This Movie Can Only Be Described With One Word.

terrible... so disappointed.

disgusting, overrated, pointless

Close shines in drama with strong language, adult themes.

I remember enjoying this outrageous and delightful film when it opened in select reserved seat engagements Dec. of 1967. a blu-ray disc was finally issued late last Fall 2017. unfortunately according to info in the soundtrack album which i still have and the souvenir program the A++ HD transfer is of the general release print not the original cut used for the reserved seat engagements. I don't understand why when films originally released on exclusive roadshow engagements the blu-ray disc doesn't use the original cut.

"Doctor Dolittle" was something of an endearing movie for 1967. It captured two Oscars, for best music original song, and for best effects, special effects. But it received seven other nominations that year. The film had many problems in the making, and got mixed reviews. It did OK at the box office, but wasn't able to cover its bloated budget. The story is a simple one, and it combines an almost encyclopedic close- up look at real animals and birds, with a couple fantasy creatures. The search for a giant pink snail and a lunar moth are the fodder for such tales that stimulate the imaginations of young and old alike. Most of the roles were OK, but not special. That is, except for Anthony Newley whose Matthew Mugg did a yeoman's job of escorting Tommy Stubbins and we viewers through the film. He did this very nicely with song and dance and dashes of wit and humor here and there. Rex Harrison plays the main character, Dr. John Dolittle. Samantha Eggar is OK as Emma Fairfax and Richard Attenborough is very good as Albert Blossom. But the stealers of this show are the animals and birds. I tried to count the number of different critters but lost count half was through. There are a lot of animals and birds in the film, and many that have small roles of "talking" with Dr. Dolittle. The critters were supplied and trained by Jungleland of Thousand Oaks, California – later known as Jungleland USA. That former filming zoo and theme park entertained people for nearly four decades until it closed in 1969. During that time and before then, it was home to some famous animals of filmdom. Mr. Ed, the talking horse from the popular TV series of eight years (1958-1966) lived there. Bimbo the elephant from the 1950s TV series, "Circus Boy," was at home there. Tamba, the chimpanzee from the "Jungle Jim" movies was a resident of Jungleland. And Leo the Lion, the famous MGM mascot, lived there. This original film of the man who could talk to animals remains a fun movie for the family. Small children who often are enthralled by animals especially enjoy this film. I look for films like this for my grandchildren.

DOCTOR DOLITTLE (1967) is what a "family classic" should be. Entertaining the whole way through, with catchy and witty songs, colorful performances, plenty of cute animals, and a script packed with imagination and a sense of fun.DOLITTLE was a favorite in my family, and I grew up watching it on a VHS we'd taped from an old television broadcast. To me Rex Harrison was always "Doctor Dolittle", even though the film came late in his career. When I discovered his earlier film work, I was amused at seeing a "young Doctor Dolittle". So my views may be colored by nostalgia, although I recently saw the movie in its entirety for the first time in many, many years and found it to be great fun.The story has the feel of an episodic adventure, taking our heroes to different places and having them do different things. This keeps the audience engaged throughout the nearly two and a half hour running time. Doctor John Dolittle (Rex Harrison) is a physician in 1840s England who is more interested in the various species of animals than in his human patients. So he becomes a strictly animal doctor (veterinarian) and, with the help of his genius pet parrot, learns hundreds of animal dialects. The various side-adventures in this film are all in service of Dolittle's quest to find a mythical giant pink sea snail. First he showcases a rare two-headed llama (a "pushmi-pullyu") at a circus until he can earn enough money to set sail. From there come legal complications, a jail break plot, adventure on the high seas, and still more fun on an exotic "floating" island.Harrison gives a signature performance as the good doctor. Dolittle's a very kind fellow whose ideas about treating animals with as much respect as humans (and his practice of fitting short-sighted horses with glasses, for example) run counter to the prevailing minds of his "civilized" community. The man's an eccentric genius who doesn't fit in with human society. Harrison's portrayal gives Dolittle the amusing peculiarities of an absent-minded professor. His performance is pretty funny in an understated way.Singer-songwriter-actor Anthony Newley plays Irishman Matthew Mugg, one of Dolittle's few friends who, along with young Tommy Stubbins (William Dix), accompanies the doctor on his adventures. Matthew introduces Stubbins (and the audience) to the wonderful world of Doctor Dolittle, and the two "ordinary" characters act as proxies for the audience amid the fantastical happenings that seem to follow Harrison's character wherever he goes.Lovely Samantha Eggar plays Emma Fairfax (affectionately known to Matthew as "Fred"), who first sides against Dolittle, but comes to be enchanted by the life he leads. Miss Fairfax is meant to give the film a romantic subplot, but the intended romance is a bit confusing (surely Rex Harrison is much too old for Eggar).Richard Attenborough gives a tremendous, high-energy performance as Blossom, the owner of the circus. I love seeing him bounce around as he sings "I've Never Seen Anything Like It". Caribbean actor Geoffrey Holder (LIVE AND LET DIE) is great as the surprisingly literate tribal chief on the floating island.The songs by Leslie Bricusse are delightful. "Talk To The Animals" is a classic. "My Friend The Doctor" is contagiously joyful. I think the lyrics are particularly well-done on numbers like "I've Never Seen Anything Like It" and "Like Animals".The world of DOCTOR DOLITTLE is unforgettable. A mild-mannered Englishman travels the world in his top hat, conversing with dogs, pigs, whales, fish, horses, chimpanzees, seals, and elephants. It's a world of dancing two-headed llamas, centenarian parrots educated in thousands of animal languages (including "dead" languages like dodo and unicorn), islands that move about the globe, and giant moths that fly back and forth between the Earth and the moon (constantly attracted to the other's light). The script is clever and imaginative. Several scenes stand out: the horse eye exam, the circus, the cunning seal escape, the absurd shipwreck, the tribal execution, the pink sea snail.Having now seen the film as an adult, and finding the experience thoroughly charming, I can't believe how lowly regarded it is. DOCTOR DOLITTLE entertains from beginning to end with a sense of wonder, a sense of adventure, and a sense of humor. Rex Harrison anchors a solid cast and the songs are great. The movie is something unique. Something original and self-contained. Where else will you see a whale pushing an entire island across the ocean? Or a dog giving testimony in court? Or a tribe of natives performing Shakespeare? It's a family classic. What's not to like?I may have been pre-conditioned since childhood to like this film, but some of the criticism seems a bit over-the-top, stemming from dissatisfaction with the film's Oscar attention. Even if you don't enjoy roadshow-length family musicals, you must admit that the production is impressive from a technical standpoint (the sets, the cinematography, the special effects, the animal wrangling).I actually like DOCTOR DOLITTLE, directed by Richard Fleischer (20,000 LEAGUES UNDER THE SEA), better than its popular contemporary CHITTY CHITTY BANG BANG. The latter is fun despite its weaknesses, but DOLITTLE is something wonderful.

