Good concept, poorly executed.

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Amazing worth wacthing. So good. Biased but well made with many good points.

David and Goliath is the Italian peplum version of the Biblical story, best known for featuring an aged Orson Welles as the villain of the piece, a ruthless King Saul who rants and raves in his various guest appearances. As a film, it's surprisingly low budget, a set-bound political piece that lacks the kind of basic spectacle that this genre is known for. It's no comparison to the Hollywood blockbuster version of the story, featuring Gregory Peck, and by comparison it just features minor actors spouting badly-dubbed dialogue with the occasional war sequence thrown in to try to keep viewers awake. It doesn't really work.

From a free adoptions of several biblical sources, Umberto Scarpelli, gives forms to this biblical story, which is then directed by Ferdinando Baldi. Among all the several versions this is my favorite. It relates a time in ancient times when the first king of the Isreal, Saul ( Orson Welles) having been anointed by the prophet Samuel (Hilton Edwards) is seen now in the last stage of his rule and once again Summuel has advised Saul that a new king has been chosen. The choice is a son of Jesse called David (Ivo Payer). Saul's army has been challenged by the Phillistines and their new champion called Goliath. played by Kronos. The story of David and Saul is easily told, but in this movie version the writers have added, love, inner family conflict, ambition, and royal jealousy. As such the film begins to drag towards it's finally. Despite the dueling arms, little is seen which can add to the over-all movie. Still it's color is great, so too the panorama, all in all it's a great film for the 60's. Recommended to those who have time to watch a long drawn out biblical story. ****

This Italian made sand and sandal epic would probably be long forgotten were it not for the presence of Orson Welles as King Saul. Certainly the man who played David in David and Goliath, Ivo Payer, certainly did not enter the ranks of screen immortals.David and Goliath took as many liberties with scripture as any good Cecil B. DeMille film, but without DeMille's sense of grandeur and spectacle. For instance in this film as a result of the battle where David defeats Goliath and the Philistines are routed, the Ark of the Covenant which the Philistines had captured is returned. Actually those are separate incidents that are not connected at all.Another thing is that at least I've always interpreted David to be a rather callow youth when he was doing his shepherd thing before God sent Samuel looking for him. And he's still a callow youth when he's in battle with Goliath. The old Negro spiritual is called Little David Play On Your Harp, not without reason.Ivo Payer is a rather muscular young man looking like he stepped from of those Italian muscle man epics so popular at the time. Of course the sight of all that bare chested beefcake sent many hearts fluttering in the audience. In that sense David and Goliath is right in the DeMille tradition.The only reason this film is remembered if at all today is because of Orson Welles. Welles at the time was picking up work here and there to finance his own projects. Sometimes it would be something as good as Compulsion the year before, more often it was something like David and Goliath.Still Welles is a consummate professional and he invests Saul with an air of tragedy about him. At the point we meet Saul, God has already decided he's not the man for the job as King of Israel. But Saul is not about to accept that verdict. If he can't beat David head on, he'll try and co-op David by bringing him into his household and matching him up with his daughter.And of course there's Saul's son Jonathan. He's there, but none of the business about a gay relationship between David and Jonathan is in this film. Jonathan knows full well that his father has lost favor with the Lord and he's aware of his father's character weaknesses. He too, befriends David more out of a sense of survival than anything else.English actor Hilton Edwards plays Samuel the Prophet and he comes across as a poor man's version of Finlay Currie. He's the only other English speaking player in the cast besides Orson Welles.David and Goliath will not pass muster with either biblical scholars or with lovers of big screen spectacle. Still fans of Orson Welles will want to see this film to see how much a great talent can lift even a piece of mediocrity to a level of some respectability.

This cheesy but entertaining sword-and-sandal movie has more in common with the muscleman spectacles being made in Italy at the time than it has with the superior Biblical epics made by Hollywood in the same era, such as "Ben Hur" and "The Ten Commandments." The dialogue is stilted, the acting stiff, and the departures from the Biblical narrative make it unsuitable as a Sunday school lesson (i.e., Jerusalem did not become part of Israel until David conquered it after Saul's death; in one scene the prophet Samuel quotes verses from the Book of Ecclesiastes, which hadn't been written yet). On the credit side, the movie has lots of pretty girls (what's a Biblical epic without scantily clad dancing girls?) and an exciting battle scene. Hilton Edwards (billed as Edward Hilton) hams it up amusingly as Samuel, and an alarmingly obese Orson Welles gives a commanding performance as Saul, showing that life can be tough for a working actor even if you're a genius. Aside from Welles, only the sexy Eleonora Rossi-Drago, as Saul's scheming daughter Merab, manages to create a three-dimensional character. Overall, the acting is so poor that circus strong man Kronos, as Goliath, actually gives one of the better performances even though all he does is grunt.