Sadly Over-hyped

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

From the brilliantly twisted mind of director David Cronenberg comes "eXistenZ." What is "eXistenZ," exactly? A new male enhancement product? No, rather, it's a reality enhancement product; a new type of video-game/virtual reality experience, to be even more specific. Jennifer Jason Leigh plays the programmer of said video game, while Jude Law plays her hapless protector and our surrogate as the audience. The further down the rabbit-hole Law's character goes, so too do we, until we are left dizzy and without words to describe what we just saw.Early in the film, our characters are on the run from somebody who wants to do away with this ground-breaking technology. They'll have to deal with a creepy Willem DeFoe character and deadly spores along the way, while still finding time to explore their new reality and test their limitations. Cronenberg's film pretty much hits the ground running and doesn't allow us the chance to catch our breath as it levels up. Because this is vintage Cronenberg, of course there is plenty of gooey grossness to go around, the least of which are the "portholes" that allow would-be gamers to plug in. Those crushing on the lovely Leigh may find themselves feeling somewhat conflicted about whether the "porthole" exploring is sensual or nausea inducing. Plot-wise, the film draws comparisons to other late '90s tech- thrillers like "Dark City" and "The Matrix." Heck, even the DVD box- art states that "eXistenZ" "makes 'The Matrix' look like 'Child's Play.'" Well, I don't know about all that, seeing as how I personally don't ever recall seeing a killer doll dodging bullets in that movie, but no matter. What sets "eXistenZ" apart is that it is less focused on its dystopian future and more focused on our present quandary in balancing technological advances with good old down-to- earth human experience. Like the best Cronenberg films, "eXistenZ" has a lot to say about that subject, but doesn't bludgeon or bore his audience with it. Trade the giant placenta-like sacks of skin in this film for the latest iPhone, and it's safe to say that "eXistenZ" was ahead of its time, to say the least.

This is a movie which perfectly captures your state of mind as you slowly awake from a dream. What you thought were true realities while you were asleep become increasingly fraudulent the more you process them logically and consciousness rears its head, paradoxically there still remains a sense of legitimacy to the situations and ideas that had manifested themselves in your mind so abrasively as you slept. On one plain plane the players, like chronic somnambulists, know they are in a game yet their bodies and minds continue to act and think in ways that they cannot predict or control. They give in to the confusion because it offers a break from conscious thinking and inhibitions and opens up previously unknown avenues of imagination. What at first seems incoherent in this movie becomes more and more believable as images, characters, phrases, etc repeat themselves in fragments that you slowly begin to recognize subconsciously. Everything starts to make vague sense yet you won't be able to put your umbilical cord on exactly what it is the dream (or your own unconscious mind) is trying to tell you. The story operates in the same way that the plot of a dream does,gliding from one situation to another seemingly at random, you cannot remember exactly where you came from, how long you'd been there, or why you'd been there but you gain a sense of reverence for the places you've been and the people you've met because they all make strange cosmic sense to you, they embody all of your deepest fears and desires so honestly that you cannot help but be grateful to them. Forget any coherent message or intelligent thought when you experience this movie because they are unnecessary to dream with.For maximum harmonic understanding, ingest a handful of dubiously obtained Armenian sleeping pills, hang upside down from the ceiling of your lair whilst double fisting two bloated goat stomachs full of your great grandmother's long-frozen/now-thawed bReaSt miLk. Play the movie backwards with the sound going forwards on a loop for as long as it takes to you know what with you know who in you know where you tyrant demon basterd….

Hee, yet another David Cronenberg picture that divides opinions, not just among the casual film watchers, but also his most ardent fans.Plot is a little nutty in actuality, as it finds Jennifer Jason Leigh as the world's most high profile games designer. While testing her new virtual reality game out with a focus group, an assassination attempt puts her on the run with an ally of sorts, marketing man Ted Pikul (Jude Law). With the prototype of the new game in their possession, the pair must enter the game's realm to unlock the various puzzles and threats that now confounds and stalks them.With Cronenberg back to writing something solely from his own head, eXistenZ finds the Canadian auteur happy to be back making a truer piece of work for his kinked visions. Unfortunately the advent of such virtual reality fare and various realist themes was well in filmic swing come the time eXistenZ was released, rendering it in some eyes as a band wagon jumper. That's unfair, because it's still a unique film, as Cronenberg blends body horror with visual invention to create a mind warp of gaming possibilities, a thrum thrum of futuristic verve. He gets top performances out of Leigh (great hair as well) and Law, while the narrative is constantly tricky enough to demand the viewer pays attention whilst being prepared to, perhaps, be surprised.Not prime Cronenberg, but still smart and funky, twisty and nutty, scary and oblique. So very much a Cronenberg original, then. 8/10

Existenz (1999): Dir: David Cronenberg / Cast: Jude Law, Jennifer Jason Leigh, Ian Holm, Willem Dafoe, Don McKellar: Stylish thriller with intriguing imagery about a video game where its occupants can plug themselves in via bio-port and enter a fantasy world using a game pod. Full of surprise and shock associated with its director David Cronenberg. Very similar to one of his earlier films, Videodrome, which also dealt with reality and fantasy within technology. Detailed storytelling leaving questions in its conclusion. Jennifer Jason Leigh is excellent as the game creator with a price on her life after a public demonstration concludes with a shootout. Jude Law serves as her protector who goes through the painstaking operation of bio-pod in order to play the game. Willem Dafoe plays Gas the mechanic who can perform bio-pod operations yet he also has a sinister side that is costly. Ian Holm operates on Leigh's pod when it is damaged. He factors in and out leaving viewers guessing as to whether he is friend or foe. Don McKellar plays another strange contact within the game who provides information. In the end it really doesn't matter because the destructive nature of the game seems to rule out. While it doesn't always make sense, it does succeed as superb effects driven entertainment. It is a mind-blowing visual thriller about video games and marketing that is worth plugging into. Score: 8 / 10