hyped garbage

Better Late Then Never

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

If you are watching this movie and thinking that perhaps these disparate, banal, meaningless , ordinary threads of interaction are going to lead somewhere into a plot or storyline of some kind, they do so only slightly in the end. About two-thirds of the way through the movie, all I had to do was check the year this movie came out (2009) to confirm my suspicion of what this movie is about: a foil for universal health-care. This script of this movie could have been written in a day. It is utterly blasé, predictable, and uninciteful, unless you think that social network message that infected the mind-numb robots of this summer "No one should die because they cannot afford health care" is genius.

Crumbling, hollowed-out buildings, trash-strewn alleyways and weed-infested empty lots provide the backdrop for "Explicit Ills," a low-keyed, understated account of a group of largely unrelated people struggling to make a go of things amidst poverty and urban decay in Philadelphia. Yet, despite the grimness of the setting, the movie offers a basis for renewal and hope through a cast of characters who don't exactly fit into the stereotypical slum-drama mold - and in the film's commitment to social justice through unity and action.In terms of form, Mark Webber's film is more a series of vignettes than a conventionally structured narrative, an approach that actually works quite well given the slightly amateurish, rough-around-the-edges nature of the piece. Yet, despite limited financial resources, Webber has fashioned a stylish, sometimes even quite visionary work that clearly cares about its characters and the community to which they belong.Those characters include a young couple caught up in the web of drug addiction; an aspiring actor who's struggling with depression; a seven-year-old chess player who gets picked on at school; a sweet-natured teenager who's trying hard to impress his girl; a pot-smoking mother who's having to counsel her son to stay away from the drug till he's older; and another mother (played by Rosario Dawson) who's desperate to get some much-needed medicine for her asthmatic child. The characters have little in common with one another except that they happen to live in the same geographical locale and they're all trying to do the best they can with what fate and, in some cases, their own choices and actions have led them to. The movie ends on a powerful note of optimism and reconciliation after a heartbreaking and gut-wrenching event befalls two of the main characters.When all is said and done, Webber's first directorial effort is more a work of "promise" than a fully realized work of art in its own right. But if your taste runs more towards the experimental and the "hip" and less towards the stale conventions of commercial movie-making, then "Explicit Ills" might well be the movie for you.

Beautiful and thought provoking film. Me and my boyfriend loved it. The director/writer did a wonderful job. Not sure what he's done before. I guess I can check him out on IMDb. We highly recommend it. Great mosaic of characters and colors. Performances are lovely and powerful. It was nice to see Rosario Dawson play something completely different. And she is so beautiful. Paul Dano blew us away with his performance of a young man who is at the bottom and who's only dream will never happened . We are sad to hear the movie is leaving the theaters this week already and that we won't be able to recommend it to our friends until it comes out on DVD. Great find.

I heard so much good things about these but then I saw it and I must say i was not impressed. I thought it was very formulaic and jarring. The characters were indie film cardboard cutouts. None of the performances stood out despite a strong cast but you couldn't blame them as the dialogue was trite and uneventful. This was a standard crash-esquire drama with a decent message that was told more vividly at the Q & A by the director Mark Webber than was portrayed in the film. Sorry, wanted to like it but it just didn't mesh or flow. But I must say a good chunk of the audience members enjoyed it, as it seemed to move them. But as an avid film lover, i was not engrossed in any of the characters(I just wanted the movie to end) It felt like a hallmark special movie albeit with good, urban score that was frankly the best part of the film. The film is way over saturated but I know that's what the director intended.