People are voting emotionally.

Good start, but then it gets ruined

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

I didn't know what to expect of this film, but having visited Cuba and having an interest to see Carlos Acosta, I went out of curiosity. It turned out to be my best night out in ages. The film has so much to interest you at so many different levels. Firstly, it's a decent storyline. Secondly, the characterisation is excellent. I loved the way the balance of power shifts between the "headstrong" sister to the seemingly "superficial" one. It was very easy for me to empathise. The characters actually develop over the course of the film, just as, in real life, we change as a result of what we experience. This change was really credible and quite different from other films.Thirdly, the film setting in Cuba was vibrant and exciting.Fourthly Carlos Acosta's dancing (say no more) and also his acting (for the first time) was great.Fourthly, there were tense and scary bits in the film, which I'd liken to some of those in Slumdog Millionnaire. Fifth, there was an unexpected twist.All in all a superb, 10 out of 10 film! I do so wish it could go on general release. I've recommended it to all my friends but don't know how they'll ever get to see it.

I was really looking forward to seeing this film as it's about sisters and as a sister myself, this is a subject I understand and love. I was not disappointed. Day of the Flowers brilliantly conveys the competitive, irritating, sometimes nasty but ultimately loving relationship between sisters. Eva Birthistle, as the complicated Rosa, sets off from Glasgow on a crazy mission to Cuba with an illicit bag containing her father's ashes, accompanied (to her dismay) by her sister Ailie (beautifully played by Charity Wakefield) and kilt-wearing friend Conway (Bryan Dick). Of course when they arrive things don't exactly turn out as expected and their encounter with a Cuban conman (the excellent Christopher Simpson) leads Rosa into potential danger. Quietly observing the action is tour guide Tomas (Carlos Acosta) and he is soon embroiled in the sisters' adventure, being especially protective towards headstrong Rosa. Most of the film is set in Cuba and the vibrancy and excitement of this lovely island, full of colour, music, dancing and amazing scenery is almost enough in itself. The Cuban cast is excellent and Carlos Acosta proves himself as an accomplished actor. I would have liked to have seen him dance a bit more but had to be satisfied with a tantalizing glimpse of him gently teaching a young dancer in his ballet class…. Sigh!! All in all, a very entertaining and heart-warming film that looks great. I thoroughly enjoyed every minute and so did the rest of the audience.

This was fun.Thankfully, this wasn't the rom-com it was billed to be by the Edinburgh Festival's guide - the character's happy-go-lucky adventures mesh easily with a more complex portrayal of a Scottish family's relationship with Cuba. Carlos Acosta particularly makes a strong debut. Perhaps fans of Cuban dance would be disappointed that there was not more actual dancing included in the narrative structure but then this story stays fixed on the central portrayal of the sisters and their conflicts.Colourful cinematography and a quick pace made for a pleasing movie experience.

One of the selections from the Edinburgh Film Festival's 'best of the fest' which you hope was based on initial ticket sales & not critical response - otherwise you would worry about the quality of this years output. Whilst it's nice to see a Cuban backdrop in a narrative drama, it doesn't really compensate for some shockingly bad writing & uninspired direction - which is particularly evident in having all the characters constantly think out loud (the first 10 minutes in this regard are absolutely appalling). The performances too are largely unconvincing, with Eva Birthistle (very good in Loach's 'Ae Fond Kiss') struggling immensely with a hugely unsympathetic idiot of a protagonist, whose every solution to a problem seems to solely involve walking out of a scene that lapses more than 2 minutes. Still, her turn is award-worthy compared to the amateurish showings by her supposed sister & her constant kilt-wearing cypher of a friend. Well intended it might be, but it can thank the Cuban cast & the work done by the unit directors to lift it above the tragic threshold.