There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Close shines in drama with strong language, adult themes.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

In Don't Knock The Twist TV executive Lang Jeffries is told to take advantage of that latest dance craze The Twist and put together a television special featuring the latest rock and roll acts. Since Jeffries good buddy is none other than Chubby Checker he's got it made.But girlfriend fashion designer Mari Blanchard has some ideas of her own especially after Jeffries discovers Georgina Darcy and Stephen Miller doing some wild and crazy dance routines. Her machinations almost ruin things for the twisters young and old.All this is just an excuse to give the current rock and rollers like Linda Scott and Gene Chandler and Vic Dana a chance to show their stuff. And there's Chubby Checker doing a very good job playing Chubby Checker.For those nostalgic for the era.

I remember as a youngster my folks had the soundtrack album of "Don't Knock the Twist," and they played it many times on their stereo whenever they had parties (that album was my introduction to the Dovells' hit "Bristol Stomp" and Dee Dee Sharp's "Mashed Potato Time"). When I was 8 years old in 1970 and got my first record player as a birthday present, my folks bequeathed the album to me (they seemed to prefer Country music more than Pop by then - sad!); in early 1972, however, I accidentally destroyed that copy of "Don't Knock the Twist," and could never find it again (especially since by that time Cameo/Parkway Records ceased to exist). That is, until recently, when I found a pristine copy of the album at a local record meet; it was such a treat to hear all those old songs again, especially "Mashed Potato Time" (I recently purchased a new, deluxe turntable - the kind DJs use in clubs - for my stereo system).I had never seen the movie of "Don't Knock the Twist;" what was especially tantalizing was a passage in the liner notes on the album's back cover which stated, "....it wouldn't be fair to reveal the plot." (I had seen its prequel, "Twist Around the Clock," on television a few times, however.) That is, until a few weeks ago.I had heard unconfirmed rumors that Sony Pictures Entertainment, whose Columbia Pictures division originally released "Don't Knock the Twist," didn't renew the copyrights on this film or "Twist Around the Clock," and that these films were in the public domain.WRONG! Sony STILL DOES own the rights to these films, and a few months ago they put them on DVD in a 2-disc set!When I saw the poster in the upper left corner of this page (the cover of the DVD box), I went over to Sony Pictures' website to see if that DVD set was still available; although it wasn't listed on Sony's website, I went to a local Border's bookshop, who confirmed "Don't Knock the Twist" on DVD WAS indeed available, so I ordered a copy.Surprise! The movie was every bit as good as the album, and at times a little funnier than "Twist Around the Clock!" It's beyond me why "Don't Knock the Twist" hasn't ever turned up on television. Maybe it was because of the "Salome" subplot? (That would certainly be considered tame by today's standards; if this film was shown on TV now it'd most likely be rated TV-PG.) But even better than the story itself was the music; it was also enjoyable hearing Linda Scott's hit "Yessirree," Vic Dana's "Little Altar Boy," and especially Gene Chandler's "Duke of Earl," none of which appeared on the soundtrack album (most likely because Ms. Scott recorded for Kapp, Dana for Liberty, and Chandler for Vee Jay, respectively, and since the soundtrack was on Cameo/Parkway, those other labels apparently didn't want to lease the masters of those hits to Cameo/Parkway). And now some of what I saw and heard in the movie makes sense whenever I hear the soundtrack album again (except for the Carroll Brothers' version of "Bo Diddley;" that patter heard at the beginning of the track was deleted in the film, so I still have no idea what that intro was all about).Best of all, now I don't have to wonder "Why hasn't 'Don't Knock the Twist' ever been shown on TV, and when will it ever turn up?" I can enjoy this film, as well as "Twist Around the Clock," again any time I want!So thanks a lot, Sony!I also discovered ABKCO Records and Music now owns the rights to the Cameo/Parkway Records backlog, and that they recently began releasing some "best of" CDs by Chubby Checker, Bobby Rydell, The Orlons, Dee Dee Sharp, etc., all of which are the long, sought-after original recordings. I can only hope ABKCO will consider re-releasing the "Don't Knock the Twist" soundtrack album on CD, too!

A very entertaining film with music that takes me back to my senior year in high school. Unlike most of these rock n roll movies, this one clearly shows middle aged and even elderly adults enjoying the music of teenagers. I find that refreshing, although mostly unrealistic. I also enjoy watching Georgine Darcy's(Madge) and her "brother" doing their dance routine. Georgine is a real pro and makes the show more enjoyable.(I would love to know how to contact her.) A real neat movie!

Hollywood just never did get it when it came to rock & roll in the early years, did they? I think I know one thing that was wrong with movies about rock in the pre-'Easy Rider' days--they were full o' SQUARES, man! This one is an effort by Columbia Pictures to capitalize on the Twist dance craze. It was produced by the noted cost-cutter Sam Katzman, the man responsible for the worst of Elvis Presley's films, and it shows. It's strictly formula: a simple, basic plot; lots of time consumed by (lip-synched) performances; and a few pretty girls wiggling around. Even so, this movie is comparatively bad for its type--and that means very bad.The music is no saving grace here. It features Chubby Checker, who, despite his big hits, is no more than a peripheral character in rock & roll history. Vic Dana, the Dovells and Linda Scott are all but forgotten. Gene Chandler does do his big hit, "Duke of Earl," all duded up. That's not much of a highlight package. This flick is only for the fanatic who wants to see every old R&R film ever made.