The thing about getting older is that nostalgia begins to rear its head and one looks at films from one's youth through a haze of sentimentality. Back in 1967 when I was ten years old, "Doctor Dolittle" was all over the place. Toys, dolls, games and posters were everywhere, and the radio and TV variety shows were full of Sammy Davis Jr. singing "If I Could Talk to the Animals." Even with all of this, "Doctor Dolittle" seemed just the kind of family entertainment that I tended to avoid. Now, more than 40 years later, I've finally got around to seeing the film, but I'm no closer to knowing if I would have liked it any better at age ten.The problem with the film seems to be one of mistaken premises. Studios looked at "The Sound of Music," "Mary Poppins" and "My Fair Lady" and tried to duplicate their success, but they seemed to have paid attention to all the wrong things.The adaptation of a popular children's book (like "Mary Poppins") was a good idea, but rather than attempt to recreate the rather dumpy doctor described in the books ("Mary Popping"s David Tomlinson would have been great, but he lacked marquee value, likewise "Dolittle"s, circus-owner, Richard Attenborough would have made a great Dolittle…certainly a livelier one) they opted for the stiff and starchy Rex Harrison. The actor's lack of warmth may have fit the character's unease with humans, but his clear disinterest in anyone else in the film comes across as merely distant and bored. The apathetic Harrison doesn't even try to make Dolittle even a little bit different from "My Fair Lady"s Professor Higgins. Coming across solidly as a misanthrope, he fails also to demonstrate any real rapport with the menagerie of animals on display.The charmless Harrison was greatly helped by the winning softness of Audrey Hepburn in "My Fair Lady." Here Harrison has zero chemistry with Anthony Newly (whom it's reported he disliked for being Jewish) nor the requisite veddy-British female love interest, Samantha Eggar who is not only waaaay to young for him, but, despite her stunning looks, adds absolutely nothing to the film because she seems even more distracted and bored than Harrison. Lastly, there is a mush-mouthed little boy thrown in for no apparent reason (William Dix) beyond giving Newly someone remotely human to give plot exposition to.The songs from "Mary Poppins" and, to a somewhat lesser extent, "The Sound of Music" had the quality of being witty and smart while having a sing-song, nursery-rhyme quality that made it easy for kids to remember and want to sing along. The undistinguished collection of songs in "Doctor Dolittle" sound more like they were written with hopes of becoming standards or Oscar contenders than on being anything that kids might find fun to listen to.From beginning to end "Doctor Dolittle" is a clumsy musical almost on par with "Lost Horizon" in its inability to entertain on even the simplest levels. I think fans of Rex Harrison may like the movie, for it is what he does film after film, and it is a pretty good showcase for the phenomenon that was Anthony Newly (an oddly fascinating actor/singer whose unconventional looks and singing style could only have made it in the 60s), but "Doctor Dolittle" is dreary when it should be cheerful, lumbering when it should be light-hearted, and long-long-long. If the filmmakers were less cynical about tapping into the "The Sound of Music" money-making zeitgeist and more concerned with actually making a fun children's classic, there's no telling how much could have been done musically with the "Doctor Dolittle" books.