A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Worth seeing just to witness how winsome it is.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Excellent movie and one largely overlooked beautiful thing about it is the music - old songs, from 30. and 40. and 50. One may wonder whether anything shown in there happened in reality as Victoria Foyt plays it quite convincingly.... It is also interesting that the director directed his wife's nude scenes... Amazing film, done largely in the manner of filming documentary drama, and that was in 1997! However, whenever I see a movie like this I think why on earth directors do not put children in such stories.... because when children are there, there is no room for good romance or finding the love of your life.... it's just that simple :-(

Henry Jaglom's films have a distinct feel to them. The dialog is more natural, less theatrical, with stammers, stutters, repetition, hesitation, and stepping on lines. In this film we follow an engaged woman from the streets of Jerusalem, through Tel Aviv, Paris, Dover and onto London where she is to meet up with her fiancé. This journey was shaped in part by a mysterious woman she meets in Jerusalem. Along the way she encounters a dashing gentleman who seems to be the perfect fit for her. This film raises questions about destiny and soul mates. Steven Dillane and Victoria Foyt work well together, and Vanessa Redgrave glows.

This is a love story with more truth than is comfortable sometimes. I think most of us have either loved two people at once or had to decide whether we should stay or leave a relationship. That struggle is what this movie is about. Stay with what is comfortable or follow your heart.This movie is a bit uneven, sometimes pulling you in so deeply that you can hardly breathe, then in the very next scene you will feel like you are watching a documentary. You feel you know how it will end one moment, and the next you are uncertain. The film takes you back and forth on so many levels. I think that's the point of the movie's structure really -- the watcher is pulled one way and then the other, just like the people in the movie.We all have to make choices, do you want to follow your heart, no matter where it takes you and accept the uncertainty that goes with it, or do you stay with the comfortable stability of the known?A powerful movie. If you have a chance to see it, go for it. I would recommend seeing it alone to get the full impact. Commercials and chatter would ruin the mood.

I must say I enjoyed this movie and I was taken by it from the first moments. It is full of wonderful characters and interesting acting. It was not replete with name actors and formula plots. The quiet moments when the characters waxed philosophical were the best parts of the movie. It was a script that I could put my spiritual teeth in.At first it was distracting to see Redgrave sitting among her "lessers" but as her role continued...I realized why she took the role. It spoke volumes about the central premise of fate and free will and added much to the film's story line. Plus, she delivered a marvelous performance.(It always fascinates me when someone states that THIS is the worst movie they have ever seen. To say that about THIS movie reveals that the reviewer has not seen many movies. I have seen some alarmingly bad movies where I am cringing throughout. That is bad folks. This is not Shakespeare nor Gone With The Wind...instead...it is charming.)Deja-vu was wonderful...a romantic movie for woman and men :)