Very very predictable, including the post credit scene !!!

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Blistering performances.

Take a deep breath, stop drinking and eating, and let me lay out the premise of Day Of The Animals for you: big-haired women of the mid-70's have depleted the ozone layer with all their hairspray, and now UV radiation is turning animals into vicious kill-bots bent on human destruction.My impression is that they meant for this to be an ecological-horror. Quite contrary! Though it reunites producer Edward Montero and Christopher George- whom I've only just yesterday finished ripping a new one in my review for Grizzly- there's another star, the true hero of the story, who just so happens to be playing the villain: Leslie Nielsen. And yes, for you younger people, that is the guy from the Naked Gun series, and yes, he is freakin' hilarious. Which is how Day Of The Animals, quite unintentionally, put me in the correct mindset to receive it as comedy gold. Before we dive into the nitty-gritty, accept that reality. Montero and his buddies wanted to make another Grizzly, which was them making another Jaws, and as South Park taught us, "If you french-fry when you should have pizza'd, you're gonna have a bad time." But if you accept the accidental comedy, you might actually enjoy it.I've never reviewed a comedy, but I'll do my best!Christopher George resumes his roll as Chiseljaw from Grizzly, which is to say his beautiful jawline probably drew in more women than would otherwise ever watch this garbage. I forget his character's actual name, but the comedy starts right off the bat with his overstated, quasi-country accent. He's leading a group of hikers out into wild high-country, despite the fact that his boss has been getting weird reports of crazed animals. Montero & Co. had a helicopter left over from shooting Grizzly, so they go ahead and pile all the tourist in those – that's my theory anyways – and we're really running with a few unintentional caricatures right off the bat targeting Native Americans and New-York accented whining women (come on, people, I thought the seventies were better than that). But all is not well in Camelot. Something's rotten in the state of Denmark. There's been a disturbance in the Force (and this one goes to 11). Birds of prey surround the hikers at their very first stop as they hoof it up the mountain, squawking and screeching and generally reminding me more of Bigbird than serial killers. Being something of a raptor aficionado myself, I can't help but oogle at the cute little condors, redtails, and turkey-vultures. Back at base-camp... or town, or wherever it was the ill-fated hikers departed from... a mangy-looking dog growls menacingly, to add to the growing sense of unease (or in my case, the growing sense of amusement). Oooh! Now the hawks are stalking the hikers? Sweet! We've got a regular Jeffrey Dahmer here.I'd based my expectation off Grizzly, so I was actually surprised at how long we go before the first fatality. You'll have to wait nearly half an hour for the first animal attack. Not to worry: once we get the first body, the hilarity ensues in rapid succession. Leslie Nielsen moves to center-stage, rapidly evolving into the human antagonist with racist jokes and venomous one-liners.Is this an actual plot element I detect? Is it possible that the ozone-radiation induced madness turning the animals into murderous gangbangers is also going to turn the humans into raving lunatics? We've got hawks dragging people off cliffs, complete with Wilhelm scream. We've got Lone Wolf attacks- no, not that kind, literally a lone wolf- which somehow turns one victim's face not into hamburger meat, but rather leaves the attractive starlet with superficial red streaks. Meanwhile, solitary cougars have formed hunting packs, which has my inner naturalist guffawing at the reversal. We've got viking-inspired rats pillaging pantries, and then, faces! Supposedly vicious dogs, tails a-wagging out of lovable glee as they sew havoc and destruction. By now it's 10PM and I'm a little drunk. Which is how I discovered Day of the Animal's true value: as a drinking game. Going forward, I'll highly recommend the film and the drinking rules as follow:Drink whenever 1) You laugh at Chiseljaw's ridiculous accent 2) Leslie Nielsen calls the Native American guide "hotshot", makes fun of another hiker/delivers a one-line zinger, or does anything remotely racist (careful, you'll be drunk by about mid-film) 3) The supposedly menacing critters make you "ooh" and "ah" at their adorableness 4) You spot a fishing line attached to a leaping critter 5) The totally not a Jewish stereotype mom flips outYou can imagine how my night ended. Maybe the movie was hilarious, maybe I was just three sheets to the wind. I lasted to the credits, at least, at which point I proceeded to worship the porcelain throne face-first.Was this movie a good horror film? Absolutely not. Was I too drunk to objectively determines its quality as a comedy? Probably. Was it the film's constant glare or my bargain-bin vodka responsible for my pounding headache afterward? God knows. Are the women- including the lead- there as anything but eye-candy, damsels in distress, and gore-fodder? Not really, but it was the seventies. How is it that the animals only target humans, but never each other? Come on, folks; we're talking about the people who made Grizzly. Don't go dragging logic into this equation!I can't in good conscience recommend this movie to anyone who isn't ready to down a fifth of bourbon while watching. If interpreted as intended – as an eco-horror – it misses the mark entirely.But if you watch it as an unintentional comedy, and you're the sort of person who gets off on truly horrible film, this one's right up your alley.

