In Elizabeth Junor, Ashanti Harris expertly maps a kind of settlement, recounting the life of the Guyana-born daughter of a Scottish carpenter and timber estate shareholder from the Black Isle – deploying voiceover, superimposition, frames within frames and onscreen text to highlight the modes of narration by which a life is catalogued.
Reviews
Cebalord
Very best movie i ever watch
Lovesusti
The Worst Film Ever
AniInterview
Sorry, this movie sucks
FuzzyTagz
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.