Ecce Bombo
Ecce Bombo
| 08 March 1978 (USA)
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Michele, Goffredo, Mirko and Vito are four friends who have participated in the battles of the student in Sixties. Now in the Seventies, the four friends don't know what to do, though young and with so many possibilities to find a job in life. Intellectuals marginalized and misunderstood, the four friends find themselves when they can in a restaurant to discuss their outlandish theories. A girl named Olga disrupts their life, but Michele is her favorite, although he does not know what to do with the girl.

Reviews
Karry

Best movie of this year hands down!

Stellead

Don't listen to the Hype. It's awful

Sexyloutak

Absolutely the worst movie.

Ginger

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

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Anthony

Let me start by stating that this is a superbly intelligent and funny film which enlists among it protagonists the medium by occasionally 'pointing' to its delivery technique/style. A sharp social commentary picture, delivered with humour and satire; a synthesis of some of Italy's trends and moods at the end of the 1970s; the voice of one of its embedded protagonist who observes and reflects on cultural issues and society in general and how they affect his generation (e.g. cigarette corporations ads and movies). The language barrier can be dealt with in fact it was very well received and appreciated by the European viewership and nominated for the Palm d'Or, the highest honour at the Cannes Film Festival. As for the role of the 'reader': the viewer, whatever his or her origins and background, could reflect on the history of his or her country, its economic developments/corporate influence, its educational policies, its social fears and/or generational angst, its mid-late nineteenth century dilemmas. Subsequently, the latter can be compared to those of other countries, in this case to Italy's and how they are depicted in Moretti's rendition in ECCE BOMBO. The findings can be enlightening and have much to say about the dynamics of the relationship between the individual and his or her community in their own country, the social milieu he or she inhabits and how they affect each other. This 1978 classic of world cinema is definitely an entertaining and astute 'study' of society which the medium of the cinema affords.

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b_federico

maybe is hard for people that is not from italy to understand this movie, but for me this is an amazing movie.like a snapshot of a society that has no identity and no point but just ideas that are not even strong enough to help them understand the reality. if you are looking for action shots, and stuff like that, don't watch it. but if you're looking for a good movie that offers more than just some cheap stuff but contents and ideas this is for you

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castelli

From start to finish, the most boring film imaginable. You keep waiting for something to happen, but nothing ever does. Michele leads a very boring life, he is the kind of person I would never wish to make the acquaintance of. The film is a typical product of a certain left-wing so-called culture rampant in Italy in the Seventies, of which Nanni Moretti is a leading exponent. One thing puzzles me: why does Moretti so often cast himself as a person named Michele? Take a look at the list of his films! There must be a Michele in his past who left a lasting impression on him, After all, there is no lack of male first names in Italian; why not Mario, Alberto or even Dante?

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Fritte-3

The movie is a little cult in Italy. Some incredible scenes like the dialogue with the girl that doesn't create anything of concrete, the scream of "ecce bombo" or the poet friend of the student are great ironic suggestions to a new kind of cinema founded by Nanni Moretti.

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