The earth's diminishing ozone layer is affecting the animal life in a very negative way and a few hikers are in real trouble.Well, after reading countless reviews here and elsewhere stating that the animal attacks are laughable, I find myself in the minority group that actually was quite impressed at how the filmmakers managed to pull them off. They don't occupy much of the screen time but when they happen; well, I was impressed. Bear in mind that this is a low-budget feature film from a specialized B-movie filmmaker who used his wits and drive instead of money. As such I was very impressed with the end result.The story here ain't much to write home about. Basically the hikers gradually learn that the animals look extremely mad and before long they're fighting for their lives.The cast is good, a nice assembly of B-movie actors; Christopher and Linda Day George are always appealing and Leslie Nielsen really chews up the scenery as the crazy ad exec who takes on a giant bear.The film is stretched and not much happens for quite a while but it's strangely atmospheric in a way and climaxes with some impressive stand-offs against the animals (again, I believe I represent the minority here).William Girdler was a master copycat filmmaker, taking into account what was captivating to audiences and making a film on that subject while it was still fresh. The diminishing ozone layer was a hot topic in those days and he concocted a really neat little film (which looks much more expensive than it really was with that Panavision framing and impressive cinematography) that entertains without doing too much damage to our brains.

TITLE: DAY OF THE ANIMALS, Release Date: 5/13/1977, Runtime: 97 Minutes STARRING: Lynda Day George, Christopher George, and Leslie Nielsen The Day of the Animals is a 1977 American horror film thriller directed by William Girdler and based on a story written by Edward L. Montoro. Premiering on May 13, 1977, the movie reunited stars Christopher George and Richard Jaeckel, director Girdler and producer Montoro from the previous year's hit film Grizzly.SUMMARY: A nature-loving group of hikers set out on a two-week survival mission in the Sonora Pass area of California's High Sierras. As the group begins its trek, the animal population of the Sierras slowly congregates around them. One of them hears a news bulletin that scientists believe the earth's ozone layer has been depleted to a critical level with a warning of possible danger at higher altitudes. Therefore, begins the pursuit by the animals of the humans. The high drama and frightful tension will have you on the edge of your sea.QUESTION: Can anyone survive The Day of the Animals? MY THOUGHTS: The high drama and frightful tension will have you on the edge of your sit, asking yourself can anyone survive the Day of the Animals. I remember this movie because of Lynda Day George. However I was disappointed that she didn't play a bigger role. I did luck the scenery of the Sierra Mountains so I give this Picture 6 Weasel stars.

Day of the Animals: 4/10: Filmed in glare-o-vision (either to emulate a world without ozone or to give me a headache) Day of the Animals ask what if all the animals went crazy and decided to work together to kill B-movie actors. Hmm.Unlike most nature gone wild movies that focus on one deadly animal (snakes, spiders, small dogs wearing the cutest rat outfits.) Day of the Animals, like its predecessor Frogs, throws every living creature at the cast. (Though in Day of the Animals defense unlike Frogs it at least sticks to animals, no one gets killed by the Spanish moss.) It doesn't work. It really doesn't work. The animal attacks are laughable. Rats and snakes on fishing lines are thrown at actors. A shirtless Leslie Nielson who gets attacked by a bear rug in a scene right out of that killer carpet movie The Creeping Terror. And, most laughably, the so called attacking dogs. Whom are downright lovable complete with wagging tails. (I've seen Benji look fiercer than those German shepherds whom looked every bit like they were chasing a miniature chuck wagon.)As for the acting, well you get a shirtless Leslie Nielson hamming it up (years before he did Airplane and "went" into comedy) and Jon Cedar channeling a third rate William Shatner singing Barry Manilow (you won't be able to get that Mandy tune out of your head.) The film in fact has plenty of cannon fodder (even that old comedic and anti-Semitic stand-by the overprotective Jewish mother played by Ruth Roman like she was directed by Leni Riefenstahl). It even has the Poseidon Adventure scene when one pig-headed group splits off from the other. Day of the Animals also has the worst DVD transfer ever. A third rate pan and scan picture and no chapters or even a title screen. And unlike its companion piece Grizzly it needed a good transfer. After all it's filmed in glare-o-vision.