Horrible, fascist and poorly acted

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

While snorkeling in the ocean, "Peggy Chapman" (Yvette Mimieux) gets tangled up in some underwater kelp. She wakes up on the beach and sees a man sitting next to her named "David Smith" (Monte Markham) who she thanks for saving her life. He is then invited to spend the weekend with her family and it becomes obvious that there is something different about him. Not only that, but the elderly patriarch of the family named "Judge Earl Chapman" (Melvyn Douglas) feels extremely uneasy in his presence. Coincidently, nobody in the entire world dies during the time he is a guest at the house. Anyway, rather than divulge the rest of the story and risk spoiling it for those who haven't seen it, I will just say that this wasn't bad for a made-for-television movie. I enjoyed the performance of Melvyn Douglas who seemed to harbor a genuine fear of death. Likewise, Yvette Mimieux seemed tailor made for the part of the rich and attractive young woman who lives life to the utmost. On the other hand, while Monte Markham's performance was adequate, I thought his image could have used a couple of scenes where he inspired a bit more horror. Additionally, while there was certainly quite a few conversations about death and dying, I felt that most of them were empty and vague when they should have been richer and more meaningful. In other words, it seemed that deep philosophical or religious topics were glossed over or not fully addressed. Be that as it may, this was a decent film which I rate as slightly above average.

It is easy to dismiss this film as a cheap remake of the original Fredric March vehicle, but there is so much more here than simple recapitulation! The story is timeless. It takes a very definite philosophical stance on a subject which will always be relevant to all of us. Namely, how shall we cope with our own deaths when the reality confronts us? What impressed me most about this production was the way in which death was presented. Death appears here as a gentle, benign presence. This presentation is a far cry from the monstrous horror we have come to expect from death. Death in this film is not a Grim Reaper wishing to engulf us in his inevitability. He wishes only to present himself as a fact of life. To understand himself and be understood by others as an experience which has a unique time and place for everyone. Occurring not one moment sooner nor later than necessary, and then as something not to be feared, but rather embraced in its turn. There are other reasons to watch this rare production of the story. The fine cast: the beautiful Yvette Mimieux is in her prime here and perfect for the title role. I say "title role" because there is actually a dual title role here. It is the interaction between Yvette Mimieux's character and Monte Markham as Death that sets up the central dilemma that drives the picture. Myrna Loy and Melvyn Douglas are fine in supporting roles. Laurindo Almeida's haunting score creates an atmosphere of romantic suspense even while it facilitates contemplation. So why doesn't this production have a better reputation? I suspect it's because, while the actors fulfill their roles admirably, they do so in a nuts and bolts manner which lacks drama. This production of the story is therefore out of step with the prevailing value in Hollywood: entertainment. For maximum entertainment value, a picture with greater dramatic impact is preferable. Nevertheless, it is testimony to the dramatic impact and eternal relevance of this story that it has been remade several times since with great success, most notably in "Meet Joe Black." "Death Takes A Holiday" is a fine, underrated film which I give three stars!

What a gorgeous film this is, and how it tugs at the heartstrings. Though quite different in tone from the Frederic March film of the same name, Death Takes a Holiday still tells the same story. Death takes human form and comes to earth to find out, as he puts it, "why people claim so tenaciously to life." Like the angel in "The Bishop's Wife," he falls for a mortal, played by Yvette Mimieux. Of course, while Death is on vacation, so to speak, nobody dies. And that has repercussions for Mimieux's family.The cast is absolutely superlative - Melvyn Douglas, Yvette Mimieux, Monte Markham, Myrna Loy, and Bert Convy.If you have a chance to see this film, don't miss it. I remember it so vividly. Make sure you have a box of tissues next to you.

This movie is a wonderful, romantic remake of the original of the same name. Monte Markham gives one of his best performances and Yvette Mimieux is both able and breathtakingly beautiful playing the woman with whom Death becomes infatuated.This movie isn't as dark as the original with Frederic March, but it makes the same bold choice in the ending.A definite "two thumbs up," "must see."