Truly Dreadful Film

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The film may be flawed, but its message is not.

PM Entertainment were notorious for churning out low rent action flicks in the 1990s and DIRECT HIT is a very typical example of their output. It's a watchable but completely forgettable little thriller in which a hit-man is assigned one last job, to take out a female witness. He's unable to do so and ends up going up against his old employers in a violent struggle to the death. This is a dark and violent production full of bloody squib hits and little in the way of the big explosive action so beloved by the PM Entertainment producers.What makes it interesting is the casting. William Forsythe is best known for playing heavies in everything from OUT FOR JUSTICE to BOARDWALK EMPIRE, so it's interesting to see him playing the sleazy protagonist here. He's pretty good, though, and as always much more frightening than the rest of the bad guys in the cast. The supporting cast is engaging with turns for Juliet Landau, the great martial artist Richard Norton (unfortunately wasted), and old-timer George Segal. It's hardly highbrow entertainment, but it passes the time.

I wish Hollywood producers would remember "If it ain't on the page, it ain't on the stage," and for DIrect HIt, not only was it not on the page, it wasn't in the mind, either. Forsythe is a good character actor, but in his chance at a leading man role, I think the pot belly ruins it for him. Clearly, he's no Jason Bourne, but for 1994, one can see some ideas that could have influenced both the Bourne and Matrix films. Jo Champa plays doey-eyed bimbo Savannah, and the director must have been sleeping with her, considering how much screen time she gets. The best line is:Savannah: "You're a psychopath!" Daniels: "That's why I'm running for office."The writing goes downhill from there. George Segal will do anything for a cigar as he plays the same talentless dick he plays in every movie he's ever made. If you are in a coma on a Saturday morning, and you see this for free, why not waste 90 minutes of your life in this stinker, just to see how not to make a movie. Actually, the coma would be time better spent.

Most of what comes about during this action melodrama is precisely what must be expected, given the rather ordinary pedigrees of those responsible, in a narrative of John Hatch (William Forsythe), an assassin for the CIA whose activities unaccountably seem to be confined to stateside assignments. Presumably recognizing after a lengthy career that his original aspirations for patriotic service have been mislayed due to the callous aspects of his occupation, Hatch has determined that he will retire from the life of a "hit man". Compelled by CIA chieftain James Tronson (George Segal) to implement one last murder more than he desires, Hatch stalks his designated target: Savannah (Jo Champa) who purportedly is blackmailing a public figure, a former CIA director who is campaigning for a position of U.S. Senator. Having had the precepts he once believed in buried by the nature of his activities Hatch decides, in an attempt to partially redeem himself, not to complete his obligation but instead protects Savannah from the Agency after discovering that she is a victim of governmental deception and not an extortioner. Forsythe, a true original, performs his role as well as he can under the circumstances, and with his wonted low-key manner, here marked with a more than usual emphasis upon throatily aspirating his lines. He can, however, be heard and understood, a condition not consistently achieved in this production wherein the dubbing is often misaligned and the editing is uneven, manifest despite all of the violent proceedings. The script is nearly totally nonsensical as Forsythe, whose physique resembles an outhouse, magically evades hundreds of rounds fired directly at him by CIA operatives and others, while finding the time to demonstrate his need for a new plan of living by bedding rangy and sensuous Savannah in a mild scene (he is thankfully not in the buff) composed more of nuzzling and nibbling than the customary thrashing about - his cinematic force rests in his quietly ominous demeanor, not often tinged with a stripe of vulnerability.

Jo Champa overacts, what with her constant blubbering, while William Forsythe underacts, what with his hoarse whisper talk, creepy looks & what not, in this by-the-numbers action flick about a hit-man who has a change of heart & protects the woman whom he was supposed to kill. He then has to protect her from other hitmen. Forsythe as an action hero is NO Brian Bosworth, he's no Don 'the Dragon' Wilson, hell he isn't even a Brick Bronsky!!My Grade: DWhere i saw it: TMC Extra