Too much of everything

Just so...so bad

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

This film is so real. It treats its characters with so much care and sensitivity.

Let me preface this by saying I don't watch a lot of anime, and when I do it's Howl's Moving Castle, or something along those lines. I think I came across Dead Leaves by googling for abstract or surreal movies or something like that, and the synopsis intrigued me so...why not?The good: inventively insane visuals, unusual but effective animation styleThe bad: everything else. Terrible, repetitive music. The plot is somewhere between flimsy and nonexistent. The characters are just vehicles for crude humor and gruesome violence, with no merit of their own.I watched with interest for about 20 minutes as things just got progressively weirder and weirder, but it eventually became clear that the movie was going to just be an endless stream of pointless violence and crude humor and that's all, so I turned it off. If you already know and are familiar with this type of anime then maybe it will work for you. If you're looking for any degree of substance, then keep looking.

This is a movie about visuals.. and absurd, over the top fun. An enjoyable ~60 minutes for your mind to take a rest. Let the mind take a break, seat it comfortably and allow the colorful animation splash a bucket of weird Japanese imagination to your face. I must say that this movie is best viewed without the subtitles. When I first was watching it without them I decided to turn the subtitles on so I could follow the story, but right after that I missed half of the anime's lively visuals. So if you really are interested in getting the full experience and don't know Japanese I would recommend to watch this one twice, once to get the story, and second time to actually enjoy the amazing animation.

If Madhouse's Redline is a "flashy action ride", then Dead Leaves is a "nuts-to-the-wall flashy tripped-out action ride on speed". The movie's high-contrast comic book-like visuals had me expecting something unique, but I don't think I could properly have prepared myself for just how unique Dead Leaves turns out to be. The comic book style applies not only to the frequently grotesque characters and outlandish scenery, but also to the cinematography itself with several "panels" often being shown on screen at the same time, sound effects appearing as actual floating words, and unusual framing used to emphasize certain parts of the scenes. The narrative begins with the protagonists, Retro (a TV-headed man) and Pandy (a woman with a mysterious red spot over her right eye) waking up naked and without their memories only to go on a crime spree which gets them sent for life to a prison on the moon called Dead Leaves. Not for the straitlaced or faint of heart, Dead Leaves' mere 52 minutes zoom by at break-neck speed in a flurry of explosions, gore, sex and nudity, but if you can stomach the off-the-wall content you're in for a very enjoyable if lamentably brief anime experience.

I'm not an anime fan. I started to go in to why, but deleted it and decided to write about why I like Dead Leaves. How I am going to do that is by saying that even though I am not a fan of the genre, FLCL is one of my all time favorite viewing experiences. I fell in love with it the moment I saw it, and have owned various DVD releases of it and watched them many times, each viewing finding something new. Until tonight, I was disconsolate that no other anime would ever make me sit up and take notice.Now, Dead Leaves is not quite to FLCL's level, IMO; however, they are kindred spirits. First of all, it's a short, just over 3/4 of an hour, so it didn't have the time to develop its characters or plot as well, neither does it have the bittersweet, weird love story of FLCL, nor the coming of age subtext rife with adolescent realizations that makes FLCL so special, but then again, it doesn't want or need any of these. What it does have are tons of LOL, WTF and "AWESOME!" moments, packed in so tightly, this is something that will need to be watched again and again. It also shares FLCL's humor, twisted sensibility and style.Another comment indicates that the director of Dead Leaves also worked on FLCL, but I can't find confirmation of that here on IMDb; however, I would not be surprised in the slightest that that was the case.This short has given me hope that Japan hasn't only made one anime that I can appreciate. It is confirmed that it has now made at least two.