the book than Hollywood usually allowed its writers to adhere. But a couple of significant changes are senseless. The bad guys trace clues to a friend of McGee's and kill him, to no point whatsoever. (They're smart enough to get that far, but too stupid to keep the guy alive so they can get further...) McGee goes back to the fishing hole and dives to pull up...a barbell. (Replacing the novel's cinder-block, why? Would a bodybuilder ever be so stupid? Or did he just have an extra lying around that he wanted to throw out?)Most annoying was the rewrite on McGee's relationship with Vangie, I guess so that he could look as much as possible like Bond (i.e. have sex with every woman who wanders through the script). Given who McGee is (and how well readers of the book know his principles and his habits of self-reflection) and what he thinks of Vangie, any devotee of the books will look at this strange Taylor-inhabited character, and wonder who it really is. Certainly not the Travis McGee that we wanted to see in a decent film.

This movie is the only cinematic Travis Magee movie made. It has a strong cast and was written by John D. himself but the "hipness" prevents the realism from coming out. The casting of Rod Taylor is of a questionable choice and the movie lacks the technical expertise that a first class author should have been given.Miss Agnes is the only concession to class and the "flush" is appropriate as well. All in all a disappointment to those John D. fans. Too bad that those responsible for "Cape Fear" didn't sign on to do this flick!! Lori and Paul WA state

I saw this movie 30 years and the memory of the Climatic fight is still in my memory banks. Probably because I went back to see it with my friends. Nowadays fights scene like this are commonplace, but back then this fights only close comparison was Bond's fight in From russia with love. I rented it about five years ago and was disappointed to find that it was an edited tv version with the best scenes cut. A restored version of this movie is a time capsule of Florida, fighting and Females in the late 60's. And a darn good yarn.

A great detective film. The usually underrated Rod Taylor gives a gripping performance, holding his own against scene stealer William Smith. The ending features one of the greatest fight scenes ever filmed involving ,basically, only two men. I was not too framiliar with Travis McGee before this film but have since become a fan. And Suzy Kendall is always fun to look at