Truly Dreadful Film

the audience applauded

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Beautiful and heart touching movie. Best music by A. R Raheman.

What should i say? i haven't seen such an awesome and just full of emotions movie ever. I am sure everyone can relate to this movie. Shahrukh as usual has done his job. and i love it more because you get to see the old Shahrukh. I just feel like bursting into tears every time i watch this movie. and i have watched it many many times. and no i am not a little crying kid. I'm a full grown man.The mesmerizing and enchanting songs, the cute looking Manisha. This movie is just pure heavens. If you non Urdu speaking folks want to learn Urdu, then do it for this movie. I am sure you wont regret it.You hardly see these kind of movies anymore. Old is gold seriously.This a Masterpiece.

This is an intriguing but passionate film despite some infuriating flaws. The performances are very good. Manisha Koirala has a complex role and is superb. Shahrukh Khan lapses into overacting towards the end, but is generally quite good. He brings an instant likability to his character. There are too many supporting characters and the production design overpowers the film at times. We are ahead of the male protagonist in the story arc and this leads to occasional viewer impatience. The songs are catchy but randomly inserted. This breaks the flow of the film. Still watchable at least once.Overall 6/10

Many reasons why I would have popped this DVD into the player this New Year. For starters, it's been sitting on my growing pile for a long time, and that iconic train dance sequence to the tune of the famous Chal Chaiyya Chaiyya just had to be seen again. With Shah Rukh Khan's Rab Ne Bana Di Jodi being in my list of favourite movies of 2008, I'm still quite adamant to revisit all his past movies, a gargantuan task no less I believe. And this is some 10 years ago, which to my surprise he's not as buff back then unlike now, with a 6 pack that's not so prominent.SRK stars as Amarkanth Varma, a programme executive for All India Radio. An idealist in his job, he is one who never shies from doing tough interviews especially when dealing with his pet subject of finding out what people's reactions are after 50 years of India's Independence, and risks his life too in weeding out known terrorists to get their end of the story. Little does he know of course that this stint of his would somehow come closer to home as the story progresses.He meets a stranger one rainy night, and while allowing his glib tongue to run wild, the girl, Meghna (Manisha Koirala) never flinches, and is too aloof and cold. Undeterred, he managed to get a response for hot tea, before she disappears onto a train. Billed by Amar himself as possibly the shortest love story in his life, I would like to think that this is more of a one sided infatuation that will haunt him for the rest of the movie. Here's a man, while dogged in his pursuits in life, didn't learn when to give up when the signs obviously are in his face to back off. And as Fate would have it, he would bump into her during his assignments, which lead to some really persistent, clingy moments where even Meghna tries her very best to shake him off, quipping that time is short, which is a statement that will resonate more once the audience gets a glimpse into what this stranger is in town for.Who can also forget that moment atop a train, to the tune of Chal Chaiyya Chaiyya? You just gotta respect everyone involved in pulling off that performance atop the Barrack Valley Express, which goes around mountain sides, over valleys and across bridges, all the time with everyone dancing and singing. It's some amazing dance choreography coordinating movement atop the moving train sans safety harness, and even though you suspect the train might be moving at slower than normal speeds, it's still a film-making and logistical nightmare just to pull it off as it did.Directed by Mani Ratnam, who's credited with discovering A.R. Rahman in giving him the break into providing the music for movies (and such as how Chal Chaiyya Chaiyya is now such an enduring hit), the film initially didn't go down well with audiences who had thought that the film was strange. And it's not tough to find out why. It's not the usual masala formula that Bollywood usually employs, and it's not a romance per se since it's mostly rooted in one man's infatuation for a woman he cannot attain. While slated to be married to another girl (Preity Zinta in her debut, and I guess it's always a boon to be introduced to audiences via SRK, just as how Deepika Padukone was in Om Shanti Om, and Anushka Sharma in Rab Ne Bana Di Jodi), he still can't shake off the thoughts of Meghna in his mind, and despite his heated telling her off in a clash of ideals, still decided to listen to his heart and keep her safe from harm as best as he could. And watching the development of his love/infatuation was quite off at times too, as it looked very much like some really primal urges that needed to be satisfied during an extended and unexpected get together in the desert plains. Working for the radio also provided opportunities to express his love through songs (the Ae Ajnabi moment was extremely nuanced and pitch perfect), the movies does get progressively darker in tone, when he gets closer to his lady love.And I cannot deny that the ending was shocking in the way it presented itself. While on one hand it allowed for some closure to be achieved, I thought it was very extreme, but I guess that's how for some, that love does mean sacrifice of the highest order, that our hero gets the girl and saves the day, in a truly unconventional way.