Excellent, Without a doubt!!

Absolutely brilliant

Watch something else. There are very few redeeming qualities to this film.

The movie really just wants to entertain people.

Interesting to speculate what might have happened if the Jack Bruhn gang never showed up. Blaise Starrett (Robert Ryan) was creating a lot of resentment with his insistence on putting a stop to the fencing on open range land. Given his demeanor, the thought occurred to me that the town of Bitters might have been named after him. Had it gone that way, the story might have been just as grim as the one we got to see.I'm still not used to seeing Burl Ives in a Western setting, even though he's appeared in a number of them. Often as a villain too, as in 1958's "The Big Country". I guess I was too conditioned as a kid by his voicing Sam the Snowman in the TV movie "Rudolph the Red Nosed Reindeer"; that's where I think I first became aware of him. I think the story could have used a better explained rationale for the hold he had over his fellow band of thugs and cutthroats. They all stood down when he made it a point, but after a while I began to question why they were so afraid of him.The one casting surprise in the story for me was that of David Nelson as the young outlaw Gene who had an eye for town girl Ernine (Venetia Stevenson). Brother Rick appeared in a few but this is the first time I've seen David in any vehicle other than his parents' TV series.Where the film departs from a more conventional dynamic occurs in the latter part of the story when Ryan's character leads the outlaw bunch on a death march with the complicity of their leader Bruhn, who at that point pretty much knew that he was dying of a bullet wound. Starrett's only hope of making it out alive is borne out when the gang members start taking each other out in an expanded take on "The Treasure of the Sierra Madre".With as many Westerns as I've seen, this is the first one that graphically depicts what a difficult time a horse can have trying to walk through a couple feet of snow. It's obviously not that easy, and something Blaise Starrett might have considered when he stated to Bruhn at one point while on the trek - "None of us are gonna make it".

In the end of the Nineteenth Century, the tough cowboy Blaise Starrett (Robert Ryan) arrives in the snowing village of Bitters with his foreman Dan (Nehemiah Persoff) with the intention of killing the farmer Hal Crane (Alan Marshal) using the pretext of the barbed wire he is running around his farm. However, Blaise really wants his wife Helen (Tina Louise) with whom he had a love affair. During the showdown between the cowboys and ranchers in the saloon, the violent gang of outlaws led by Captain Jack Bruhn (Burl Ives) appears out of the blue interrupting their quarrel. Jack Bruhn, who is a notorious captain of the army responsible for the massacre of a village of Mormons, disarms the men and explains that they have robbed the payment of the army and a cavalry is chasing them. He is wounded and wants to spend the night in the village and he gives his word to the locals that his gunners will not touch the women. Further he orders the barman to hide the booze from his men. When the local veterinary removes the bullet from the chest of Jack Bruhn, he realizes that he might have an internal bleeding and not survive. Blaise decides to lure the criminals and lead them in a journey with no return. "Day of the Outlaw" is a bleak and original Western in a snowing landscape and based on a historical fact of North America: the violent confrontation between farmers and ranchers that ran barbed wire around their own land and public land that they used for grazing without permission and people that cut the barbed wire. The cinematography is magnificent and the sequences in the snow are impressive, with the horses submitted to a great effort to ride through the mountains. The performances are stunning with Robert Ryan and Burl Ives in the role of strong and tough characters. My vote is seven.Title (Brazil): "A Quadrilha Maldita" ("The Damned Gang")

Underrated Western with some genuinely unusual features. As a long-time fan of Westerns, I've seen only a handful hardy enough to film in the mountains in winter. But the results here are riveting, especially in grainy b&w. Those bleak snow-scapes with the horses trying to plow across are a rare glimpse of trail blazing before the 4-lane highway. The toll on man and beast must have been excruciating. Those memorable scenes are, I believe, the movie's high point, and to the credit of the producers, I could spot only one minor exterior set to break the continuity. Then too, the weather-beaten town looks authentic as heck. I just wish IMDb had been able to identify the locations so I'll know where not to winter hike.Unusual too is the absence of a good-guy hero. The two leads, Ryan and Ives, are both strong characters, but with a wobbly moral compass that wavers somewhere between low- down meaness and high-type nobility. In short, you never know what they're going to do. That makes for two interesting non-stereotypes to drive the plot. I expect one reason the film was passed over by critics is because of sexpot Tina Louise as an audience draw. Known more for her Amazonian measurements than her acting skills, she nevertheless does well enough here, while watching her get bounced around the dance floor, hair flying, is not anything you'll see her Ginger do on TV's Gilligan's Island. Speaking of vintage TV, there's Ozzie & Harriet's elder son David as a good kid who's fallen in with the wrong crowd, and a teenage Venetia Stevenson who looks and sounds more like a malt shop than a frontier town. Somehow, you just know they'll end up together.Nonetheless, it's a payday for a lot of sturdy Hollywood veterans in supporting parts, including the always dependable Dabbs Greer and my favorite plug-ugly bad guy Jack Lambert. Then too, maybe you can figure out what Elisha Cook Jr.'s role is supposed to be, but who cares, just seeing the little fall-guy resonates across a couple of memorable Hollywood decades. And who better to manage scriptwriter Phillip Yordan's parade of shifting alliances than a central European like Andre de Toth, whose 1947 Western Ramrod remains another hidden gem. Anyhow, no movie that pits the steely Robert Ryan against the immovable Burl Ives can afford to be passed up, especially when stretched across an unusually polar landscape that still gives me the cold shivers.

Cowboys and ranchers must stick together when a gang of outlaws ride into town intent on causing trouble and abusing the town. Even tho their leader, ex army Captain, Jack Bruhn has them under some sort of control, salvation may have to come from the moody Blaise Starrett, who has his own secret agenda to deal with.Day Of The Outlaw {poor title not befitting the quality of the film} is directed by André De Toth {Ramrod, Crime Wave & House of Wax} and stars Robert Ryan, Burl Ives & Tina Louise. Adapted from the novel written by Lee E. Wells, it's a film that is crying out to be seen by more people, especially those with an aversion to Westerns. For although grounded in Western tradition, it comes across more as a moody Noir piece, the atmosphere throughout hangs heavy like a weighted burden, with this tiny tin pot town in the snowy swept mountains photographed starkly by Russell Harlan. This is some out of the way place that nobody but its small inhabitants care about, and even those that do are probably doing so more out of ill judged loyalty to having not tasted something else before.Robert Ryan was a terrific actor, often only mentioned when talk turns to famous pictures like The Wild Bunch & The Dirty Dozen, but it's with performances like here, or The Set-Up & Crossfire, that he really puts a depth and critical layers to his talent. Burl Ives is also great, his weary and scarred Bruhn is almost in empathy with Starrett and the townsfolk, so much so, we are never quite sure just how this picture will end. Tina Louise rounds out the leads, and apart from being an incredibly sexy woman, she does some great facial acting here, one sequence as the outlaws demand dances with the ladies is laden with a vile undercurrent, with Louise perfectly portraying the threat with acting gravitas. With astute directing and acting to match the almost sombre soaked story, Day Of The Outlaw comes highly recommended to fans of atmospheric enveloped cinema. 9/10