Self-important, over-dramatic, uninspired.

Great movie. Not sure what people expected but I found it highly entertaining.

Story: It's very simple but honestly that is fine.

An old-fashioned movie made with new-fashioned finesse.

This movie is intriguing only because Colin Firth is in it. It is one of his earlier films so he still has a baby fat face, but he also has that charming accent...so, not a total waste of time. He is the only reason I stuck it out.Movie has thin plot that probably could have been a good, had the characters not been so superficial. Colin has all his usual passion, but seems out of place with the surrounding "ghosts" pretending to be actors. Really was let down by extent of the emptiness of the acting. The plot was too easy...first there are really bad men, then the bad men don't want to be bothered with the physicality's of killing someone. So they leave...what's with that? They are hit men without bullets, basically.And I am so used to seeing Billy Zane as a really bad man that he seemed secondary if not less. Kinda spacey, and not really in the part of the film that he would have been best at, the supposed brutal sub-ending. I say sub-ending because the ending-ending was even more disappointing....turned into some warped fairy tale.All in all, waste of time and space. Sorry Colin.

As I sat in front of the TV watching this movie, I thought, "Oh, what Alfred Hitchcock, or even Brian DePalma, could have done with this!" Chances are, you will too. It does start out intrigueing. A British park ranger living in Los Angeles (Collin Firth) marries a pretty, demure brunette woman (Lisa Zane) whom he met in a park only a short time ago. Then, one day she dissappears. The police are unable to find any documentation that she ever existed, and Firth conducts his own search. So far, so good. Just as he's about to give up, he turns to his womanizing best friend (Billy Zane), and they stumble onto her former life in L.A.'s sordid underground of drugs, nightclubs, and ametuer filmmaking, and then to her history of mental instability. At that point, Firth's life is in danger, and the film falls apart. None of the characters from Lisa Zane's past are remotely interesting. The film moves slowly, and there's very little action. There is a subplot regarding missing drug money, but it's just a throwaway. No chases, no cliffhanging sequences, and no suspense. Just some dull beatings and a lot of chat by boring characters. One thing worth noting, Lisa Zane and Billy Zane are brother and sister, but they never appear in a scene together. By the end of the movie, you're torn between wondering what might have been and trying to stay awake.

The bud of love bloomed when boy met girl. A whirlwind romance and quickie nuptials are displayed in a series of flashbacks after a mysterious woman [read: crazy] leaves her hubby during the honeymoon. He goes bonkers and spends his days tracing his disappeared darling. This leads him into a web of S&M film makers, lunatic drug dealers, and a very large surprise concerning his wonderful wife. Run of the mill thriller which seems to bog down more than cause one to quiver with emotional excitement.

Granted I'm a Colin Firth fan but I really enjoyed this movie. It has an interesting plot with unsuspecting twists and turns that keep the viewer focused until the end. Even the reviewer that said it was bad watched it all the way through.