Drums Along the Mohawk
Drums Along the Mohawk
NR | 10 November 1939 (USA)
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Albany, New York, 1776. After marrying, Gil and Lana travel north to settle on a small farm in the Mohawk River Valley, but soon their growing prosperity and happiness are threatened by the sinister sound of drums that announce dark times of revolution and war.

Reviews
SincereFinest

disgusting, overrated, pointless

Sameer Callahan

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Marva-nova

Amazing worth wacthing. So good. Biased but well made with many good points.

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Kinley

This movie feels like it was made purely to piss off people who want good shows

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Leofwine_draca

DRUMS ALONG THE MOHAWK is a full-colour, full-blooded settler western made by the iconic John Ford. It's one of the favourites movies I've seen from him. The story sees a youthful and handsome Henry Fonda playing a settler who must protect his family against various frontier challenges, from political revolt and turmoil to attacks by local Native Americans. DRUMS ALONG THE MOHAWK is a well-paced production with superlative production values and real depth to the story. Fonda is excellent as the protagonist driven to the edge while the likes of John Carradine prove up to the challenge in support. For a film made in 1939, this one feels surprisingly modern, with a tough edge that really pays off.

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Ross622

John Ford's Drums Along the Mohawk is the absolute best colonial movie ever made that reminds of why we became a country in the first place. The movie stars Henry Fonda as Gil Martin a farmer who has just been married and then had to serve in the American revolution, (which the beginning is similar to High Noon for when it comes to the beginning of the film but has more of a similar story to Roland Emmerich's 2000 colonial epic The Patriot.). Not only does Henry Fonda give a great performance but so does Claudette Colbert as his newlywed wife. Not only do I think personally that it is the best movie made about the revolutionary war, but it is also a great period piece. Back then it really took a lot to make movies about how our country started. And i think that this goes as one of John Ford's best films.

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Claudio Carvalho

In 1776, the apolitical farmer Gilbert 'Gil' Martin (Henry Fonda) gets married to Magdelana "Lana" Borst (Claudette Colbert) at the Borst Home in Albany, New York. They travel to his lands in the Mohawk Valley, Deerfield, where they work hard to improve their lives, but their house and crop are burned out by Indians fomented by the British. The couple loses everything including their baby and they have to restart their lives working for the widow Mrs. McKlennar (Edna May Oliver). But it is times of the American War of Independence, and the settlers have to fight against the Indians and the British soldiers to survive. "Drums along the Mohawk" is a romance in times of the American War of Independence. John Ford uses the historic moment as background of the tough life of the American colonists in the Mohawk Valley, through the dramatic lives of Gil and Lana. This is not my favorite film of John Ford, but the story is engaging and it is a good movie. The thirty-six year old Claudette Colbert is miscast and too old for the role of Lana. My vote is seven.Title (Brazil): "Ao Rufar dos Tambores" ("At the Drum Roll")

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mhesselius

John Ford is an enigma. He has great virtues and vices as a director. Unfortunately, in this film (as in the Searchers) all his worst qualities are on display. Instead of the inherently dramatic events from Walter Edmonds' novel about Revolutionary War farmers in upstate New York, troubled by divisions within the community between Tories and Patriots, we get Ford's unmistakable brand of maudlin sentiment, and the hysterics of characters who are so simplistically rendered they'll remind you of children pretending.Ford also violates a cardinal rule of good film making by having Henry Fonda's character, Gil Martin, deliriously narrate to his wife the details of his experience in the battle of Oriskany. The scene is static, and Martin's story would have been better shown, not told. But Ford's movies are never entirely without interest. The best part of this movie (an action sequence where Henry Fonda has to outrun some Native American warriors) is a fine set-piece, but the characters have absolutely no dimension. I think Ford worked best when his producers reined him in. We can see this in STAGECOACH, in MY DARLING CLEMENTINE, and in FORT APACHE. But when they gave him his head he could turn out cloying material like DRUMS ALONG THE MOHAWK, THE SEARCHERS, and RIO GRANDE.In 1939 the three strip Technicolor process was Hollywood's new toy. In most early color features the new medium was the message; story and character development took a back seat as they do here. If you love melodrama and films with lots of action but not much depth, this one might appeal to you.

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