I like the storyline of this show,it attract me so much

Great Film overall

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Basically, what we get is another variation of „Not Without My Daughter" (1991), likewise based on a true story: Hanne (Karina Smolders, playing a role similar to Sally Field's Betty Mahmoody) is a naïve young woman from The Netherlands, who marries Arab Nazim (Cahit Olmez), has two children with him, both which are abducted by his father to his native Syria. A legal and eventually physical struggle to reunite the children with their mother ensues.It would have been easy to turn this film into a pure tear-jerker, based on sentimentality or prying on the audience sense for the sensational, but "Kom niet aan mijn kinderen" actually remains rather neutral, unsentimental, and essentially non-judgemental.For contemporary standards, the film doesn't try to ride the "politically correct" wave that is currently popular in Europe; rather, it shows us the sober results when modern-western culture clashes with a mentality that is basically rooted in the dark-ages. Special credit must be given to actor Olmez: again, it would have been easy to draw his character as an essentially atavistic character but his portrayal goes deeper than that. Nizar isn't some backward fundamentalist, but rather a victim-turned-abuser; scarred by a paranoid upbringing in a restrictive society and feeling abused and unwanted in Europe, we feel that he loves his children but simply cannot jump over his own shadow. There's a fine line between feeling sympathy for Nizar and outrage at the way he treats his children and (ex-)wife."Kom niet aan mijn kinderen" is obvious made-for-TV; isn't big, hyped cinema like above mentioned „Not Without My Daughter", but that's an advantage, rather than a limitation. It's unlikely you'll come across this film outside of Europe or even outside of Europe's more quality-geared TV-channels, but if you do, I can recommend it over the melodramatic "Not Without My Daughter" anytime.6/10