one of my absolute favorites!

A Disappointing Continuation

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

This movie is legendary. Neil Breen is a visionary filmmaker who is ahead of his time. One day, we will see this man win not one, but many Oscars. I got my local library to add this film to their collection and I suggest you do the same, this film deserves to be admired by all.

This movie is bad. If you think it's going to be a quality film with good acting, editing, or plot, you're going to be sorely disappointed. However, this movie can entertaining. I watched it in a group, and it had us laughing throughout. It's a movie that should be watched knowing it will make no sense most of the time. A one point, a glass of wine spills. Next shot, it hasn't spilled. Then it has. The main character has a girl when they are both around eight. They meet again, later. He looks to be in his late 50s; she is in her late 20s. The dialogue is terrible. There is no plot and a ton of half-finished subplots. I had a good time watching this movie, even though it is a terrible movie. We made fun of it the whole time. Is it so bad, it's good? Maybe. Just know what you're getting into.

Neil Breen is at it again with his profound insight into the corruption of the government and the plight of mankind. Through his cinematic masterpiece, we all learn what our "leaders" have been hiding from us this entire time. Move out of the way Hitchcock, sit down Nolan, take a step back Kubrick, and Scorcese; shut the f*** up! It's time for the new god of film to rise to the rank of best filmmaker ever.All of the actors, while talented in their own right, owe a great deal to Breen as he has saved them from the casting couch to give them work here. Nearly all of the actors make sure that they take their sweet time to say their lines to squeeze out every last juice of emotion out of their character. You won't see people in real life emote like this, that's for sure! I literally had to take the speed of the movie to 1.25 to have it sound like regular people were talking. The way that the movie portrays relationships is true and genuine, and will surely make you question you talk to your loved ones. Take for instance the main character Dylan, and his best friend Jim. In one scene, Dylan believes that Jim has taken his own life. While carrying his lifeless body, with Jim's blood all over his face, he says to him, word-for-word. "How could you have done this, how could you have committed suicide. I can't help you out of this one Jim". Amazing. While any other person would be distraught, Breen has to be the center of strength for everyone else and treats the situation as if he lost his lawnmower. Simply awe-inspiring. And let's not forget the way that the actors show you their conviction and emotion through slowly knocking over the several laptops that Breen's character owns, or spilling liquid on each other's chest to expose their breasts. You will not find a caliber of acting ability outside of this masterpiece besides the Hub itself. Breen has an incredible sense of pacing and attention to detail, as the director's vision envelops you in this world of wonder. If nothing else, you will always see the feet of every single character, which is a new, avant-garde way of shooting a scene never before seen and most certainly not a foot fetish. While viewing this with an associate film viewer of mine, we noticed that the story is told in a cyclical sort of way. There is no progression in the traditional sense, but instead, events that repeat themselves over and over again. Breen's character has a vision, he has a sexual encounter with a female co-star, he goes to one of his two therapists, he continues his fight against the Illuminati, a character dies for no real reason, rinse and repeat. It is a true parallel to how life repeats itself from the day we are born to the day we leave this earth. As I was viewing this with my cohort, I was emotionally overwhelmed, as it resonated with me like nothing or no one ever has before. I could not contain myself and purged fluids from my body out of pure ecstasy. Neil has no humility whatsoever, and why should he? He is a god among us feeble mortals. Excellence like this has never been achieved before. Time and time again, he asserts his superiority throughout his craft. The sex god is not afraid to show himself in his glory and the raw passion he has for the female form. Even if he has just been put into a coma, and literally bleeding all over his body, he is coming for that booty. And nothing can be done; no one can resist. Literally, every female character in the movie is after his Mandingo manhood, whether they are of legal age or not. Even his therapist gets jealous when he suspects he has been two-timing him. In the final 10 minutes of this movie, I was screaming as my brain could not handle the truth that Breen was unleashing unto me. Breen's character, (who all of a sudden is an expert hacker) hacked into the databases of not just the United States government, but every single government of the world, and collected crucial information. What the information was, we do not know, and it was never actually distributed to the public, but Breen's word was enough, as the government officials and presidents of corporations confessed to their sins gladly and committed suicide in front of an applauding audience. I have already said too much; please go and watch this piece of history that every man, woman, and child should behold as their new guide to life. All authors of the review with the letter N or B in their name are actually Neil Breen.

This film is so hilariously awful. This is the perfect movie to watch with drunk friends. The insanity this film has is just hilarious. Then there's things that don't make any sense. Like when the girl writes in her diary "It's a magical day" and that's like the only entry in it. And then like 30 years later in the movie's time, the same diary pops out of her pocket. The acting in this film is awful with the main actor, Neil Breen (who is also the writer AND director) being particularly bad as well as this guy who's supposed to be an alcoholic but never acts drunk. There's a scene in a garage (no spoilers cause you need to see this for yourself) where the acting is so bad that I actually had the pause the film and calm down because the acting is atrocious. I give this film an A+ but only as a joke because it's so hilariously abysmal (like the Room). Just watch it.