n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Story: It's very simple but honestly that is fine.

This is a hard one to rate. On the plus side, the no-dialogue conceit works quite well, the slow pace is a virtue, and the lead actress manages to be charismatic even without any spoken dialogue. That said there are serious flaws. -the movie looks like it was filmed on videotape, giving it a cheap, unwelcome brightness and sharpness to its visual look. I found this a distraction. -too much of the extreme violence looks clumsy and badly simulated. -while the story is properly simple, it still doesn't always make sense. At the halfway point the lead character is murdered, after the villains previously murdered everyone close to her. OK, except they needed her signature on a property contract--how does killing her solve this??I'd say the film's second half is stronger, when the murdered woman emerges from the sea reborn, as some elemental pre-verbal creature to take revenge. The interlude with the young girl she befriends just after her resurrection is maybe the film's high point. But the flaws are glaring and keep the film from ever really taking flight. Also, yes I know we're in the extreme horror sub-genre, but why such fixation on genital mutilation? Is that needed to advance the story? Shock for shock's sake doesn't impress me. But in the end, I go back to the cheap videotaped look; making this on actual film would have been by itself a big improvement. So, not trash, but only partway successful.

I really wanted to like "Defenceless" but it's a movie that somehow isn't a sum of its parts. While the plot is relatively straightforward, the film's strength should come from its stylistic approach. This is a movie without dialogue - the powerful imagery conveys the tale, accompanied by a largely classical soundtrack.For gorehounds, there is some over-the-top violence. As with Savage's earlier "Marauders", some of this is taboo breaking but thankfully the more controversial deaths are off-screen.The beautiful Susanne Hausschmid is excellent as the lead, "The Woman". Without going into too much detail, this is a character who has to undergo a fair amount of torment, both physical and mental, during the course of the film. Hausschmid conveys what's going on in her mind brilliantly.Yet, despite its strengths, I was left feeling a tad empty after watching "Defenceless". I've not been able to warm to Savage's style.7 out of 10. Missing a certain something but an interesting exercise in cinema.

Have you ever wondered how a magician pulls off a trick?If you watch "Defenceless", then expect to marvel in similar fashion, but do not expect any answers. Mr Savage has finally pulled a rabbit from his hat that has many of us scratching our heads. How did he do it? How on earth did the man manage to sustain interest for 98 minutes with no dialogue? Because Mr Savage has finally delivered a work which leaves us in no doubt as to the importance of story -- and what can be achieved in we concentrate on "the story". The story. And, still again, "The Story"."Defenceless" reminds me of the origins of "story". When a tale was told with grunts by pre-historic men in caves. Stick figures on walls. No special effects, no adr, no computers. Just story.How did he do it? By telling us a tale the old fashioned way. Not unlike the kind Hal Ashby and Bob Rafaelson used to tell in the sixties and seventies, but even they used some dialogue. Mr Savage does not use any. I love dialogue. Always have. Always will. I plot David Mamet like a nautical dove plots the course pf ancient mariners in times gone by. But, with "Defenceless", I did not need it.The story was all.How did he do it? Ask not. Any more than you would ask why pasta never tastes the same away from home as it does when you make it yourself. And, like a master chef, Mr Savage has finally delivered his piece de resistance: a meal fit for kings.The wonderful thing is, that I suspect "Defenceless" is the "appetiser". The main course is yet to come. I am hungry for more, and in truth, cannot wait.

This "silent" feature (there is an amazing soundtrack, but there is not one word of dialogue) from director Savage (who also co-produced, wrote, photographed and edited) is a huge surprise and clearly his most personal, uncompromising work.Though it's a revenge yarn, there's not a single other movie I can compare it to.It's beautifully photographed (by Savage himself) and walks a very delicate line between art-house, exploitation and humanistic drama. The combination, which shouldn't work on paper, works beautifully here because of the director's sheer forcefulness of vision. Susanne Hauscchmid is The Woman, a mother and environmental campaigner whose life is destroyed by the brutal actions of property developers. Her performance, virtually mute, is certainly one of the year's best and it's interesting to know that Hausschmid also produced the film with Savage and a tiny crew.Child actor Bethany Fisher also delivers a superb performance as a young girl who befriends the battered Woman in a portion of the film that feels unlike anything the director has attempted before. It must be said that the director's obsession with the ocean, cemeteries and broken dolls is amped right up in this confronting but highly satisfying fantasy. Also amped up is the director's take-no-prisoners approach to the staging of grotesque but cinematic ally justified sexual violence. Additionally, one scene of self-mutilation involving breast slicing will be quite beyond the pale for most viewers.The film won Best Film, Best Cinematography and Best Actress at the recent Melbourne Underground Film Festival. It's a remarkable achievement for sustaining its dialogue-free structure over ninety-eight minutes and re-inventing a long-lost cinematic tradition. But be warned: Its staggering beauty is contrasted with equally staggering brutality and horror.Savage's best so far.