Plot so thin, it passes unnoticed.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

One of the best movies of the year! Incredible from the beginning to the end.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

On the positive side, Ray Winstone and Jan Graveson make a nice 'couple' and deliver lots of interesting scenes. It is filmed in a decent way, except for some strange zooms (mostly in the beginning of the film) that seemed completely unnecessary.And then there's a negative side, as you may have expected. It's usually pretty clear that there has to be some personal drama behind the behaviour of such a nice, f*-ed up man, and one of my guesses turned out to be right; the man's daughter is a prostitute (in real life the actress playing her is Ray Winstone's daughter btw). So, no surprise there, and adding to that there is a lot going on that's going nowhere or feels rather pointless (the other - younger - prostitute and her pimp, a pursuit in the streets, the wife discovering the man's secret visits). I guess it's all supposed to be a little off beat somehow, but this 'construction' didn't work for me - except the aforementioned scenes between Winstone and Graveson, which make for most of 'Everything'.In the end it all feels somewhat inane, but the acting and dialogues got me through quite it easily.

This is not, as some would have you believe, a skin flick just because a hooker is one of the two main characters, It's a great atmospheric work that would make a really interesting stage play as only two sets are required. Made for a budget of £50,000 (which would not cover the Catering Budget of most movies) Ray Winstone did this for free just because he loved the script you cant get much higher praise than that ! I viewed this a couple of days after seeing him in "The Proposition" and for me confirms his status as a Clint Eastwood for our generation who seems to constantly improve the depth of his performances. Jan Gravesen the female lead was equally impressive, as I have not previously seen her in anything, at some points I felt she may actually have been in this line of work at some time .. A solid 8/10

For those of us who continue to wave the flag for British cinema, perennially undermined by poor scripts or craven overtures to the States, maintaining such respect is very often like trying to love a puppy that keeps crapping on the duvet. So it's a joy when you stumble across a no-budget homegrown sporting great writing, even better performances – and which doesn't compromise to anyone. Winstone is the mystery john who visits Naomi the prostitute (a terrific debut from Graveson) over 9 consecutive days (the film was shot in 9 days too), without once soliciting sex. He just wants to talk; to find out why she does what she does. On the penultimate day, he even brings a Monopoly set round. If the climax doesn't come as a surprise exactly, the emotional impact remains intact, aided by heartfelt, beautifully understated performances from the cast, including Winstone's real-life daughter. See it.

I'm just home from seeing this film at Sydney's Film Festival (2005) and have to say I was very impressed. It was especially rewarding to have the director (Richard Hawkins) in attendance for Q&A after the film.The performances were captivating, the suspense was just right (you never lost interest but weren't overly stressed either) and the setting utterly believable. (NB: the locations were real, not sets).The two main characters, although unusual, were validated by excellent dialogue and acting (Winstone and Graveson). And the story was interesting and very moving.I always think the measure of a good film is when I'm not aware of the audience or the chair I'm sitting in. I'm happy to say I was oblivious to both.On the downside, various jerky zooms reminded me that there was actually a camera involved and prevented complete immersion in the story outside of the storytelling. But it is nevertheless astonishingly impressive to see what a small budget ($47,500) and an enthusiastic writer/director can achieve in a 9 day shoot!