Just so...so bad
I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
View MoreBlending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
View MoreThis is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
View Moreif you are a soft-core fan this totally not for you i heard about this film few years ago and saw it recently this turned me off i am a soft-core lover its a nice genre that maintains a little decency of sexual intimacy then usual internet hard core stuff.here the case was different it is directed by Joe D'Amato who is almost legendary in this business but this time he failed.there is not a single scene enjoyable here,this film also got sequels i can say there are the same too he directed some Emanuelle series films too,hes a good director but its just weird plot and badly done hot scenes when a lady puts honey on a man on that scene i was like OK this is about to become crazy and same happened in the climax,a lot of moments were straight gross for my taste.the plot:i totally discuss the plot of films but here i don't feel i have to tell but its about a writer who slept with 99 men and wants more of it,the story goes to continue for 11 days and eleven nights.the cast:except Jessica Moore no one i liked i heard that her next film with this same director called top model 1988 is a great gem ill do check that out for sure now it maybe better then this.overall 11 days and 11 nights 1987 is not for true soft core or any romance lover My Rating is 2/10 highly recommended to avoid,please try some Gabriella Hall Films but not this.
View MoreThis is notorious Italian director/cinematographer Joe D'Amato's most successful 80's softcore sex flick. It certainly succeeds as standard 80's erotica--and in my estimation even surpasses its most obvious Hollwood inspiration, Adrian Lyne's overrated "9 and 1/2 Weeks"--but it's not nearly as interesting as some of D'Amato's sleazy 70's stuff like a lot of his "Black Emanuelle" films. The plot involves a female writer who as part of a book project has slept with 99 men (pretty impressive considering the part was played by Jessica Moore who was all of 19 at the time). Her 100th unsuspecting "victim" is an American architect who she first seduces on a New York ferry and then begins a very hot and semi-kinky affair with despite the fact he's due to be married in 11 days (and 11 nights). A love (or lust) triangle soon develops between the writer, the architect, and the latter's bride-to be, but as this is a (not-always-too-believable) male fantasy, you know the one of the women is bound to eventually lose out while the guy will get to have his cake and eat her--I mean, eat it--too.As always with D'Amato the cinematography is very good and the music while cheesy is actually pretty catchy (much better than the execrable "hits" in "9 and 1/2 Weeks"). The numerous sex scenes are much more silly-kinky than disturbing-kinky and any "drama" here is pretty hard to take seriously. Of course, no small amount of the appeal of this movie is Ms. Moore herself (actually an Italian actress whose real name is Alessandra Ottavia). She had supporting roles in "Don't Fear Aunt Martha" and Lucio Fulci's "Ghosts of Sodoma" where she mostly passed as an ordinary teen, but dolled-up and naked she is absolutely incredible. She has a body like Jessica RABBIT come to life. I kinda would have liked to see her in action with the OTHER 99 guys besides the douchebag in this movie (in one of the kinkier scenes she does try to set up an interracial three-way between her, the architect, and a studly black guy). Moore and D'Amato would team again in the semi-sequel "Top Model". I'd recommend them both.
View MoreEleven Days, Eleven Nights (1986) * 1/2 (out of 4) After the Italian Horror market dried up several of the genres directors were left without work or had to switch gears and try something else. Joe D'Amato had already done hardcore features but his career got a boost with this softcore flick, which became a big hit in Italy and other countries. A man (Joshua McDonald) is about to be married in eleven days but he starts up a steamy love affair with a young woman (Jessica Moore), which leads the man to thinking twice about getting married. The only problem is that he doesn't know the woman is just sleeping with him so she can write a book on sex partners. This film starts off okay but slowly goes downhill due to some stupid characters, which are amongst the worst written I've ever seen. The stereotypes of the characters are at times laughable. For instance, the man's girlfriend is a plain, ordinary, boring, bookworm who wants to wait to have sex. There's a dinner scene with her parents, which just has to be seen to be believed. The one good thing about the movie is Moore who is able to display a great sexual presence. D'Amato does great with the softcore sex scenes but the rest is pretty bad.
View MoreNot enough nudity to be classed as 'soft porn', not enough tension to be an 'erotic thriller' and not enough laughs to be a comedy. But Eleven Days, Eleven Nights stands out as one of the better erotic movies in that it has a viable plot, fair acting and the direction & photography are at times exquisite.The softcore sex scenes contain something for everyone - flashing, sex in a public place, transvestitism, even briefly a threesome. The story centres around a young lady called Sarah writing a book about her 100 sexual conquests, played by the unbelievably mature 19 year-old Jessica Moore. Number 100 is an ordinary American guy named Michael who is working as an engineer on a construction site...the trouble is he's getting married in 11 days time.As Michael falls for Sarah he doesn't realise that he is merely being used for this book and puts his fiancee (who first suspects, then later knows) through hell even as she prepares for their upcoming wedding. Trouble is, Sarah is falling for Michael too...who will Michael end up with? This was the film that was an international video hit in 1987, and put Joe D'Amato back on the map as a director. Now available (in the UK at least) on DVD. The low budget is used wisely and rarely shows. Most of the principle actors seem to have had short careers which is a shame...and the opening 10 minutes will make every woman wish she owned a black plastic mac!!
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