I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

I love James Gandolfini and this little movie showed me why. In Down the Shore he is a sad, lonely man disappointed in what life has handed him and yet powerless to change anything. The bleak setting of the shore in winter, a broken down amusement park and the tiny run down houses (although the house weirdly gets bigger and nicer as the film goes on), produce an almost claustrophobic feeling to the film. Everyone before has said it..its beautifully acted and filmed. But afterwards I kept asking myself questions in the plot that were never fully explained. I gave it an 8 because it's a beautiful well crafted film...but flawed.

As Tony Soprano James Gandolfini has left an Enduring Icon in Popular Culture. An Actor who Carried His Bulk Uneasily, yet with Intimidation, Always seemed to be Struggling against Gravity. Inside was a Smoldering Fire that He seemed to Restrain Except for an Occasional Outburst that Resembled a Raging Bull.In this Little Seen, Little Movie He gives an Actor's Showcase along with a Strong Cast, as a Sensitive Soul that is Bitter about the Life He was Given. When a Stranger Shows Up and says that He was Married to His Vacationing Sister, Gandolfini is Suspect and is Outraged when he is told some Very Bad News.This is a Chilling and Atmospheric Movie that is Interspersed with Interpersonal Relationships that are Fragile and Long Suffering. It is a Slice of Jersey Life with a Background of a Small Amusement Park that Recalls a Remanence of a Neglected Bastard Child of Coney Island Long Removed from its Glory Days.Certainly Worth a View for those that are Attracted to Real Life Scenarios Without a lot of Packaging and is a Somewhat Subtle Display of Repressed Emotions and a Depressing Existence. It is the Environment of an Abusive Family Life and a Cold Setting of a Sunless Beach and a Wintery Carnival that like the Humans that Inhabit are Distinctively Dislocated from a Friendly or Attractive Place that is Conducive for Thriving and Prospering.

I guess since his passing I've appreciated James Gandolfini more than before, I wasn't a Soprano guy but I really enjoyed him as Mayor of NYC in the remade Taking of Pelham 123. That's why I watched this obscure little flick. He plays the manager of a tiny amusement park in one of the strangest beach areas you've ever seen. More than anything I'm fascinated by the shooting location, undoubtedly on the ocean but with city views out in the distance (in fact Keansburg NJ is across Raritan Bay from Perth Amboy and within view of lower Manhattan). Since the story occurs in the winter, the physical back drop is even more depressed by the season. James is affected by the death of his sister, who knowing she had cancer goes to France, marries a man, and leaves him one half of the house she shared with James. Does she do this because she knows he will be good for James? Your guess is as good as mine. I was drawn partially into this movie, enough to watch it through but not enough to highly recommend it for anything but die-hard JG fans. P.S. I have since visited Keansburg and Kiddie Land and it looks just like it does on the screen.

DOWN THE SHORE is one of those little sensitive films that seems like it is lightweight until the secrets of the story begin to leak. It is a film about thwarted human relations that have a core of ill-define tragic misconceptions. It is well written (by Sandra Jennings), well directed (by Harold Guskin) and happens to provide a showcase for some inordinately gifted actors who usually are not given the attention they deserve.The film opens in Paris where a handsome Jacques (the very impressive Italian actor Edoardo Costa) is cranking a carousel for children in a little park. Observing him is a winsome Susan (Maria Dizzia) who speaks no French but in a rare moment of instant chemical gaze we can see that she and Jacques connect. Susan hires Jacques to be her guide while she is in Paris - and then we see them no more. The scene changes to 3 months later when Jacques comes to Susan's home in New Jersey, meets her brother Bailey (a brilliant role for James Gandolfini), informs Bailey that Susan is dead, and gives Bailey a letter and Susan's ashes and informs Bailey that he and Susan were married in France: the letter confirms that Jacques is to own half of Susan's house which she shared with Bailey and Jacques suggests he and Bailey be partners. Bailey runs a small carnival park on the Jersey shore and Jacques is able to help him bring life back into the children's rides.The other part of the story concerns Mary (Famke Janssen in excellent form) who is Bailey's childhood sweetheart but now married to Bailey's best friend, the covertly abusive crack addict Wiley (Joe Pope) who happens to own the little carnival park where Bailey works. Some talk between the two men suggests that their fathers were bad men but Wiley inherited his father's wealth and park and married Mary with whom he had a mentally challenged son Martin (John Magaro) while Bailey has remained single living with his sister Susan. The secrets of why Wiley is addicted to crack and physically abuses Mary while Bailey seems to do nothing about the woman he still loves is brought into focus by the wise Jacques, the one person who seems to be adjusted and happy despite his wife's recent death from cancer. In talks with both Bailey and Wiley, Jacques uncovers the horrid secrets that have bruised everyone's lives and what those secrets mean, and how the story works out must be withheld until the viewer experiences this film.A stronger cast could not be imagined for this well written, well-directed film. The degree of identification with absolutely every character in the film is truly remarkable. This is a tale of the maladaptation to secrets of the past. And one of the many beauties of the film is the manner in which much is left unresolved or unsaid at the end. Grady Harp