Better Late Then Never

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The film's masterful storytelling did its job. The message was clear. No need to overdo.

A clunky actioner with a handful of cool moments.

Movie is about circumcision of 3 year old Waris, her escape from Somalia, and her way to be a top model. The main actress surprisingly looks very similar to the real Waris Dirie and the casting was generally very satisfying. The scenes of 3-year old girls's circumcision were disturbing and sad but necessary. I watched the movie as a biography of Waris Dirie but it wasn't. The message given throughout the movie was deeper than the life of a Somalian girl. I cut two points because there were some missing points. For example; this sad girl did almost nothing that really helped her during her way to be a top model: her roommate and the reception lady. The turning point to be a model was indeed her meeting with her roommate and her acceptance to the hostel. The day she changed her life was the day when her roommate told Waris that he is a famous photographer. The fashion agency lady was weak and looked like a fake Miranda Priestly. This is my opinion of course but it disturbed me because that strong fashion character already processed by Meryl Streep successfully and I didn't like to see a fake Miranda. Anyways, I liked the movie in general and it wasn't boring at all. What I liked most was they never used an expression as if this is a Muslim tradition. This is not and this cruel and pervert practice cannot be any religious in any way. I wish this movie attracted more attention to the Waris Dirie foundation and treated as Silver Linings.

DESERT FLOWER is a very powerful film that introduces many viewers to the atrocities of Female Genital Mutilation, defined by the dictionary as 'FGM, also known as female genital cutting and female circumcision, is defined as all procedures that involve partial or total removal of the external female genitalia, or other injury to the female genital organs for non- medical reasons. FGM is typically carried out on girls from a few days old to puberty. It may take place in a hospital, but is usually performed, without anesthesia, by a traditional circumciser using a knife, razor, or scissors.' Though that is not the main driver of this story it certainly makes the life of Waris Dirie who wrote this autobiography recognized as someone who overcame insurmountable odds to become one the world's top models and a speaker for women's rights.Liya Kebede stars as Waris Darie and is the perfect choice of an actress to fill this role: she is an International supermodel, actress and philanthropist, born and raised in Addis Ababa, Ethiopia. In 2003, she was the first woman of color to become the face of Estée Lauder cosmetics.Waris Dirie (Liya Kebede) was born in Somalia and was subjected to FGM and fled across the desert to freedom form the heinous attitude toward women (Waris as a child is beautifully portrayed by Soraya Omar-Scego). She struggles though dreary jobs, eventually hooks up with Marilyn (Sally Hawkins0 who introduces her to the world of fashion via Terry Donaldson (Timothy Spall), learns how to dress and walk in heels and eventually becomes the great model we know us as today. She has love interests (Anthony Mackie) but her aim is to gain enough credibility and money to go before the WHO and speak against the mutilation that exists in many countries to this day.Directed by Sherry Horman who adapted Dirie's autobiography for the screen with Smita Bhide, the visuals are spectacular and the manner in which the story is related is full of passion and compassion. The entire cast (including Juliet Stevenson, Meera Syal, and Craig Parkinson) is pitch perfect. But it is Liya Kebede who fills the screen not only with her beauty but also with a powerful performance of the main character. A very fine film with a heavy message. Grady Harp

A young Somali girl is at the center of this film, based on a real story. Waris, a young shepherdess, lives with her nomad family tending to the herd, camping everywhere in an inhospitable landscape. The family is dominated by a matriarch, as we seldom see the father. Waris, who is a teenager as this tale begins, is horrified when she is sold to an older man with three wives. The only solution is to run away from that situation. The best thing is to find her grandmother in Mogadishu, a trek that will take her days across the arid countryside.In flashbacks we get to know Waris best kept secret. She had the indignity of having been circumcised at the tender age of three by an older woman, who performs the ritual that mutilates women's vaginae, rendering her unable to feel, or have any pleasure during intercourse. In fact, the barbaric act kills a lot young girls who bleed to death by the way they are cut. Through ignorance this practice is done in a lot of countries. Waris is not the only one, but she had the courage to speak publicly about it and create an outrage as she presented her case in the United Nations.Waris Dirie ended up in London as a teenager brought to work at the Somali embassy as a maid. When war broke in her native country, she had to fend for herself. Through a kind soul, who took pity on her, Waris was able to make something out of herself. A lucky break came in the way of a photographer that realized her potential and she rose to the ranks of super model because of her beauty and talent, which in a way, plays as a Cinderella story in comparison to the hard life she endured as a child.Directed by Sherry Horman, the film has two narratives. Waris' life in Africa, and her meteoric ascent into becoming a fashion model. The best part of the film is the first one because it is more realistic, with a clear message about a fact that has been played in the press from time to time, but whose practice continue to maim young females throughout the world by men hating women and subjecting them to a barbaric procedure that kills a large number of young females, as was the case of two of Waris' sisters. The London part of the story is more artificial, when compared with the more real African narrative.Soraya Omar-Scego, the young actress that plays Waris is quite compelling in her determination to leave behind family to look for a better life. Liya Kebede is the adult Waris. A ravishing beauty, no doubt, a successful model herself, she seems credible. Wonderful Sally Hawkins is seen as Marilyn, the English woman who befriended Waris and took her under her wing. Timothy Spall, Juliet Stevenson, Craig Parkinson, Meera Syal, are seen in supporting roles.

Desert Flower is a weird movie. It is based on the life story of Waris Dirie, a super-model up there with Naomi Campel and Cate Moss. The movie focuses on the time from just before her discovery until her big success, with constant flashbacks of her childhood in Somalia and her way to London. Liya Kebede plays a wonderful Waris Dirie, very lovely and full of surprise and fear of the daily life we all take for granted, while at the same time showing great bravery and a strong will to fight for a better life. The rest of the cast is medium at best, a positive exception only the character of Terence Donovan, the photographer. The director did not resist the temptation to give Waris a sort of "funny sidekick-friend" as well as the stereotypical I-Jumped-Out-Of-"The Devil Wears Prada"-Movie - manager, to add some slapstick-touch, which was totally unnecessary. The movie does not leave anyone untouched though, it has some heartwarming and touching as well as some very cruel and disturbing passages. It is funny and sweet when Waris is struggling with the British everyday life, making friends, and so on. It is hard to bear when you are faced with drastic pictures of a 3 year old girl being circumcised, with a 19-year old woman suffering still from this cruel and brutal violation, and with the fact that a whole tradition tries to justify this. And that is the main weak point of the movie. The changes from the funny, light and sweet scenes to the brutal and cruel ones come without warning. The editor or director does not give you the time to set your mind to that kind of situation, and after a hefty scene they just switch back to the light comedy-part as if nothing happens. While I understand the intention, for me as a viewer I could not enjoy the funny parts - which were never the less intended to entertain the audience. I recommend this movie if you can handle the topic, but do not look for a entertaining biopic with some depth. It has entertainment, it has depth, but it tries to deliver both but never brings it home all the way in the one or the other topic.