Fareb
Fareb
| 08 July 2005 (USA)
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The film opens with the murder of business magnate Amit Singhania (Bakul Thakker) who lives a wealthy lifestyle along with his wife, Ria Singhania (Shamita Shetty), in a spacious bungalow. He runs a company, Spykar Jeans. Ria is asked to co-operates with the Police, who suspect her for foul play as she is the sole proprietor of Amit's business and wealth. The police also suspect Amit's subordinate, Siddharth Sardesai (Parmeet Sethi), who may have killed Amit, who was also having an affair with Sonia Sharma (Sonia Kapoor), who works for an ad agency run by Diwakar. Ria meets with Aditya (Manoj Bajpai), who also works for the same ad agency, and is attracted to him, both get intimate, but Aditya, who is married to Neha (Shilpa Shetty), and has a school-going son,

Reviews
Palaest

recommended

Greenes

Please don't spend money on this.

Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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vkap-13252

I watched it with modest expectations and I was surprised on the positive side. Well developed story that avoids the clichéd ending. Some parts did feel a bit unpolished but the movie was still very enjoyable. Recommended for watching once; well since it is a mystery, watching it a second time is not going to be interesting - especially because execution is not very smooth.

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ankitgup

Do not waste your time. one of the worst screenplay I have ever seen. story is good though. Everything except the story is bad in my opinion. Manoj sir is disappointing.Deepak Tijori and Bijesh Jayarajan surely know how to f*ck with a very nice story.They tried to show some hotness but they failed miserably. I think I have helped you as much as i could. IMDb is saying I have to write at least 10 lines. the movie starts with a murder then it proceeds in a love triangle by now the director have forgotten about the murder. the movie is a Fareb to the audience.

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silvan-desouza

Deepak Tijori was not that successful as an actor, mostly he played supporting roles and then he shifted to direction, starting with OOPS and then KHAMOSH and then FAREB(2005). Starring Manoj Bajpai with Shetty Sisters(Shilpa and Shamita) The film mixes AITRAAZ, ZEHER and many films and the final combination isn't too appealing. It starts off as a thriller becomes an Aitraaz kinda film and ends up like one. The film holds your attention in many parts, though at times things don't work out, especially as predictability starts. The movie follows the throdden part towards the climax Direction is okay, though the script lets him down Music is okay Baras Jaa being the most popular one.Manoj Bajpai however great actor maybe, is not that comfortable in commercial films especially the lovey dovey stuff, he does his role well except in some scenes though but yet a good job- 6.5/10 Shilpa Shetty underplays her part with maturity - 8/10 Shamita Shetty is also superb, sadly her career didn't work out well - 7/10 Amongst rest Parmeet Sethi is okay, Milind Gunaji too is okay(surprisingly he starred in another film with the same title in 1996) Kelly Dorji, Shawar Ali are nothing great rest are okay

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AishFan

This movie is a bit of a disappointment as the trailers are slightly misleading in terms of the story. Although the story is kind of interesting, it is rather slow-paced. Manoj Bajpai just seems average. Post-Phir Milenge Shilpa Shetty has been giving one good, mature performance after another. Above all is Shamita Shetty who definitely is the show stealer. Her power-packed scenes are awesome and she performs and delivers her dialogues straight from the heart full of passion, rage, or sensuality. The Manoj-Shamita confrontation scene is quite interesting and the revealing of the mystery person is quite shocking and adds a whole another dimension to the story, which had become quite a drag towards the end.

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