What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Clever, believable, and super fun to watch. It totally has replay value.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

This movie feels like it was made purely to piss off people who want good shows

The long, twilight struggle of existence in a violent, directionless world is the premise of 'Eastern Plays', a Bulgarian film that comments as much about that country's society as it does about society in general. The story is told from the perspective of two brothers, Christo and Georgi, one in his thirties and recovering from drug addiction, the other young and impressionable, yet both staring into the abyss with only impenetrable darkness staring back. By turns, they fight and fall into meltdown as the chaotic world around them offers little meaning to guide them toward happiness and purpose. The premise of Kalev's tale is certainly sound, however in practice, I found the delivery fairly disjointed and listless. It is peppered with touching and thought-provoking studies of human frailty, but ultimately does not really pull together as an entertaining whole.One of the principal difficulties I had with 'Eastern Plays' is its lethargic beginning, and a fairly rudderless one as well. A raft of characters is introduced; all pursuing their own paths to destruction, but there is no real clue as to either whom the story will principally focus upon, or what that story really is. Possibilities include a young man's descent into gang violence, nationalism and politically-supported anti-immigration riots, family breakdown, and the generation gap. Then there is Christo, an unpleasant, self-loathing, chain-smoking artist, staring oblivion in the eye and desperate to pull himself away from it yet lost as to how. Ultimately, it becomes clear that 'Eastern Plays' is his story, and as he battles his inner demons, the many layers of his character come to the fore and a more sensitive, highly-pensive character is revealed.One could certainly argue that there is no reason why a film couldn't contain all the above elements with multiple character arcs lightly intertwined with each other and the sum of the parts being a comment on some aspect of the human condition. The Bolivian film 'Sexual Dependency', to name but one, manages this sort of approach fairly well. However, whereas 'Sexual Dependency' triumphs because all the parts slot into place within the greater commentary, 'Eastern Plays', attempting to do the same, fails because the result is hazy and the various sequences somehow more drawn out and dull in the process. In hindsight, it seems far clearer that Kalev's approach to the first half of the film was to fill the canvas with the wider problems of society so that the viewer will see Christo's pain as a microcosm of that shared by the nation as a whole. Seemingly germane, there is however too much of this, thereby causing narrative incoherence: is the film about him or is it about Bulgaria? It is in the second half, when Christo's story becomes the dominant narrative, that things begin to pick up. Love interests and family become soundboards for attempts to make sense of everything, and these prove to be the more interesting sections of the film. It is the character interactions themselves rather than merely the occasional philosophical debate that shows humanity finding understanding and balance that are especially touching, although those brief philosophical debates do sum up the themes quite nicely.There is much to recommend on the acting front. Ovanes Torosian as gang member-wannabe Georgi does a very good job of portraying the confused adolescent whose inner turmoil is more evident in his eyes and quietude than his dialogue. Highly memorable also is the lovely Saadet Aksoy, a young and intelligent woman able to bridge the gaps between worlds despite fear and who is able to put voice to the social discord. The scenes between her and Christov are among the most engaging of all in Eastern Plays, save for some other touching moments where Christo puts voice to his fear and aspirations, and a scene near the end where he encounters an old man filled with the tranquility of understanding that Christo so desperately yearns for. The late Christo Christov is eminently believable as his namesake: bored of social expectation, longing for something more, and frustrated when it fails to materialize. It's a great shame that 'Eastern Plays' is both Christov's debut and finale to the acting world, and an even greater shame that the film's narrative disarray can't fully match up to his performance.The character of Bulgaria itself, as depicted, is cold, lifeless and bleak. It is violently insecure as it struggles to define its own national identity, its citizens borne of both the Soviet nation it once was and the unsure republic it is today. The elderly cling to the orderly past, the young embrace the chaotic present, yet neither are happy. A line from Georgi, however, implies that the changes are for the better, implying that the Bulgaria of today is perhaps simply experiencing the birth pains of a new nation, though a generation will be lost to the uncertainty of transition as a result.All of which brings us full circle: there are plenty of great and interesting themes explored in 'Eastern Plays', with the actors more than able to realise them within their believable and fragile characters. The lack of a tighter, more focused narrative, which dulls the pacing and fogs up the intent of the piece, is the biggest culprit. That Kalev is passionate about the subjects presented is very much in evidence, as is the fact that when it comes down to really exploring them through his characters, he is quite skilled at doing so. Here though, he tries to say too much at once, enshrouding the result in fog as a result. When he masters clarity and restraint, however, there is much to suggest his work will be something memorable indeed.

This is the most important Bulgarian movie for the past 20 years. I highly recommend it for everyone who have never watched anything from this country. The acting is honest and breathtaking. The story is simple and so real, that can make you cry. The cinematography work is very stylish and keeps you close to the characters from the beginning to the end. Eastern Plays is an absolutely stunning piece of filmmaking. This is the movie that Bulgaria needed for so many years and for so many reasons. I am sure that such a film can be made just once in a generation. When i've watched it for the first time, i was deeply moved and shocked, because i knew that the movie will be good, but i've never expected something so strong and real. If i have to be honest i have lost hope that people in Bulgaria have the courage and will to talk so direct for such important subjects as drugs, racism and the broken bond between contemporary Bulgarian generations. Especially the filmmakers. And that's why i think this movie appears in a very important moment not just for the Bulgarian film industry, but for the Bulgarian society at all.

Just watched Eastern Plays.. Guys this movie is s*it! I hate to say it with respect to Christo Christov(God rest his soul) whose performance was maybe the only good thing about the movie. I am so tired of all those "intellectual wanna-be" Bulgarian movies, that are made to be understood only by the author and need at least half an hour explanation. It is enough to read the synopsis, don't waste time to watch the whole thing. The original concept is good, so I cant believe the director was so bad that he couldn't manage to develop it. It was hard for me to watch it till the end and I was skipping through the numerous times when nothing was happening, which was half of the movie!!!.. And don't you dare to tell me I didn't understand it, it is true, I did not. There was nothing in this movie that will make me use my brain to understand the concept of it. It was the same pointless depressing reel that we're so used to watch("Shivachki"). The soundtrack was good (Nasekomix), but it wasn't well used. After watching "The World Is Big and Salvation Lurks Around the Corner" and "Zift", I thought there's still a future for Bulgarian cinema.. but honestly Eastern Plays brought me back to the reality. I will still however see Mission London. Wish me luck on this one =D Overall, if I could give this movie less than a star, I would've. I think that eastern European nationalism(which apparently the movie should be condemning) created this whole euphoria in Bulgaria over the movie, which I understand, but I don't think it's an actual reason to give a higher score for this movie. Still.. Rest In Peace Christo Christov

I've read the other comments, and I will have to disappoint the Bulgarian audience, but this is not a work of a genius... maybe this movie is interesting and fresh in Bulgaria, but if you put it in perspective of contemporary East European cinema - it is not new, not fresh and I dare to say - it is not a good movie at all. It is painfully pretentious , non humorous, over-directed small boring movie. The cinematography is really bad, you actually don't see the faces of actors for at least half of the movie. And the shots, well, like from bad music MTV clips shot 20yrs ago. The actors are not bad ( RIP to main actor) - and only good part of the movie is relation between the Turkish girl and main guy. Everything else, well - bad as the rest of the movie. If I had to put it in one line: just skip it - overacted in overdirected boring movie