Pretty Good

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Amazing worth wacthing. So good. Biased but well made with many good points.

I thought this movie was reasonable... it tries really hard to come off as convincing that an impoverished transient born in the most godforsaken land in Brazil could become a master chef at a luxury restaurant.. it's obviously possible, even more when that's what the script says happens. Anyway... the 2 story lines show our man Nonato in jail for an unknown crime and his induction into the world of food. In the process, he falls in love with a prostitute, believing she is pure of heart... Now, we are expected to believe that his murderous rages are unleashed by alcohol, which would lead to assume that he operates at an inhibited level routinely. This is hard to swallow.. he is the most naive and submissive person possible, what the hell is there to be inhibited... Anyway, that's beside the point, everyone has primitive urges that can be released by a diversity of triggers. This is compounded by the idea that he develops (SPOILLLERRRRRRRRRRRRRRRRRRR) a plan to poison the alpha male in prison in order to get the top bunk-bed, and does so without the social lubricant. I don't know.. it's a semi-entertaining movie... but still... It also tries to show a symbolic meaning in how he butchered the hooker at the end. Watch it if you can do so for free.

"Estômago" is director Marcos Jorge's second feature film, but the first to be released (his feature debut, "Corpos Celestes", still awaits distribution). It's based on Lusa Silvestre's short story "Presos pelo Estômago" and tells the story of Raimundo Nonato, a destitute Northeast peasant who migrates to São Paulo and discovers that his talent for cooking may guarantee his survival in the big town and open doors to power and sex, but also crime. The film unfolds in two parallel, cross-cutting narratives (linear story-telling is a "disease" to be avoided in 2000s cinema, it seems): 1) Nonato's rise from underdog aid in a cheap, fly-infested snack joint, exploited by sweaty boss Zulmiro, to becoming the protégé of sophisticated Italian-cuisine chef Giovanni, meanwhile falling in love with voluptuous and voracious prostitute Iria; and 2) Nonato's life in prison (we only know why he got there in the end of the movie), trying to learn the codes, rules and peculiar hierarchy of jail life, as he struggles for survival and "social-climbing" through his cooking talents.There are countless influences/references at play here, from "La Grande Bouffe" to "The Cook, the Thief, His Wife & Her Lover", from "Jamón Jamón" and "Tampopo" to "Babette's Feast". But the flavor of "Estômago" is essentially Brazilian, thanks to main character Nonato. He escapes from being a caricature (the naive, ignorant, good-natured, not very bright Northeast hick) solely through the irresistible empathy, perfect comedy-timing, quick wit and stray dog quality of João Miguel's performance (he won the Best Actor award in Rio's 2007 International Film Festival for this role). He's got one of those endlessly watchable faces: we can follow his every little thought, and as fast as he wishes us to. He makes the film stand firmly on track even when the direction strays through lull spots, hesitations and contrivances, and he delivers his burger-quality lines as if they were caviar. In barely 3 years and a half-dozen films, João Miguel proves to be one of the most likable and resourceful actors working in Brazilian movies right now.You can tell João Miguel's towering contribution to the success of "Estômago" if you consider how everything else in the movie is just average: the script tries too hard to be smart and squeeze the laughs out of the so-so jokes. There are overlong, repetitive scenes, and most of the actors are directed to play types, not characters -- Babu Santana once again does his trademark angry-bulldog gangsta role; Fabiula Nascimento is shamelessly exploited for her opulent Fellinian body rather than her acting talents; Carlo Briani (as Giovanni) and Zeca Cenovicz (as Zulmiro) give stagy performances. Some other aspects are rather annoying, such as the totally misconceived Morricone- inspired music by Giovanni Venosta ("Pani e Tulipani"); the terribly fake hookers (they're the sweetest, happiest street whores ever); the phony prison inmates (it's got to be the whitest- populated prison in Brazil); and the idiosyncrasies involving "l'art de la cuisine" -- it's hard to believe that a sophisticated Italian chef would find Nonato's salty and cholesterol- friendly cooking (typical of Northeast Brazil) so sublime, or that Nonato could "leap" from being an expert in greasy Brazilian snacks like "coxinhas" and "pastéis" to master the complexities of correctly cooking meat and pork by being a trainee in a pasta-specialty restaurant.* SPOILER * But most annoying of all is the denouement. Striving for a "witty ending", the director and the writers withhold important changes that should have been in process in Nonato's character just for the sake of taking us by surprise; nevertheless, it's a cliché, pseudo-smart ending. If the goal was to tell a story about how a bon sauvage is corrupted by society and ends up learning to be a smart-ass by using the same weapons as his oppressors, the preparation and transformation in Nonato and the arc in João Miguel's acting are missing (whose fault is that? The actor's, the script's, the director's?). As it is, the resolution feels blunt and over-reaching, like an under-baked, artificially colorized dessert that somewhat spoils the honest, simple, home-made meal that came before it. * END OF SPOILER *Anyhow, "Estômago" certainly deserves to be seen: its communication with the audience is evident, it has truly funny moments, and João Miguel's winning performance is the very special ingredient that makes the recipe irresistibly tasty.

I enjoyed very much this film. It seems to be a simple story about a man -Raimundo, who comes to the big city and earns his living doing the only thing he knows: cooking. His talent leads him to know the owner of an Italian restaurant, and a prostitute. I like very much the way the film shows the relationship between them: seduction, obedience and competition. the story is easy to follow, amusing and sometimes funny. Anyway, I don't think this is all. Estomago (stomach) provides an interesting and sharp looking to our society: Both in business and in prison, there are rules to follow; power relationships according to abilities, strength, or money. Everyone is a victim in some way, but it is also guilty.

I saw this movie on the international film festival of Rotterdam, where it was rated 2nd on the audience price. Beautiful small and funny film, which you must see with a full stomach. A Brazilian / Italian co - production made with eye for detail, intelligent humor and some very funny twists, which seem to be very logical at the end of the movie. Two hours of entertainment, acted very well by all actors and a movie which will definitely find his way in all the festivals to become a major hit worldwide. I don't want to get into the story, it's one of those films who helps you to escape from the real world for a small two hours and from which you always thinks, why do i not see more movies like this? I really recommend this movie to an large audience. So go see this one, in a theater near by you or after dinner with your partner or some best friends.