This Movie Can Only Be Described With One Word.

In truth, there is barely enough story here to make a film.

an ambitious but ultimately ineffective debut endeavor.

This film is so real. It treats its characters with so much care and sensitivity.

Wanted to see the movie because of its actors...well I don't regret wasting my time but the movie was pretty much predictable and got me wanting it to finish, some action is cool tho wouldn't recommend it if you'r not a patient person:)Personally I start watching more and more Movies that don't come from Hollywood, but I saw better ones then this one. Found it about 20 minutes too long.I think they did put too much in the struggling of our main character, he's sad but it was too much with the crying and yelling, we got the point in the first couple of sad scenes... I was glad to see the lawyer getting shot, she flashbacks in the end were cool when we understand how she died.

After Aaron Kwok won the Golden Horse, the Taiwan's equivalent of the Oscar, for best actor, I got interested in this movie to try to figure out how this pop star who was considered a long shot by many people won the prestigious award. The first impression I got after I finished was, and I remembered clearly, sitting at my sofa, staring at the blank TV screen for a couple of minutes, and saying, "What just happened?" No, I was not blown by it. The opposite occurred. I was confused.The movie was a typical Hong Kong movie, with the usual grittiness and stylishness. It had its moments, but sometimes, for some strange reason, it felt slow. Maybe there was not the ridiculous amount of gunfire, car chases and explosions that we viewers of Hong Kong thriller films are most familiar with and what I am most fond with. Maybe the love line story was so unnecessary that it dragged the movie down. Whatever the case, the mysteries and the search for the truth got my attention and got me excited...till I reached the twist. The twist right before the ending was a little surprising, but in retrospect it became obvious because too many clues were given that even a 2 year old could guess it (not recommended for 2 year olds- they are too young to be subjected to bad films). Still, it could be forgiven because an effort was made and it was a decent twist, no matter how predictable it was. However, here was what killed the moving- the ending. Nothing good could be said about it. It felt like they were trying to make this movie sophisticated by leaving so many questions unanswered. The problem was, those questions were not rhetorical or philosophical questions that might make one reexamines one's life. Instead, those questions were questions about the plot; the ending made the writers look stupid and left the movie feeling unfinished. Not enough clues were given in the film to help the viewers to try to answer the questions that were left. I tried to answer those questions, but after a few moments of pondering, I gave up and started swearing at the writers for wasting almost 2 hours of my time and the favors I have to pull to borrow this movie. There was no way to answer them and it was dumb to even try.I could not say nothing good came out of this film. I finally understood the formula for the voting panel at the Golden Horse Awards. 2 words: star power. The guy was once part of the legendary 4 kings of Hong Kong pop music and even though the status had became history and he was struggling for the past few years, he still have draw power. Letting him win would be a feel good story and let people talk about it for days; it could boost popularity for the show, which saw its ratings down from last year and had been on the down side in recent years. This was not to put down Mr. Kwaok. He did a good job and it might arguably be the best performance of his career. However, compared to the other nominees, his performance still felt weak. I guess everything was for the ratings.My only advice: do not watch it just because Aaron Kwok won the Golden Horse for it. It is a meaningless piece of work and your time would be better devoted elsewhere.I give it 6/10, because an effort was made and only the ending sucked.

Divergence is the latest crime thriller to come out of Hong Kong's film industry, and all films of this genre will nonetheless be compared with the grand-daddy of them all - Infernal Affairs, which set a very high bar. Given that this film is produced by the same team, you'd expect the same high standards. While production values are similar, I'd leave it to you to decide the end verdict.If you're expecting a strong cops and robbers storyline, then you might be disappointed. This film is heavy on relationships between the characters, their degrees of separation, and their duality. Which may not be a bad thing, but I find the dwelling on sappy moments and flashbacks a bit overboard, and at times, the audience was laughing at the improbability of these moments.This movie unites Aaron Kwok and Ekin Cheng together for the big screen after the comic fantasy movie Stormriders. Kwok plays a cop who lost his girlfriend under mysterious circumstances 10 years ago, and in the first 10 minutes, lost a key witness to a sniper, played by Daniel Wu, who always seem to be playing nothing but baddie roles these days. However, Wu's sniper character knows that in his career, he is both the hunter, and the hunted, and at times want to prove to Kwok that he makes a better cop. Ekin Cheng's a lawyer who defends the innocent, or so it seems. While he's aware that his clients are sometimes guilty, is he idly standing by? Thrown into the mix are characters like Cheng's wife, played by the lovely Angelica Lee, who bears a strong resemblance to Kwok's girl, and thus making him a stalker of sorts, Eric Tsang as an underused pathologist, Ning Jing (the only movie I saw her in was the remake of Shanghai Grand) as a bald assassin agent, and Lo Kar Leung as Cheng's client who has shady underworld links and a pop star son, who gets kidnapped.At times you might feel that the movie plods along, while you might already have been able to unravel the mystery mid-way. This could be due to the sappy moments I mentioned earlier, and taking centerstage is how Kwok's cop character refuses to give up looking for his girlfriend. You can understand how the character feels if you're in the same shoes - loving someone so deeply, and yet having zero closure. And when you think you see her again - is it really her, or had amnesia played a part, or has she deliberately forgotten the past? While the audience found the scene of revelation and Kwok's reaction to it funny, I felt the opposite - sometimes when the truth is revealed and you can't handle it, you shut down. Really. Trust me, I know. So if I were in his shoes, that'll probably be what will happen to me too.However, this film does have moments which can iconify it (sort of like the Tony-Leung-pointing-a-gun-at-Andy-Lau's-head moment in Infernal Affairs). The "long run to the fish market" scene is tense, and so is the finale where 3 characters have a standoff, which actually yanked the rug off my feet.I felt that if this film focused tightly on the plot, and lose some peripheral characters, it might just live up to its potential, and I don't think we'll see any sequels to this one.

Considerably better than movies in the same genre such as director Benny Chan's own recent New Police Story, "Divergence" would still come under the categorisation of "flick" in my book, albeit a fairly good one. One reason would be Ivy Ho's ("Shore West") script which is usually reliable. "Convergence" apparently is her first "macho" screenplay. The mission is to tie together the stories of three men, each at a cross-road, played by Aaron Kwok, Ekin Chang (sort of reunion of the Wind-Cloud duo from Storm Riders) and Daniel Wu, through a woman played by Angelica Lee. On the whole, the job is quite well done, with a reasonable degree of coherence, although it is not difficult to point to logical gaps, predictability and coincidences that really stretch one's imagination.At the end of the day, this is still an action flick, but one with more emphasis on the story line and character depiction. Some of the action sequences still reach jaw-dropping proportions, such as Kwok chasing Wu on the elevated freeway in the middle of brisk traffic, or a massive truck coming literally within inches of Kwok's body lying on the road. All these become even more impressive when you hear director Chan intimate in a radio interview that Kwok did not use any stunt replacement for these shots.Trying to keep this report spoiler free, I wouldn't delve into the characterisation other than saying that there are generally good efforts, with varying results. I would say though that TV superstar Lo Kar-leung outshines the three principals, while talented Angelica Li is underused. As usual for Hong Kong movies, the ensemble of "regular" supports is always a joy to see. In Divergence, we have Lam Suet, Jan Lam Hoi-fung, Sam Lee Chan-sam, as well as inimitable Eric Tsang Chi-wai. There's also Ning Jing showing her worth by demonstrating that she is just as alluring in her shaved head.