I like the storyline of this show,it attract me so much

Some things I liked some I did not.

Watch something else. There are very few redeeming qualities to this film.

This is a gorgeous movie made by a gorgeous spirit.

"Alle Anderen" or "Everyone Else" is a German 2-hour film from 7 years ago. It was written and directed by Maren Ade and stars Birgit Minichmayr and Lars Eidinger basically in every scene from start to finish as we follow their characters on a holidays in Southern Europe. They play a couple that is clearly struggling with (the lack of) masculinity in their relationship, especially when they keep meeting another couple with a clearly different approach to the subject. What can I say? I personally thought this was not a good watch. None of the 4 major characters in the film were likable to me and that resulted in me not caring for them at all. People may say their flaws define their actions and make them interesting, but I personally did not feel they were written in a realistic manner. It all felt so over the top, especially the scenes that the two had together. They were written in a way that lacked authenticity completely and allowed the actors to go as hammy as possible.The only somewhat interesting scenes in my opinion were when the two met the other couple on 3 occasions because of the group mentality that was fascinating to watch on several occasions. Then again it was really always the same basically. People acting as if they like each other when all they felt for the other was really despair and yet Minichmayr's character, even if she despised the strong alpha male, did not like the weakling that her boyfriend was. Did not make any sense at all. Her character was clearly written in a way that should have been as baity as possibly, but in depth did not make any sense. Eidinger's character's approach to acting like a feminine sissy (or trying to be masculine and failing gloriously) was neither a good portrayal nor intelligently written. All in all the film lacked subtlety and good character writing from start to finish and the ending with the apparent split-up followed by the two acting in harmony again was extremely lackluster too. The worst possible way that this could have ended. By then, not only the audience does not care about the two anymore, but even Ade herself apparently wasn't giving a *beep* anymore. The material does not justify such a massive runtime. 4 stars out of 10 is a very generous rating here. Do not be fooled by all the awards attention this movie got. It is not worth seeing. Not at all.

German director Maren Ade's minimalistic chamber drama tells the story of Chris and Gitti, an urbane couple in their 30s who spends their holiday at Chris' parent's summer house in Sardinia. She is a PR consultant at a record company, he is an architect, and they trust their compatibility until they befriend another couple, and the comparison begins.Maren Ade's dialog-driven and colorful depiction of the relationship between extrovert joy-spreader Eva and reserved idealist Chris, gives an observant image of the affects personality differences can have on a rather fertile romantic relationship. Birgit Minichmayr and Lars Eidinger's unrestrained and authentic interpretations of the quarrelsome lovebirds who becomes clouded by the shadow of doubt upon meeting a steadier and more established couple, makes this hot and picturesque contemporary romance an atypical and thoughtful movie experience.

A young German couple is on a business/vacation trip in Sardinia. They don't much like each other. They pretty much argue and snipe at each other constantly. They probably, in fact, should just get a divorce. Oh, wait: they're not married. So why the Hell are they even together? These two people just need to move the Hell on. The film really does understand its characters quite intimately, and the lead actors (Birgit Minichmayr and Lars Eidinger) are good, but so what? These people are just not worth caring about or observing in any way whatsoever. The movie moves very slowly and is basically the equivalent of hanging out with horrible people for a very, very long two hours. Terrible.

Ade has that rare gift (taken to it's peak by filmmakers like Eric Rohmer and more recently Nicole Holofcener) of showing all the things movies usually don't. The little things, the subtle moments in a relationship that make up 98% of the time in real life, that lead to that dramatic 2% we usually watch on screen. The story is about a couple in their early 30s, and not far into their relationship, taking a vacation and in the process slowly discovering each other in relation to each other and the world. Indeed the only brief moments the film feels false are when the biggest drama erupts. But for the vast majority of the time, thanks to wonderful performances by the two leads and Ade's seemingly casual, but very specific use of the camera, it feels like we are seeing the subtle, complex, confusing truth of a relationship, warts and all, in a way that's very rare on screen.