That was an excellent one.

hyped garbage

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

One of the worst ways to make a cult movie is to set out to make a cult movie.

...so I urge those with a fear of subtitles to "man-up" and make an exception for this film, as watching the dubbed version offers a very different, and inferior experience, to watching the subtitled version. The main issue is with the tone, which is more difficult to nail down with the dubbed version. In fact, Sunny Yuen Shun-yi – despite having no lines - comes off more comic than frighteningly psychotic in the dubbed version due to that version's prevailing tone... or rather, its awkward shifts from one tone to another. Sure, quite a lot of the film is comic, and both versions are hampered by scenes of that wacky cross-eyed pie-in-the-face humor that writer Wong Jing so adores, but still... these maddeningly ridiculous bits manage to seem more like "asides" in the subtitled version, thus allowing for far more successful shifts to the scenes of brutal terror. In any case, though often doubled, its nonetheless great to see Kwan Tak-hing (in his final film appearance) as the legendary Wong Fei-hung, a role he played in over 100 other films! Also, Leung Ka-yan (aka, "Beardy", though entirely beardless here) is as likable as ever, even though he is portraying a particularly trouble-making version of Master Wong's famed protégé, Leung Foon. Highlights include two terrific Lion Dances (the 2nd even more fantastic than the 1st), a classic bout of Tailor-fu (Fung Hark-on vs. Kwan Tak-hing), some very clever Doctor-fu (Shan Kwai/San Kuai vs. Kwan Tak-hing), and Lili Li as the scolding sister of Yuen Biao, who manages to teach him Laundy-fu without his being aware of it, a skill that - naturally - comes in quite handy in a final confrontation between Biao and Shun-yi. Yuen Woo-ping, of course, directs and choreographs the action with an assist from his famed "Yuen Clan". Also starring Philip Ko Fei as Wong Fei-hung's crosstown nemesis

Dreadnaught features Yuen Woo Ping's extreme talent for choreography and action direction. Fan's of any of his other work will no doubt be very pleased to sit through this oddly titled film. Also, fans of Yuen Biao (that's me), will also be very happy to pick this one up, (although, like "Circus Kids" his role in the film could be argued as criminally underused).Again, set in Ming Dynasty China, this film sees the plight of Mousy (Biao), who happens to be a very shy, in-confident, and even cowardly laundry worker. His nature is revealed when we witness him trying to collect laundry debts from various townspeople - they push him around and give him nothing.All the while, an evil and eccentric killer "White Tiger" takes pleasure in terrorising anyone who happens to be around, and, unfortunately for Mousy, he seems to be high on Tiger's list. But, again, like most Kung Fu films, it's not so much what is done, but rather how they do it. Thankfully, Dreadnaught does well in it's direction and choreography, but it does not excel.Credits list Biao as the star, but I believe Leung Ka-Yan (who is Mousy's older brother in the film) deserves equal billing - they certainly have equal screen-time. "Foon", played by Ka-Yan, is a more well-rounded martial artist, and a student of the legendary Wong Fei Hung (played brilliantly and hilariously by Kwan Tak-Hing a la "Magnificent Butcher). The scene involving a rather violent tailor is worth the sitting alone.Dreadnaught seems more of an unfocused film as compared to Woo Ping's other work(s). "Drunken Master" for example had a clear, snappy and balanced screenplay. We knew where we were supposed to be at in terms of all the plot elements. Dreadnaught fails on these grounds, and it's action sequences do not mesh pleasurably with the dialog as they do in Drunken Master.I was expecting a "Snake in the Eagle's Shadow" for Yuen Biao, but rather, I see this film as three main action sequences starring various cast, tied together with the broad characterisation of Mr. White Tiger. It is by far one of the better Kung Fu films out there, but I'm afraid Yuen Woo Ping's other works do the same thing but better.

In a hotel room in Kunming, China, 2005, four western tourists were getting ready to go out for that day's restaurant round, then this movie was on by accident - and we couldn't stop watching! We actually laughed at the lame slapstick, the "lion dance" was terrific, the energy - as mentioned in another review - was perfect throughout! Excellent work.Now I am at IMDb trying to check out this film, you see, we had to go 15 minutes before the ending to get to the restaurants before they closed, which was surprisingly hard to do with a random Chinese kung fu movie. We made sure to snap up the movie title, I'm going to watch this all the way.Then I see here it's from 1981 - which wasn't expected at all. Very good film, might look like your classic low-quality run of the mill kung-fu, but believe me, this is a notch above the rest!

Even though the movie had stereotype characters like the cross-eye goofy cop or the bad guy with the facial flaw, Dreadnaught also had some way cool scenes. If you can bear sitting through the slow, run of the mill parts, you'll be rewarded with 3 major scenes [in order of awesomeness]: 1) the fighting Dragons 2) the opera theatre fight and 3) the tailor. It's a slapstick comedy too, so you'll have a few laughs, too. I just don't get the title.